Compositional computational constructive critique: or, how my computer learned to appreciate poetry

Jennifer Hackett
{"title":"Compositional computational constructive critique: or, how my computer learned to appreciate poetry","authors":"Jennifer Hackett","doi":"10.1145/3242903.3242904","DOIUrl":null,"url":null,"abstract":"A well-typed work of art should not sound wrong: we can use DSLs to get this boon. Existing work has cover’d this for song, at least so far as harmony and tune. Well, verse contrains the author’s pencil thus: In English verse, the syllables adhere to certain contours. Catenation plus the empty form create a monoid here. But not all poems stay within their meter; some, like this, can be a little free and so our monoid has to let us teeter on the edge, as tunes oft do with key. Our monoid must be fuzzy at its heart to let us teach computers of this art.","PeriodicalId":199077,"journal":{"name":"Proceedings of the 6th ACM SIGPLAN International Workshop on Functional Art, Music, Modeling, and Design","volume":"221 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-09-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of the 6th ACM SIGPLAN International Workshop on Functional Art, Music, Modeling, and Design","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1145/3242903.3242904","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

A well-typed work of art should not sound wrong: we can use DSLs to get this boon. Existing work has cover’d this for song, at least so far as harmony and tune. Well, verse contrains the author’s pencil thus: In English verse, the syllables adhere to certain contours. Catenation plus the empty form create a monoid here. But not all poems stay within their meter; some, like this, can be a little free and so our monoid has to let us teeter on the edge, as tunes oft do with key. Our monoid must be fuzzy at its heart to let us teach computers of this art.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
作曲计算建设性批评:或者,我的电脑如何学会欣赏诗歌
一件类型良好的艺术作品听起来不应该是错误的:我们可以使用dsl来获得这种好处。现存的作品已经把这一点写进了歌曲,至少在和声和曲调方面是这样。好吧,诗歌包含了作者的铅笔:在英语诗歌中,音节遵循一定的轮廓。连字符加上空表单在这里创建了一个单oid。但并不是所有的诗都在韵律之内;有些,像这样,可能有点自由,所以我们的单声道必须让我们在边缘上摇摆,就像音调一样。我们的单轴必须是模糊的,才能让我们教计算机这门艺术。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
Compositional computational constructive critique: or, how my computer learned to appreciate poetry Programming-by-example for audio: synthesizing digital signal processing programs FARM 2018 demo summary NNdef: livecoding digital musical instruments in SuperCollider using functional reactive programming Abstract nonsense
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1