The Art of Bracketing Empire Out and Creating Parallel Worlds: The Case of Late Persian Yehud

Ehud Ben Zvi
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Abstract

The goal of this article is to draw attention to a seemingly strange, generative pattern that, at times and under certain conditions, has shaped socially shared worlds of imagination among subordinate groups within imperial or hierarchically asymmetric structures of power, especially among “retainer” groups who saw themselves as a “cultural elite” of the subordinate group. I am referring to a generative pattern that in a significant number of such groups, across time and space, has led to constructions of worlds of imagination, and vicarious participation in them through readings or other social acts of imagination that involved “bracketing the empire out.” The article focuses on the world of the literati of late Persian Yehud/Judah, and especially the bracketing out of Ramat Rahel, the most obvious and monumental, explicit, imperial site in the province, but a number of various examples from diverse historical and geographical contexts are also brought to bear to make a point that this is a well-instantiated pattern. The article then concludes with a discussion of what was often gained by acts of imagination and memory involved in bracketing out “empire” and under which circumstances such acts tended to be historically likely.
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包围圈帝国和创造平行世界的艺术:晚期波斯耶胡德的案例
本文的目的是引起人们对一种看似奇怪的生成模式的关注,在某些情况下,这种模式在帝国或等级不对称的权力结构中,尤其是在那些将自己视为下属群体的“文化精英”的“保留”群体中,塑造了社会共享的想象世界。我指的是一种生成模式,在大量这样的群体中,跨越时间和空间,导致了想象世界的构建,并通过阅读或其他社会想象行为间接参与其中,包括“将帝国包起来”。这篇文章关注的是后期波斯耶胡德/犹大的文人世界,尤其是拉马特拉赫尔(Ramat Rahel)的包围,这是该省最明显、最具纪念意义、最明确的帝国遗址,但也有许多来自不同历史和地理背景的不同例子,来证明这是一个很好的例证模式。文章最后讨论了“帝国”的想象和记忆行为通常会带来什么,以及在什么情况下这种行为在历史上是可能发生的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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