Zhang Guangyu and the Pictorial Imagination of Manhua Journey to the West

John A. Crespi
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Abstract

The artist uses the satirical tenor of manhua to probingly turn these perverse phenomena into images for the gaze of all Chinese people, awakening the souls of every Chinese person and reminding them never to forget the crimes and sorrows of the war. Manhua Journey to the West is thus more than a manhua exhibition. It is a history of modern Chinese society, a milestone for China’s War of Resistance. —Hsin-Min Bao Wankan (Xinmin bao wankan, Chengdu), February 7, 1946
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张光裕与《满华西游记》的意象想象
艺术家用漫花的讽刺腔调,探探性地将这些反常的现象转化为影像,呈现在所有中国人的眼前,唤醒每一个中国人的灵魂,提醒他们不要忘记战争的罪恶和悲伤。因此,“满华西游”不仅仅是一个满华展览。这是一部中国近代史,是中国抗战的里程碑。——《包新民看》(成都,1946年2月7日
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Zhang Guangyu and the Pictorial Imagination of Manhua Journey to the West Epilogue War, Rites of Passage, and Resistance Sketch
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