Po ciemnej stronie mocy. Przypadek Waldemara Batury

Iwona Gralewicz-Wolny
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Abstract

The starting point for the considerations contained in the article is the “long duration” in the minds and hearts of readers, initiated half a century ago, of a series of books about the adventures of Pan Samochodzik (Mr. Automobile). Its author, Zbigniew Nienacki, reached for the formula of an adventure novel for young people, giving it an individual mark. One of its manifestations is thespecific relationship between the protagonist and the antagonist of the novel, i.e. the titular Pan Samochodzik and Waldemar Batura, who plays the role of a villain in selected parts of the cycle. The article quotes and comments on a number of scenes illustrating the game with the participation of both characters, the essence of which is a different approach to ethical issues accompanyingtheir profession. Solving historical puzzles, Nienacki dressed up in the costume of the fight between good and evil, taking special care of Batura’s demonic staffage and then skilfully breaking it, which allowed to nuance the eternal plot pattern known, for example, from the film adventuresof James Bond, to which Nienacki discreetly refers.
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文章中所包含的考虑的出发点是半个世纪前开始在读者的思想和心中“长期存在”的一系列关于潘萨摩乔奇克(汽车先生)冒险的书籍。它的作者兹比格涅夫·尼纳奇(Zbigniew Nienacki)找到了适合年轻人的冒险小说的模式,给它打上了个人的印记。其表现之一是小说的主角和对手之间的特殊关系,即名义上的潘·萨摩乔奇克和瓦尔德马尔·巴图拉,他在循环的某些部分扮演了一个恶棍的角色。这篇文章引用并评论了两个角色都参与其中的游戏场景,其本质是用不同的方法来处理与他们的职业相关的道德问题。在解决历史谜题的过程中,尼纳奇穿上了正义与邪恶斗争的服装,特别照顾了巴图拉的恶魔杖,然后巧妙地打破了它,这使得尼纳奇谨慎地引用了詹姆斯·邦德电影冒险故事中众所周知的永恒情节模式的细微差别。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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Po ciemnej stronie mocy. Przypadek Waldemara Batury "Trzeba cnoty i miłości". Robactwo, moralność i natura w twórczości Edwarda Żeligowskiego "Niesamowity dwór" Zbigniewa Nienackiego − między zagadką a tajemnicą Joanna Chłosta-Zielonka, Terapeutyczny wymiar gatunków autobiograficznych w wypowiedziach autorek XX i XXI wieku, Wydawnictwo Uniwersytetu Warmińsko-Mazurskiego, Olsztyn 2021, ss. 260 Elements of kitsch in the wartime journals of teenagers Hanna Zach and Renia Spiegel
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