ON THE ISSUE OF THE “ROCK POETRY WORD” IN CONTEMPORARY RUSSIAN NOVEL. THE WORLD OF BORIS GREBENSHCHIKOV IN THE WORLD OF “DREAMS SWIMMER” BY LEV NAUMOV

Y. Domanskii
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Abstract

The article deals with references to the work of Boris Grebenshchikov in the “Dreams Swimmer” by Lev Naumov “The swimmer of dreams” (2021). The common denominator of the system of these references is the aesthetic character of the hero’s understanding of himself in the world and the world in relation to himself, which, if not directly leads the hero to the idea of his own chosenness, then at least is a symptom of the emergence of this idea. As a result, the system of references to the songs of “Aquarium” in Naumov’s novel makes it possible to interpret the character’s worldview as a worldview based on the aesthetic concept of understanding reality. The example of the appeal of a modern Russian novel to the “word of rock” considered in the article allows us to make sure that such an inclusion contributes to the disclosure of the specifics of the character’s worldview, and the analysis of this appeal brings one closer to a deeper understanding of the text.
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论当代俄罗斯小说中的“摇滚诗词”问题。列夫·诺莫夫《梦想游泳者》中的鲍里斯·格林本什奇科夫的世界
这篇文章涉及到Boris Grebenshchikov在Lev Naumov的《梦中的游泳者》(The Swimmer of Dreams, 2021)中的作品。这些参考体系的共同点是英雄对自己在世界中的理解以及世界与自己的关系的审美特征,这即使不能直接将英雄引向他自己选择的观念,但至少是这种观念出现的征兆。因此,诺莫夫小说中对“水族馆”歌曲的指称系统使得将人物的世界观解读为一种基于理解现实的审美观念的世界观成为可能。文章中考虑的现代俄罗斯小说对“摇滚之词”的吸引力的例子使我们能够确保这种包含有助于揭示人物世界观的细节,对这种吸引力的分析使我们更接近于对文本的更深入理解。
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