Listen Up: Collective Armenian Genocide Postmemory in Micheline Aharonian Marcom’s Three Apples Fell from Heaven

Lisa Gulesserian
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Abstract

In 2001, Micheline Aharonian Marcom published her novel Three Apples Fell from Heaven to imagine the Armenian genocide her family survived. Marcom's novel could aptly be described as a work of ‘postmemory,’ per Marianne Hirsch's coinage. And yet, reading Marcom’s novel as a work of postmemory poses many problems, since the novel does not fit neatly into Hirsch’s theory which scholars have criticized as being too individualistic. By close reading Three Apples Fell from Heaven and Marcom's use of storytelling as an ethical mediator between memory and postmemory, I arrive at a modified theorization of Hirsch's theory. I identify the potential of a collective postmemory that invigorates the productive anger of both writer and reader.
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听着:在Micheline Aharonian Marcom的《从天而降的三个苹果》中,亚美尼亚集体种族灭绝的后记忆
2001年,Micheline Aharonian Marcom出版了她的小说《从天而降的三个苹果》,以想象她的家人在亚美尼亚种族灭绝中幸存下来。按照玛丽安·赫希(Marianne Hirsch)的说法,马科姆的小说可以被恰当地描述为一部“后记忆”作品。然而,把马科姆的小说作为后记忆的作品来读会带来很多问题,因为这部小说并不完全符合赫希的理论学者们批评他的理论过于个人主义。通过仔细阅读从天上掉下来的三个苹果,以及马科姆将讲故事作为记忆和后记忆之间的道德中介,我得出了赫希理论的修正理论。我发现了一种集体后记忆的潜力,它激发了作家和读者富有成效的愤怒。
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