"Trzeba cnoty i miłości". Robactwo, moralność i natura w twórczości Edwarda Żeligowskiego

Grzegorz Igliński
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Abstract

This work presents an analysis of literary works by Edward Żeligowski, who usually published under the pen name of Antoni Sowa. The analysis takes a zoomorphic perspective, identifying in the text terms related to objects usually referred to as vermin. The function of the followingnames was determined: “insect”, “mosquito”, “butterfly”, “ant”, “fly”, “little fly”, “wisp” (in the meaning of “glow worm”), “wasp”, “spider”, “spider’s web”, “bee”, “vermin”, “worm” and “locust”. The majority of these names were used to characterise the moral and social attitudes ofa person – serving to expose the virtues or sins of the given individual. Only the names of some particular animals/creatures were used to present the world of nature, which, together with other image-creating elements, highlight the omnipotence of nature and indicate the Creator’s love. The conclusion emerges that Żeligowski’s creative works are outstanding in moral and social sensitivity as well as the tension between a great idea and the reality which obliterates it.
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本文分析了爱德华Żeligowski的文学作品,他通常以安东尼·索瓦的笔名发表作品。分析采用动物形态的视角,在文本中识别与通常被称为害虫的对象相关的术语。确定了下列名称的作用:“昆虫”、“蚊子”、“蝴蝶”、“蚂蚁”、“苍蝇”、“小苍蝇”、“缕”(萤火虫的意思)、“黄蜂”、“蜘蛛”、“蜘蛛网”、“蜜蜂”、“害虫”、“蠕虫”和“蝗虫”。这些名字中的大多数被用来描述一个人的道德和社会态度——用来暴露这个人的美德或罪恶。只使用了一些特定动物/生物的名字来呈现自然世界,与其他形象元素一起突出了自然的全能,表明了造物主的爱。结论是,Żeligowski的创作作品在道德和社会敏感性以及伟大的想法与现实之间的张力方面表现突出。
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