Bringing Digital Exhibitions to Life: Simplify User Guidance through the Concept of Aura and white plane

Franziska Hannß, Maria Kielb, Rainer Groh
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引用次数: 1

Abstract

The translation of exhibitions into digital space has become increasingly important in recent years. Further intensified by the COVID pandemic, many museums are looking for alternative solutions to make museum visits possible. In this way, they can continue to fulfil their role as an institution for the communication and presentation of cultural heritage as well as the transfer of knowledge. In an exhibition, the focus is on the exhibit with its inherent knowledge. The curators of the Office for Academic Heritage, Scientific and Art Collections of the TU Dresden, are keen to present the exhibitions that have already been held and those that are planned in an expanded setting. A virtual counterpart to the real exhibition space is to be created, which can also be filled independently of current exhibitions. As part of a course at the Faculty of Computer Science at TU Dresden, a concept for a virtual reality web application with an explorative, immersive character was developed. With the concepts of white plane and aura, the students created an open museum space that focuses on the exhibits and the knowledge transfer.
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将数字展览带入生活:通过光环和白平面的概念简化用户指导
近年来,将展览转化为数字空间变得越来越重要。在新冠疫情的影响下,许多博物馆正在寻找替代解决方案,以使博物馆参观成为可能。通过这种方式,它们可以继续履行其作为交流和展示文化遗产以及传播知识的机构的作用。在展览中,人们关注的焦点是展品本身及其内在的知识。德累斯顿工业大学学术遗产、科学和艺术收藏办公室的策展人热衷于展示已经举办过的展览和那些计划在扩大的环境中举办的展览。创建一个与真实展览空间相对应的虚拟空间,也可以独立于现有展览进行填充。作为德累斯顿工业大学计算机科学学院课程的一部分,开发了一个具有探索性、沉浸式特征的虚拟现实web应用程序的概念。在白色平面和灵气的概念下,学生们创造了一个开放的博物馆空间,专注于展览和知识传递。
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