Commynes – Mémoires: l’émancipation syntactico-sémantique à l’origine d’un genre ?

Estéle Dupuy
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Abstract

Was the Commynes’s syntactic cohesion (a man “not literary”, father of the genre of memoirs and diplomat of the fifteenth century which syntax has been often described as paratactic or uncohesive) influenced, according to the received idea, by his habit of the diplomatic despatch and was she perceived as uncohesive by his contemporaries? To answer his questions, respectively, we compare the lack of cohesion of the Memoirs with those of his autograph letters and then we search the headlines of the publisher Sauvage (1552) who propose a version pointed as more cohesive than that of the manuscript which serve of base to his edition. The results will show that the letters seem more cohesive than the Memoirs and that its Mémoirs’ s syntax is not underlined as embarrassing by its editor.
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Commynes - memory:一种性别起源的句法-语义解放?
根据公认的观点,科米尼斯的句法衔接(一个“不文学”的人,15世纪的回忆录和外交家的体裁之父,其句法通常被描述为意合的或不连贯的)是否受到他的外交函件习惯的影响,她是否被同时代的人认为是不连贯的?为了回答他的问题,我们分别将《回忆录》的缺乏凝聚力与他的亲笔信件的缺乏凝聚力进行比较,然后我们搜索出版商索维奇(1552)的标题,他提出了一个比手稿更有凝聚力的版本,作为他的版本的基础。结果将显示,这些信件似乎比《回忆录》更有凝聚力,而且编辑也没有强调其中的语法令人尴尬。
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