Pub Date : 1900-01-01DOI: 10.25145/j.latente.2003.01.12
Teresa Arozena
Like a brief introduction, the article gives a view of the integrating movement of science and tecnology in representative arts. Photography and cinematography are considerated like hot spots in this «cold perception» that has been developed in art. The evolution operated in perceptual and cognitive systems it’s analysed from the beginig of the photographic and cinematographic apparatus to nowadays —the telecomunications and digital age— where important changes take place. In this context, some new representational vectors in relation with the image technique are outlined.
{"title":"Promesas y prótesis","authors":"Teresa Arozena","doi":"10.25145/j.latente.2003.01.12","DOIUrl":"https://doi.org/10.25145/j.latente.2003.01.12","url":null,"abstract":"Like a brief introduction, the article gives a view of the integrating movement of science and tecnology in representative arts. Photography and cinematography are considerated like hot spots in this «cold perception» that has been developed in art. The evolution operated in perceptual and cognitive systems it’s analysed from the beginig of the photographic and cinematographic apparatus to nowadays —the telecomunications and digital age— where important changes take place. In this context, some new representational vectors in relation with the image technique are outlined.","PeriodicalId":339824,"journal":{"name":"Latente Revista de Historia y Estética audiovisual","volume":"92 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114266055","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.25145/j.latente.2022.20.11
G. M. Pavés Borges
{"title":"El norte pide paso. 50 películas esenciales para entender el cine escandinavo. Kepa Sojo (2021). Barcelona: Editorial UOC","authors":"G. M. Pavés Borges","doi":"10.25145/j.latente.2022.20.11","DOIUrl":"https://doi.org/10.25145/j.latente.2022.20.11","url":null,"abstract":"","PeriodicalId":339824,"journal":{"name":"Latente Revista de Historia y Estética audiovisual","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124358125","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.25145/j.latente.2022.20.10
Francisco Ponce
Gay sex has been consistently hidden, censored and manipulated throughout the history of cinema. Rarely dealt with in mainstream cinema, it has nevertheless existed on the fringes of film consumption (art films, indies), reaching only small pockets of spectators. This essay aims to synthesize the presentation of gay sex in the film screen, dwelling first on both the spaces it is associated with and the movies that have attempted to show it, and then looking at several recent films (Weekend, Stranger by the Lake) that adopt different strategies to make it finally visible.
{"title":"Queda mucho por ver. El sexo gay en la pantalla","authors":"Francisco Ponce","doi":"10.25145/j.latente.2022.20.10","DOIUrl":"https://doi.org/10.25145/j.latente.2022.20.10","url":null,"abstract":"Gay sex has been consistently hidden, censored and manipulated throughout the history of cinema. Rarely dealt with in mainstream cinema, it has nevertheless existed on the fringes of film consumption (art films, indies), reaching only small pockets of spectators. This essay aims to synthesize the presentation of gay sex in the film screen, dwelling first on both the spaces it is associated with and the movies that have attempted to show it, and then looking at several recent films (Weekend, Stranger by the Lake) that adopt different strategies to make it finally visible.","PeriodicalId":339824,"journal":{"name":"Latente Revista de Historia y Estética audiovisual","volume":"74 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125918105","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.25145/j.latente.2022.20.01
Luis Francisco Díaz García
In Chantal Akerman’s cinematographic work, the presence of her mother is one of the most prominent elements. The Belgian director used the figure of her mother in several of her works, which span more than four decades in time. This recurring presence is due to the traumatic maternal past, since Natalia Akerman was confined in concentration camps during World War II. But, in addition, to reflecting on mother-child relationships and family memory, the films in which Chantal Akerman talks about her mother are also an interesting object of study on other topics. Specifically, they are examples of how to use autobiographical material to make films or how feminism is capable of rethinking the hegemonic representation of staging.
{"title":"Todo sobre mi madre y yo: género, memoria e identidad en el cine de Chantal Akerman /","authors":"Luis Francisco Díaz García","doi":"10.25145/j.latente.2022.20.01","DOIUrl":"https://doi.org/10.25145/j.latente.2022.20.01","url":null,"abstract":"In Chantal Akerman’s cinematographic work, the presence of her mother is one of the most prominent elements. The Belgian director used the figure of her mother in several of her works, which span more than four decades in time. This recurring presence is due to the traumatic maternal past, since Natalia Akerman was confined in concentration camps during World War II. But, in addition, to reflecting on mother-child relationships and family memory, the films in which Chantal Akerman talks about her mother are also an interesting object of study on other topics. Specifically, they are examples of how to use autobiographical material to make films or how feminism is capable of rethinking the hegemonic representation of staging.","PeriodicalId":339824,"journal":{"name":"Latente Revista de Historia y Estética audiovisual","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126043000","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.25145/j.latente.2022.20.08
Sabino Álvarez Álvarez
The pandemic due to Covid has severely affected the film industry. Starting from production (affecting shooting), going through distribution (delaying releases) and ending with the cinema exhibition (decrease in spectators), changing the business scheme definitively. One of the most affected variables is the time that passes from the release of the film in theatres until it is available in another media. This variable is called the theatrical windows release. This article firstly presents the main components of the business, introducing some economic keys of the exhibition, in order to build a story of the history of the theatrical window, how it has been affected over time and the relevance it has in the market.
{"title":"Exhibición en cines: ventanas y porcentajes en el laboratorio covid","authors":"Sabino Álvarez Álvarez","doi":"10.25145/j.latente.2022.20.08","DOIUrl":"https://doi.org/10.25145/j.latente.2022.20.08","url":null,"abstract":"The pandemic due to Covid has severely affected the film industry. Starting from production (affecting shooting), going through distribution (delaying releases) and ending with the cinema exhibition (decrease in spectators), changing the business scheme definitively. One of the most affected variables is the time that passes from the release of the film in theatres until it is available in another media. This variable is called the theatrical windows release. This article firstly presents the main components of the business, introducing some economic keys of the exhibition, in order to build a story of the history of the theatrical window, how it has been affected over time and the relevance it has in the market.","PeriodicalId":339824,"journal":{"name":"Latente Revista de Historia y Estética audiovisual","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125071438","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.25145/j.latente.2022.20.07
Elena Caparrós Castells
The analysis carried out aims to show how the Cinema has captured the different episodes of Julius Caesar’s life on the big screen. It’s presents a narration supported by the richest literary sources always under the scenographic curtain of the city of Rome in the Roman Republican period, showing us an anachronistic and mythical image then justified by a way of understanding the productions of a bygone era. For this reason, in this comparative study, links and relationships have been drawn to taking into account what is exhibited and how its narration is carried out.
{"title":"Huesos, papel y luz. Julio César, de Shakespeare a Mankiewicz","authors":"Elena Caparrós Castells","doi":"10.25145/j.latente.2022.20.07","DOIUrl":"https://doi.org/10.25145/j.latente.2022.20.07","url":null,"abstract":"The analysis carried out aims to show how the Cinema has captured the different episodes of Julius Caesar’s life on the big screen. It’s presents a narration supported by the richest literary sources always under the scenographic curtain of the city of Rome in the Roman Republican period, showing us an anachronistic and mythical image then justified by a way of understanding the productions of a bygone era. For this reason, in this comparative study, links and relationships have been drawn to taking into account what is exhibited and how its narration is carried out.","PeriodicalId":339824,"journal":{"name":"Latente Revista de Historia y Estética audiovisual","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121111905","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.25145/j.latente.2022.20.03
Carmen Milagros González Chávez
This article aims to analyse some film adaptations of Gaston Leroux’s novel Le Fantôme de l’Opéra (especially The Phantom of the Opera, a silent film from 1925 and Andrew Lloyd Webber’s The Phantom of the Opera, a musical from 2004). Film and literature go hand in hand to create a mystery that raises associations to other literary sources and other artistic manifestations.
本文旨在分析加斯顿·勒鲁的小说《Fantôme de l ' opra》的一些电影改编(尤其是1925年的无声电影《歌剧魅影》和2004年的音乐剧《歌剧魅影》)。电影和文学携手创造了一种神秘感，使人们联想到其他文学来源和其他艺术表现形式。
{"title":"El mundo bajo la máscara: el vórtice creativo en Le Fantôme de l’Opera","authors":"Carmen Milagros González Chávez","doi":"10.25145/j.latente.2022.20.03","DOIUrl":"https://doi.org/10.25145/j.latente.2022.20.03","url":null,"abstract":"This article aims to analyse some film adaptations of Gaston Leroux’s novel Le Fantôme de l’Opéra (especially The Phantom of the Opera, a silent film from 1925 and Andrew Lloyd Webber’s The Phantom of the Opera, a musical from 2004). Film and literature go hand in hand to create a mystery that raises associations to other literary sources and other artistic manifestations.","PeriodicalId":339824,"journal":{"name":"Latente Revista de Historia y Estética audiovisual","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126637148","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.25145/j.latente.2021.19.06
Teresa Rodríguez Hage
Starting from the premise that Lazzaro Felice (2018) by the Italian filmmaker Alice Rohrwacher is born from a vision of the world that has its roots in the Christian tradition and, therefore, is better understood from a religious perspective, we will study the different narrative and aesthetic aspects of the film, focusing on the creation of the central character, Lazarus, who, with a powerful spiritual charge of Christological resonances, is the essential key to the interpretation of the film. However, the religious approach is not limited to his figure, so we will also identify the numerous Christian references (iconographic, sound and narrative) recognizable in the staging and finally, we will discover some fragments of the film which reveals how, the director’s formal choices seek to translate into visual and sound language the presence of the sacred in everyday life.
{"title":"Lazzaro Felice, el héroe santo de Alice Rohrwacher","authors":"Teresa Rodríguez Hage","doi":"10.25145/j.latente.2021.19.06","DOIUrl":"https://doi.org/10.25145/j.latente.2021.19.06","url":null,"abstract":"Starting from the premise that Lazzaro Felice (2018) by the Italian filmmaker Alice Rohrwacher is born from a vision of the world that has its roots in the Christian tradition and, therefore, is better understood from a religious perspective, we will study the different narrative and aesthetic aspects of the film, focusing on the creation of the central character, Lazarus, who, with a powerful spiritual charge of Christological resonances, is the essential key to the interpretation of the film. However, the religious approach is not limited to his figure, so we will also identify the numerous Christian references (iconographic, sound and narrative) recognizable in the staging and finally, we will discover some fragments of the film which reveals how, the director’s formal choices seek to translate into visual and sound language the presence of the sacred in everyday life.","PeriodicalId":339824,"journal":{"name":"Latente Revista de Historia y Estética audiovisual","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117039098","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.25145/j.latente.2019.17.03
I. Arteaga
espanolEste articulo pretende trabajar la habilidad de J.K. Rowling en el uso de la mitologia grecorromana, especialmente a la hora de adaptarla y transformarla en la redaccion de algunos de los relatos de sus novelas. En este caso trabajaremos sobre los episodios de Persefone y Euridice utilizados en el descenso al «Hades» de Ginny Weasley en Harry Potter y la Camara de los Secretos. Pero no solo nos interesa conceptualizar los cambios y variantes de la vision creativa de la autora, sino como estos se ven afectados a la hora de traspasar la gran pantalla, analizando para ello el resto de referentes artisticos propuestos para la puesta en escena. En definitiva, nos gustaria demostrar cuanto hay de deconstruccion de los mitos antiguos y cuanto de creacion de nuevas lecturas e imagenes a partir de ellos en el segundo filme de la famosa saga. EnglishOur paper aims to highlight the ability of J.K.Rowling using Greek and Roman mythology, especially to adapt it and transform it into her stories. In this particular case we are talking about Persephone and Eurydice episodes, which have been used in the descent to Hades by Ginny Weasley in the summit scene of Harry Potter and the Chamber of Secrets. We are interested in conceptualizing changes and variations of the creative vision of the author, and how those have been affected when they moved to the big screen, analyzing the rest of artistic references that were selected for staging. Ultimately, we would like to prove how she deconstructs the ancient myths and how she creates new readings and new images based on them in the second film of the famous saga.
这篇文章的目的是研究J.K.罗琳在使用希腊罗马神话方面的技巧，特别是在她的小说中改编和转换一些故事时。在本例中，我们将研究在《哈利波特与密室》中金妮·韦斯莱的“哈迪斯”中使用的珀尔塞福涅和欧里狄斯的情节。但我们感兴趣的不仅是概念化作者创作视野的变化和变化，而且这些变化和变化是如何在大屏幕上移动时受到影响的，分析为舞台提出的其他艺术参考。简而言之，我们想在这部著名传奇的第二部电影中，展示如何解构古代神话，并从它们中创造新的解读和图像。EnglishOur paper旨在强调J.K.Rowling using Roman希腊and mythology能力,尤其是to adapt it and transform it into her故事。在这个特殊的案例中，我们谈论的是珀尔塞福涅和欧律狄刻的插曲，这些插曲是金妮·韦斯莱在《哈利·波特与密室》中使用的。We are准入in conceptualizing changes and variations of the creative vision of the提交人,and how这些影响而when they移动to the big之上,analyzing the rest of艺术》,被选定的试运行。Ultimately,我们将像to prove她如何deconstructs the ancient myths and how她creates new读物and new images based on them in the second of the cedefop电影传奇。
{"title":"Heroínas ante el espejo. Reflejos de Eurídice y Perséfone en la transformación personal de Ginevra Weasley","authors":"I. Arteaga","doi":"10.25145/j.latente.2019.17.03","DOIUrl":"https://doi.org/10.25145/j.latente.2019.17.03","url":null,"abstract":"espanolEste articulo pretende trabajar la habilidad de J.K. Rowling en el uso de la mitologia grecorromana, especialmente a la hora de adaptarla y transformarla en la redaccion de algunos de los relatos de sus novelas. En este caso trabajaremos sobre los episodios de Persefone y Euridice utilizados en el descenso al «Hades» de Ginny Weasley en Harry Potter y la Camara de los Secretos. Pero no solo nos interesa conceptualizar los cambios y variantes de la vision creativa de la autora, sino como estos se ven afectados a la hora de traspasar la gran pantalla, analizando para ello el resto de referentes artisticos propuestos para la puesta en escena. En definitiva, nos gustaria demostrar cuanto hay de deconstruccion de los mitos antiguos y cuanto de creacion de nuevas lecturas e imagenes a partir de ellos en el segundo filme de la famosa saga. EnglishOur paper aims to highlight the ability of J.K.Rowling using Greek and Roman mythology, especially to adapt it and transform it into her stories. In this particular case we are talking about Persephone and Eurydice episodes, which have been used in the descent to Hades by Ginny Weasley in the summit scene of Harry Potter and the Chamber of Secrets. We are interested in conceptualizing changes and variations of the creative vision of the author, and how those have been affected when they moved to the big screen, analyzing the rest of artistic references that were selected for staging. Ultimately, we would like to prove how she deconstructs the ancient myths and how she creates new readings and new images based on them in the second film of the famous saga.","PeriodicalId":339824,"journal":{"name":"Latente Revista de Historia y Estética audiovisual","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116694075","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.25145/j.latente.2022.20.04
José Antonio Abreu Colombri
By the end of the 1950s, the Kennedys were one of the most influential families on the American political scene. The Democratic Party, in an expansive electoral phase in the 1960s, became a promoter of legislative reform in favor of minorities, which would broaden its electoral base. At the same time, said reform caused a major split between the Democrat factions more conservative. The programmatic rearrangement of the Democrats occurred in parallel to the personal evolution of Robert F. Kennedy. The joyful and gesticulating character of the chief justice of the Supreme Court, during the Kennedy-Johnson administration (1961-1965), gave way to a sad and reflective senator from the state of New York, during the first three years of the Johnson administration (1965-1968). Dawn Porter’s documentary (2018) is a magnificent example of quality historical divulgation, in a commemorative time frame, in which certain aspects of the American political landscape are rigorously exposed.
{"title":"La figura de Robert F. Kennedy en el marco sociopolítico estadounidense. Bobby Kennedy for President","authors":"José Antonio Abreu Colombri","doi":"10.25145/j.latente.2022.20.04","DOIUrl":"https://doi.org/10.25145/j.latente.2022.20.04","url":null,"abstract":"By the end of the 1950s, the Kennedys were one of the most influential families on the American political scene. The Democratic Party, in an expansive electoral phase in the 1960s, became a promoter of legislative reform in favor of minorities, which would broaden its electoral base. At the same time, said reform caused a major split between the Democrat factions more conservative. The programmatic rearrangement of the Democrats occurred in parallel to the personal evolution of Robert F. Kennedy. The joyful and gesticulating character of the chief justice of the Supreme Court, during the Kennedy-Johnson administration (1961-1965), gave way to a sad and reflective senator from the state of New York, during the first three years of the Johnson administration (1965-1968). Dawn Porter’s documentary (2018) is a magnificent example of quality historical divulgation, in a commemorative time frame, in which certain aspects of the American political landscape are rigorously exposed.","PeriodicalId":339824,"journal":{"name":"Latente Revista de Historia y Estética audiovisual","volume":"301 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123132477","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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