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Manhua Modernity: Chinese Culture and the Pictorial Turn最新文献

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Epilogue 后记
Pub Date : 2020-12-08 DOI: 10.1525/luminos.97.f
John A. Crespi
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引用次数: 0
Zhang Guangyu and the Pictorial Imagination of Manhua Journey to the West 张光裕与《满华西游记》的意象想象
Pub Date : 2020-12-08 DOI: 10.1525/luminos.97.d
John A. Crespi
The artist uses the satirical tenor of manhua to probingly turn these perverse phenomena into images for the gaze of all Chinese people, awakening the souls of every Chinese person and reminding them never to forget the crimes and sorrows of the war. Manhua Journey to the West is thus more than a manhua exhibition. It is a history of modern Chinese society, a milestone for China’s War of Resistance. —Hsin-Min Bao Wankan (Xinmin bao wankan, Chengdu), February 7, 1946
艺术家用漫花的讽刺腔调,探探性地将这些反常的现象转化为影像,呈现在所有中国人的眼前,唤醒每一个中国人的灵魂,提醒他们不要忘记战争的罪恶和悲伤。因此,“满华西游”不仅仅是一个满华展览。这是一部中国近代史,是中国抗战的里程碑。——《包新民看》(成都,1946年2月7日
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引用次数: 0
War, Rites of Passage, and Resistance Sketch 战争,成人仪式和抵抗素描
Pub Date : 2020-12-08 DOI: 10.1525/luminos.97.c
John A. Crespi
Whoever passes from one to the other finds himself physically and magico-religiously in a special situation for a certain length of time: he wavers between two worlds. It is this situation which I have designated a transition, and one of the purposes of this book is to demonstrate that this symbolic and spatial area of transition may be found in more or less pronounced form in all the ceremonies which accompany the passage from one social and magico-religious position to another. —Arnold van Gennep, 1909
无论谁从一个世界转到另一个世界,都会发现自己在一段时间内身体上和宗教上都处于一种特殊的状态:他在两个世界之间摇摆不定。我把这种情况称为过渡,本书的目的之一就是要证明,这种象征性的和空间上的过渡,在伴随从一种社会和魔法宗教地位过渡到另一种地位的所有仪式中,或多或少都能找到明显的形式。——阿诺德·范·格内普,1909年
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引用次数: 0
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Manhua Modernity: Chinese Culture and the Pictorial Turn
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