Fish Symbolism in Indus Valley Epigraphy and Protohistoric Accounts

Shamashis Sengupta
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Abstract

The contribution of the Indus Valley civilization to the historic cultures of South Asia is a matter of debate due to a discontinuity in material culture, from the time of its decline to the reappearance of urbanization several centuries later. Progress in the epigraphy of the Indus Valley has been hindered by the absence of a bilingual inscription and the brevity of its texts. One of the most frequent signs encountered in its undeciphered writing system is the pictogram of ‘fish’. On a few seal inscriptions, this sign appears alone, suggesting that it represented a meaningful word or a name. It is noteworthy that Indian literature of later centuries recounts a protohistoric kingdom named Matsya in the vicinity of the Indus Valley sites, as matsya is the Sanskrit word for ‘fish’ and a divinity in the form of a fish is celebrated in the Indian version of the flood myth. An analysis of these narratives is presented in this paper, revealing the possibility of an association with the Indus Valley civilization of the more distant past. These observations indicate that fish symbolism may have occupied a place of prominence in Indus culture from political and religious perspectives. The Matsya territory mentioned in Vedic and epic literature is discussed in light of the chalcolithic cultures of Rajasthan, and it is suggested that this region witnessed successive waves of migration of different cultural groups due to its economic importance related to the exploitation of copper reserves.
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印度河流域书信和史前记载中的鱼符号
印度河流域文明对南亚历史文化的贡献是一个争论不休的问题,因为从其衰落时期到几个世纪后城市化的重新出现,物质文化一直处于不连续状态。由于缺乏双语碑文及其文本的简短性,印度河流域史书学的研究进展一直受到阻碍。在其未破译的文字系统中,最常见的符号之一是 "鱼 "的象形文字。在少数印章铭文中,这个符号单独出现,表明它代表了一个有意义的词或名称。值得注意的是,后来几个世纪的印度文献记述了在印度河流域遗址附近有一个名为 "Matsya "的史前王国,因为 "matsya "在梵语中是 "鱼 "的意思,而在印度版本的洪水神话中,一位神灵以鱼的形式被颂扬。本文对这些叙事进行了分析,揭示了与更遥远的印度河流域文明相关的可能性。这些观察结果表明,从政治和宗教角度来看,鱼的象征意义可能在印度河文化中占据了重要地位。本文结合拉贾斯坦邦的旧石器文化,对吠陀和史诗文献中提到的马茨亚地区进行了讨论,认为该地区因其与铜矿开采有关的经济重要性,见证了不同文化群体的连续迁徙浪潮。
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