Muselmänner and Prisoner Societies: Toward a Sociohistorical Understanding

Michael Becker, D. Bock
{"title":"Muselmänner and Prisoner Societies: Toward a Sociohistorical Understanding","authors":"Michael Becker, D. Bock","doi":"10.1080/25785648.2020.1794608","DOIUrl":null,"url":null,"abstract":"ABSTRACT In Holocaust discourse, Muselmänner are commonly depicted as mute, passive prisoners fated to die. We identify alternative representations in works of Jorge Semprún and Imre Kertész but also in a great number of other testimonies. Many of them were written by former Muselmänner. We argue for a sociohistorical turn in Muselmann discourse. Many testimonies show that Muselmänner were a constitutive part of the social structure of prisoner societies. Taking up a term from the camp language, we analyze the process of Muselmanization. We argue that the Muselmann must be understood as a processual and relational rather than an essentialist category. We propose to add a spatiotemporal approach to the analysis of prisoner societies. A close examination of particular blocks, barracks, or commandos and their changing function in the course of the camp system’s development yields unexpected insights into the social realities of Muselmänner and, in turn, into the inner workings of prisoner societies. We conclude that the Muselmann signifies that death and dying became defining factors of the social order of Nazi concentration camps.","PeriodicalId":422357,"journal":{"name":"The Journal of Holocaust Research","volume":"18 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Journal of Holocaust Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/25785648.2020.1794608","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 2

Abstract

ABSTRACT In Holocaust discourse, Muselmänner are commonly depicted as mute, passive prisoners fated to die. We identify alternative representations in works of Jorge Semprún and Imre Kertész but also in a great number of other testimonies. Many of them were written by former Muselmänner. We argue for a sociohistorical turn in Muselmann discourse. Many testimonies show that Muselmänner were a constitutive part of the social structure of prisoner societies. Taking up a term from the camp language, we analyze the process of Muselmanization. We argue that the Muselmann must be understood as a processual and relational rather than an essentialist category. We propose to add a spatiotemporal approach to the analysis of prisoner societies. A close examination of particular blocks, barracks, or commandos and their changing function in the course of the camp system’s development yields unexpected insights into the social realities of Muselmänner and, in turn, into the inner workings of prisoner societies. We conclude that the Muselmann signifies that death and dying became defining factors of the social order of Nazi concentration camps.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Muselmänner和囚犯社会:走向社会历史的理解
在大屠杀的话语中,Muselmänner通常被描述为注定要死的哑巴、被动的囚犯。我们在Jorge Semprún和Imre kertsamsz的作品中以及在许多其他证词中发现了不同的表述。其中许多是由以前的Muselmänner写的。我们主张穆斯林话语的社会历史转向。许多证词表明,Muselmänner是囚犯社会社会结构的一个组成部分。我们从营地语言中选取一个术语来分析穆斯林化的过程。我们认为,穆斯林必须被理解为一个过程和关系的范畴,而不是一个本质主义的范畴。我们建议增加一种时空方法来分析囚犯社会。仔细研究特定的街区、营房或突击队,以及它们在集中营系统发展过程中不断变化的功能,可以对Muselmänner的社会现实产生意想不到的见解,进而了解囚犯社会的内部运作。我们的结论是,穆斯林象征着死亡和垂死成为纳粹集中营社会秩序的决定性因素。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
Where Art Met History: Holocaust Exhibitions in Early Postwar Hungary ‘Because They Were Jews!’ The Postwar Artworks of David Friedmann as Eyewitness Testimonies Whose Barbarianism? Exhibiting Antifascism, the Resistance, and the Holocaust in Postwar Italy and Now “Lest We Forget”: Bringing Atrocity Home Through Large Photomurals Artists Behind Barbed Wire: Art Exhibitions in the Detention Camps in Cyprus, 1947–1948
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1