Gained in Translation. Postmodern Architecture in Late Soviet Lithuania

Martynas Mankus
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Abstract

After being widely explored in the historiography of Western architecture, postmodernism has only recently started receiving adequate attention in Eastern and Central Europe. The phenomenon of postmodernism developed beyond the borders of the Soviet world, so the so-called “cultural logic of late capitalism” crossing the boundaries of the Iron Curtain has to be considered a consequence of globalization. On the other hand, this global trend was synchronized with the local expression of architecture: the pursuit of identity, attention to context and continuation of architectural traditions. Soviet publications presented postmodernism as a foreign phenomenon, but simultaneously noted that it could be useful to local architects as well. This did not imply an invitation to imitate Western colleagues, but rather signalled that certain architectural values had become globally significant to both, the capitalist and socialist industrial world. The text aims to uncover the local translations of (post)modernity in Lithuania in the context of the tendency’s peak period: the final decades of Soviet rule.
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在翻译中获得。苏联后期立陶宛的后现代主义建筑
后现代主义在西方建筑史学中被广泛探索后,直到最近才开始在东欧和中欧得到足够的关注。后现代主义现象的发展超越了苏联世界的边界,因此所谓跨越铁幕边界的“晚期资本主义文化逻辑”不得不被认为是全球化的结果。另一方面,这种全球趋势与当地的建筑表达是同步的:追求身份,关注文脉和延续建筑传统。苏联出版物将后现代主义视为一种外国现象,但同时也指出它对当地建筑师也很有用。这并不意味着要模仿西方同行,而是表明某些建筑价值对资本主义和社会主义工业世界都具有全球意义。本文旨在揭示在立陶宛(后)现代性的趋势的高峰时期的背景下的本地翻译:苏联统治的最后几十年。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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Gained in Translation. Postmodern Architecture in Late Soviet Lithuania The Language of Mass Architectural Postmodernity Introduction: Situating the Socialist Postmodern Reclaiming Identity: The Postmodern Turn in the Vilnius Architecture of the 1980s Centre E Estate in Krakow’s Nowa Huta. The postmodern experiment in the heart of the Stalin era symbol
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