Pub Date : 2020-09-07DOI: 10.2991/assehr.k.200907.051
Shuquan Zhan, Chao Liang
The South Korean movie "Parasite" won four awards in the 92nd Oscars, including the best film award, creating a miracle in the history of South Korean movies. This paper analyzes three layers of the physical space of three families in the film, revealing its postmodern spacial narrative structure. Through interpretation of the unique spatial image of "slope road", the paper fully demonstrates the rise and fall of Kim family's social status, and hope and despair of their mental journey. Through reconstructing the cruel struggle between people at the bottom of the society and their gratitude to the upper class, the paper exposes the collective unconsciousness of the lower class to the deep root of their plight and the fact that their struggle and resistance will inevitably lose the focus. On the basis of comparing the living space of different social strata and presenting the futile struggle of the lower class among different spaces, the film criticizes the social reality of the serious polarization between the rich and the poor in South Korea, and tries to arouse the profound concern of the society for the living conditions of the lower class.
{"title":"A Study of Spatial Narrative in the South Korean Movie “Parasite”","authors":"Shuquan Zhan, Chao Liang","doi":"10.2991/assehr.k.200907.051","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.051","url":null,"abstract":"The South Korean movie \"Parasite\" won four awards in the 92nd Oscars, including the best film award, creating a miracle in the history of South Korean movies. This paper analyzes three layers of the physical space of three families in the film, revealing its postmodern spacial narrative structure. Through interpretation of the unique spatial image of \"slope road\", the paper fully demonstrates the rise and fall of Kim family's social status, and hope and despair of their mental journey. Through reconstructing the cruel struggle between people at the bottom of the society and their gratitude to the upper class, the paper exposes the collective unconsciousness of the lower class to the deep root of their plight and the fact that their struggle and resistance will inevitably lose the focus. On the basis of comparing the living space of different social strata and presenting the futile struggle of the lower class among different spaces, the film criticizes the social reality of the serious polarization between the rich and the poor in South Korea, and tries to arouse the profound concern of the society for the living conditions of the lower class.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122475895","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-09-07DOI: 10.2991/assehr.k.200907.084
Bingying Wang, Xiaonan Zhang
The phenomenon of "entertainment carnival" was proposed based on the fact that the contemporary cultural industry has become a social reality, and now it has become one of the most important cultural phenomena in the modern age. The criticism of the cultural industry is an important theoretical part of Adorno's philosophical aesthetics, and the cultural phenomenon of "entertainment carnival" is regarded as one of the important contents in the development of cultural industry globalization. This article will take Chinese variety shows as the analysis object, combined with the critical theory of cultural industry proposed by members of Frankfurt School Adorno and Horkheimer to analyze and study the complicated and complex "entertainment carnival" phenomenon in China, and it's also a probe into the theoretical significance of the critical theory of cultural industry in contemporary
{"title":"A Study on the “Entertainment Carnival” Phenomenon From the Perspective of Critical Theory of Cultural Industry: Taking Chinese Variety Show as the Research Object","authors":"Bingying Wang, Xiaonan Zhang","doi":"10.2991/assehr.k.200907.084","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.084","url":null,"abstract":"The phenomenon of \"entertainment carnival\" was proposed based on the fact that the contemporary cultural industry has become a social reality, and now it has become one of the most important cultural phenomena in the modern age. The criticism of the cultural industry is an important theoretical part of Adorno's philosophical aesthetics, and the cultural phenomenon of \"entertainment carnival\" is regarded as one of the important contents in the development of cultural industry globalization. This article will take Chinese variety shows as the analysis object, combined with the critical theory of cultural industry proposed by members of Frankfurt School Adorno and Horkheimer to analyze and study the complicated and complex \"entertainment carnival\" phenomenon in China, and it's also a probe into the theoretical significance of the critical theory of cultural industry in contemporary","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115717850","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-09-07DOI: 10.2991/assehr.k.200907.101
Chunlin Yu, Bo Mu
This subject takes the "Creative Thinking" course as an example to study the current situation and practical results of the application of information-based teaching methods in art design courses. Combining the characteristics of the "Creative Thinking" course, it explores how to use information-based teaching methods to optimize the teaching model. It is guided by the application theory of informatization-based teaching, looking for optimized methods and approaches from the five links of the teaching mode, exploring the application strategies of informatization-based teaching methods, analyzing the integrated way of teaching information resources of "Creative Thinking" course under the information-based teaching mode, and promoting the diversified development of teaching methods of art design course.
{"title":"Exploration of Information-Based Teaching Reform of Art Design Courses: Taking “Creative Thinking” Course as an Example","authors":"Chunlin Yu, Bo Mu","doi":"10.2991/assehr.k.200907.101","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.101","url":null,"abstract":"This subject takes the \"Creative Thinking\" course as an example to study the current situation and practical results of the application of information-based teaching methods in art design courses. Combining the characteristics of the \"Creative Thinking\" course, it explores how to use information-based teaching methods to optimize the teaching model. It is guided by the application theory of informatization-based teaching, looking for optimized methods and approaches from the five links of the teaching mode, exploring the application strategies of informatization-based teaching methods, analyzing the integrated way of teaching information resources of \"Creative Thinking\" course under the information-based teaching mode, and promoting the diversified development of teaching methods of art design course.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130271376","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-09-07DOI: 10.2991/assehr.k.200907.068
Elena E. Polotskaya, K. Yegorova
The article examines state, public and private initiatives that stimulated the formation and the development of general and special music education in Russia in the 2nd half of the XIX-early XX centuries. The state initiative provided both tenors of music education with organizational, financial and content support of the Imperial court. The public initiative supported the formation of musical and educational departments in various public organizations that contributed to the education of an amateur musician. The state initiative provided both tenors of music education with organizational, financial, and content support of the Imperial court. The public initiative supported the formation of musical and educational departments in various public organizations that contributed to the education of an amateur musician.
{"title":"Musical and Educational Initiatives in Russia in the 2nd Half of the XIX – Early XX Centuries","authors":"Elena E. Polotskaya, K. Yegorova","doi":"10.2991/assehr.k.200907.068","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.068","url":null,"abstract":"The article examines state, public and private initiatives that stimulated the formation and the development of general and special music education in Russia in the 2nd half of the XIX-early XX centuries. The state initiative provided both tenors of music education with organizational, financial and content support of the Imperial court. The public initiative supported the formation of musical and educational departments in various public organizations that contributed to the education of an amateur musician. The state initiative provided both tenors of music education with organizational, financial, and content support of the Imperial court. The public initiative supported the formation of musical and educational departments in various public organizations that contributed to the education of an amateur musician.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"967 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116207663","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-09-07DOI: 10.2991/assehr.k.200907.052
Zharkova Valeriya
This article reviews the Piano Concerto in G major by Maurice Ravel, which is a creative testament of the composer. The Concerto unites the ideas of the game and the beauty, the most important ones according to the composer's thinking. In the first movement, Ravel invites us to "a game with genre," in which the canons of the genre are both preserved and violated at the same time. The second movement introduces us to "a game with styles." The third movement is "a game with the self," because Ravel puts together a mosaic of musical themes that are clearly associated with his earlier works. The composer's games open the opportunity for the audience to touch on the ephemeral world of beauty and charm and to see the Magic garden of our true life. The path to these worlds is the revelation and a gift offered by
{"title":"Piano Concerto in G major by Maurice Ravel: Games and Revelations of the Artist of the Twentieth Century","authors":"Zharkova Valeriya","doi":"10.2991/assehr.k.200907.052","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.052","url":null,"abstract":"This article reviews the Piano Concerto in G major by Maurice Ravel, which is a creative testament of the composer. The Concerto unites the ideas of the game and the beauty, the most important ones according to the composer's thinking. In the first movement, Ravel invites us to \"a game with genre,\" in which the canons of the genre are both preserved and violated at the same time. The second movement introduces us to \"a game with styles.\" The third movement is \"a game with the self,\" because Ravel puts together a mosaic of musical themes that are clearly associated with his earlier works. The composer's games open the opportunity for the audience to touch on the ephemeral world of beauty and charm and to see the Magic garden of our true life. The path to these worlds is the revelation and a gift offered by","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121036037","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-09-07DOI: 10.2991/assehr.k.200907.043
Bing Liu
The Tibetan "Zhuo" has an ancient history and culture, and its development in Tibetan areas has a long history. It has the reputation of "Chinese living dance fossil". "Zhuo" has a unique ethnic style in the process of development, and policy measures provide Tibetan people with their unique performing arts. In this paper, through the understanding and understanding of "Zhuo", the origin and development of "Zhuo" are studied. On this basis, the differences between it and other dance types are studied to further develop an in-depth understanding of "Zhuo".
{"title":"The Artistic Features of “Zhuo”, a Type of Tibetan Dance","authors":"Bing Liu","doi":"10.2991/assehr.k.200907.043","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.043","url":null,"abstract":"The Tibetan \"Zhuo\" has an ancient history and culture, and its development in Tibetan areas has a long history. It has the reputation of \"Chinese living dance fossil\". \"Zhuo\" has a unique ethnic style in the process of development, and policy measures provide Tibetan people with their unique performing arts. In this paper, through the understanding and understanding of \"Zhuo\", the origin and development of \"Zhuo\" are studied. On this basis, the differences between it and other dance types are studied to further develop an in-depth understanding of \"Zhuo\".","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116749011","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-09-07DOI: 10.2991/assehr.k.200907.035
M.A. Belikova
Urban life became one of the dominant themes in Weimar art, as a city had been the main living space for a human of the XX century. Being one of the main centres of political and cultural life in Germany, Berlin cannot but attracted artists from all over the country. The article compares the peculiarities of perception of the metropolitan life by expressionists and the representatives of new objectivity. If for the expressionists it was important to look at urban environment in a new way, to reflect its vitalism and dynamism, the new objectivity artists sought to capture the facts of social reality, taking a sober look at the surrounding environment and revealing its most unattractive features. Nevertheless, both movements contributed to the development of new vision of city space, having produced thousands of works devoted to urban issues.
{"title":"The Metropolitan Life in German Artists’ Legacy of the Pre-war and Interwar Period","authors":"M.A. Belikova","doi":"10.2991/assehr.k.200907.035","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.035","url":null,"abstract":"Urban life became one of the dominant themes in Weimar art, as a city had been the main living space for a human of the XX century. Being one of the main centres of political and cultural life in Germany, Berlin cannot but attracted artists from all over the country. The article compares the peculiarities of perception of the metropolitan life by expressionists and the representatives of new objectivity. If for the expressionists it was important to look at urban environment in a new way, to reflect its vitalism and dynamism, the new objectivity artists sought to capture the facts of social reality, taking a sober look at the surrounding environment and revealing its most unattractive features. Nevertheless, both movements contributed to the development of new vision of city space, having produced thousands of works devoted to urban issues.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125821489","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-09-07DOI: 10.2991/assehr.k.200907.039
Pengju Zhang, Haijing Liang
Arthur C. Danto's analytical aesthetics occupies an important theoretical position in the history of analytical aesthetics. If the "Artworld" theory is a useful attempt by Danto to use analytical philosophical methods to analyze works of art; then "The Transfiguration of the Commonplace" can be said to be the successful application of Danto's theory of analytical aesthetics to explain and criticize art practice activities, marking the formal formation of Danto's analytical aesthetics; the publication of "The End of Art" marks the dissolution of its analytical aesthetic thought and the return of its artistic theory to philosophy. It can be seen from the "Artworld" through "The Transfiguration of the Commonplace" to "The End of Art" that Danto's analytical aesthetics development begins with philosophy and ends with the theoretical approach of philosophy; the article has certain value for understanding the significance of contemporary art.
{"title":"Analytical Philosophy to Philosophical Analysis: Arthur C. Danto’s Analytical Approach to the Formation of Aesthetic Thought","authors":"Pengju Zhang, Haijing Liang","doi":"10.2991/assehr.k.200907.039","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.039","url":null,"abstract":"Arthur C. Danto's analytical aesthetics occupies an important theoretical position in the history of analytical aesthetics. If the \"Artworld\" theory is a useful attempt by Danto to use analytical philosophical methods to analyze works of art; then \"The Transfiguration of the Commonplace\" can be said to be the successful application of Danto's theory of analytical aesthetics to explain and criticize art practice activities, marking the formal formation of Danto's analytical aesthetics; the publication of \"The End of Art\" marks the dissolution of its analytical aesthetic thought and the return of its artistic theory to philosophy. It can be seen from the \"Artworld\" through \"The Transfiguration of the Commonplace\" to \"The End of Art\" that Danto's analytical aesthetics development begins with philosophy and ends with the theoretical approach of philosophy; the article has certain value for understanding the significance of contemporary art.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"111 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129453400","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-09-07DOI: 10.2991/assehr.k.200907.031
Qiongqiong Lai
Currently, the research on Chinese ethnic and folk dance has achieved fruitful results, but some fields still need to be further explored. The research method of oral history is feasible and irreplaceable in practice, which makes up for textual research. The study on the oral history of Tibetan dance is feasible and urgent, which is of great value to the understanding of minority dance culture and the protection of intangible cultural heritage. Specific research and practices are faced with such obstacles as language barrier, inaccurate translation, poor support from literature, and human interference, resulting in low efficiency or stagnation of interviews. Therefore, several issues in the study on the oral history of Tibetan dance should be carefully controlled, and scientific and efficient ways and methods should be proposed to solve the problems of "whom to talk to", "what to talk about" and "how to talk", so as to guarantee smooth study and unveil the mystery of Tibetan dance.
{"title":"Exploration and Reflection on the Research Method of Oral History of Tibetan Dance","authors":"Qiongqiong Lai","doi":"10.2991/assehr.k.200907.031","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.031","url":null,"abstract":"Currently, the research on Chinese ethnic and folk dance has achieved fruitful results, but some fields still need to be further explored. The research method of oral history is feasible and irreplaceable in practice, which makes up for textual research. The study on the oral history of Tibetan dance is feasible and urgent, which is of great value to the understanding of minority dance culture and the protection of intangible cultural heritage. Specific research and practices are faced with such obstacles as language barrier, inaccurate translation, poor support from literature, and human interference, resulting in low efficiency or stagnation of interviews. Therefore, several issues in the study on the oral history of Tibetan dance should be carefully controlled, and scientific and efficient ways and methods should be proposed to solve the problems of \"whom to talk to\", \"what to talk about\" and \"how to talk\", so as to guarantee smooth study and unveil the mystery of Tibetan dance.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126346982","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-09-07DOI: 10.2991/assehr.k.200907.026
Feng-chuan Liu, P. Zhou
The Chinese drama "Peony Pavilion", created more than 400 years ago, is the representative work of Tang Xianzu, the great dramatist of the Ming Dynasty. "Peony Pavilion" describes the touching story of the spoony Du Liniang and the intellectual Liu Mengmei, who knows each other and die because of being awakened and unable to see the each other in the dream, and then get together forever. This great creation has been sung for more than 400 years. Various versions of the opera vocals have been presented on the stage again and again, but the first vocal of premiere has never been restored. This article mainly discusses the textual research and characteristics of the premiere version of Tang Xianzu's "Peony Pavilion".
{"title":"Research on the Premiere of Chinese Drama “Peony Pavilion”","authors":"Feng-chuan Liu, P. Zhou","doi":"10.2991/assehr.k.200907.026","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.026","url":null,"abstract":"The Chinese drama \"Peony Pavilion\", created more than 400 years ago, is the representative work of Tang Xianzu, the great dramatist of the Ming Dynasty. \"Peony Pavilion\" describes the touching story of the spoony Du Liniang and the intellectual Liu Mengmei, who knows each other and die because of being awakened and unable to see the each other in the dream, and then get together forever. This great creation has been sung for more than 400 years. Various versions of the opera vocals have been presented on the stage again and again, but the first vocal of premiere has never been restored. This article mainly discusses the textual research and characteristics of the premiere version of Tang Xianzu's \"Peony Pavilion\".","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131570545","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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