How to Capture Birds of Freedom: Picturing Tamil Women at War

Vindhya Buthpitiya
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Abstract

This article examines the uses of images of women fighters of the Liberation Tigers of Tamil Eelam during and after the Sri Lankan civil war (1983–2009) to explore the contrasting mobilizations of visual representations of Tamil women cadres, focusing on the cultivation and framing of contradictory nationalist imaginaries by competing ethnic and state actors. In northern Sri Lanka, portraits of gun-bearing women fighters were wielded to signal revolutionary possibilities for the future of the Tamil nation-state as well as to inform the political socialization of its hopeful citizens. Meanwhile, images of Tamil women cadres were cast as gendered and ethnicized threats by the Sri Lankan state in what constituted a calculated form of visual ethno-political othering and weaponization. This article reflects on the ways in which such appropriations exacerbated the political precarity of and the denial of victimhood to Tamil women.
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如何捕捉自由之鸟:描绘战争中的泰米尔妇女
本文检视泰米尔伊拉姆猛虎解放组织(Liberation Tigers of Tamil Eelam)女性战士在斯里兰卡内战期间(1983-2009)与之后的影像使用,以探讨泰米尔女性干部视觉表现的动员对比,重点关注族群与国家行动者对矛盾民族主义想象的培养与建构。在斯里兰卡北部,手持枪支的女战士的画像被挥舞着,以表明泰米尔民族国家未来的革命可能性,并告知其充满希望的公民的政治社会化。与此同时,泰米尔女性干部的形象被斯里兰卡政府塑造成性别和种族化的威胁,构成了一种有计划的视觉上的种族政治异化和武器化形式。这篇文章反映了这种拨款如何加剧了泰米尔妇女的政治不稳定性和受害者身份的否认。
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