Lazzaro Felice, el héroe santo de Alice Rohrwacher

Teresa Rodríguez Hage
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Abstract

Starting from the premise that Lazzaro Felice (2018) by the Italian filmmaker Alice Rohrwacher is born from a vision of the world that has its roots in the Christian tradition and, therefore, is better understood from a religious perspective, we will study the different narrative and aesthetic aspects of the film, focusing on the creation of the central character, Lazarus, who, with a powerful spiritual charge of Christological resonances, is the essential key to the interpretation of the film. However, the religious approach is not limited to his figure, so we will also identify the numerous Christian references (iconographic, sound and narrative) recognizable in the staging and finally, we will discover some fragments of the film which reveals how, the director’s formal choices seek to translate into visual and sound language the presence of the sacred in everyday life.
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拉扎罗·费利斯,爱丽丝·罗尔瓦彻的神圣英雄
从一员的前提下菲利斯(2018)由意大利电影导演爱丽丝Rohrwacher出生的世界观,根植于基督教传统,因此,从宗教的角度更好的理解,我们将研究不同的叙事和审美方面的电影,关注的中心人物,拉撒路,世卫组织与一个强大的精神的基督论的共鸣,是重要的解释电影的关键。然而,宗教的方法并不局限于他的形象,所以我们也将识别出在舞台上可识别的众多基督教参考(图像,声音和叙事),最后,我们将发现电影的一些片段,这些片段揭示了导演的正式选择是如何将日常生活中神圣的存在转化为视觉和声音语言的。
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