Oral history, Closed Settings and the Formation of Narratives: A South African Example

N. Filippi
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Abstract

: Leading interviews in prison, in a post-colonial and post-authoritarian democracy, raises many questions as to the problematic definition of consent, the power dynamics at play and the shortcomings of oral history. Focusing on two South African closed settings, this chapter investigates the extent to which oral history methodology, when completed with the study of other sources such as rumours, silence and the body, can still prove useful. This is especially true when one wishes to analyse the role of violence in the formation of past and present narrative. A brief comparative study of prisons transformed into heritage sites worldwide helps understand the gap between prisoners ’ collective memory and the official memory of post-authoritarian democracies, and how they tend to return prisoners ’ voices to the silenced margins of society. between Oxford ’ study of postcolonial African and
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口述历史、封闭背景与叙事的形成:以南非为例
在一个后殖民和后威权民主国家的监狱里进行的主要访谈,提出了许多问题,如有问题的同意定义、正在发挥作用的权力动态以及口述历史的缺点。本章以两个南非封闭的环境为重点,调查口述历史方法论在与谣言、沉默和身体等其他来源的研究一起完成后,仍然可以证明有用的程度。当人们想要分析暴力在过去和现在叙事的形成中的作用时,这一点尤其正确。对世界各地监狱改造为遗产遗址的简短比较研究有助于理解囚犯集体记忆与后专制民主国家官方记忆之间的差距,以及它们如何倾向于将囚犯的声音带回沉默的社会边缘。牛津大学对后殖民时期非洲的研究
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Southern Somalia’s “Glorious Days Are Our Nightmare”: The Performance of Political Memory and Contestations of Commemoration in Northern Somalia (Somaliland) Oral history, Closed Settings and the Formation of Narratives: A South African Example List of Contributors Public Memorialisation and the Politics of Historical Memory in Africa A “Quest for Relevance”: The Memory Politics of UNESCO’s General History of Africa
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