10 Notes on the Production and Circulation of the Byzantine Ravennate Coinage

Vivien Prigent
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Abstract

: The paper aims at offering a presentation of the evolution of the Ravennate coinage. First a brief overview of the gold denominations struck by the mint is pro-vided along with some explanation of the changing pattern of production. The initial domination of the tremissis is linked to economic relations with the Frankish world. New types of Ravennate semisses and tremisses for the reign of Heraclius are introduced to complement the standard catalogues, leading to modifications in the chronology of the various emissions. During the reign of Constans II, several marks of mysterious meaning were introduced on the coinage, a fact tentatively explained by the involvement of private goldsmiths and craftsmen in the coin production. A new attribution of the famous earrings of Senise to a Ravennate workshop lends support to the hypothesis. The article then addresses the problem of the drastic weight reduction of the silver coinage during the 6th and 7th centuries. The problem is tackled from the point of view of the relative value of gold, silver and bronze and exchange rates with the metropolitan coinage. This approach leads to propose the following system at the end of the 6th century: one solidus for 864 folleis , 6 folleis for a silver coin of 240 nummi , 24 pounds of bronze for one solidus . Furthermore, the weight reduction of the silver is explained as a side effect of the debasement of the bronze coinage. Finally, the metrology of the bronze coinage is analysed in relation to its Ostrogothic predecessor, leading towards the reattribution to a North Adriatic mint of a light-weight Justinian follis hitherto catalogued under the mint of Catania and to a reassessment of the importance of the half follis in connexion with the metrology of the Constantinopolitan coinage.
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10关于拜占庭乌鸦币的生产和流通的说明
本文旨在介绍乌鸦铸币的演变过程。首先简要概述了铸币厂生产的黄金面额,并对生产模式的变化作了一些解释。这场危机最初的主导地位与与法兰克世界的经济关系有关。赫拉克利乌斯统治时期,引入了新类型的拉文纳特半密赛斯和特密赛斯,以补充标准目录,导致各种排放年表的修改。在君士坦丁二世统治期间,硬币上出现了几个具有神秘意义的标记,这一事实初步解释为私人金匠和工匠参与了硬币生产。一项将Senise著名耳环归为Ravennate工作室的新研究支持了这一假设。文章接着讨论了6世纪和7世纪银币重量急剧减少的问题。这个问题是从金、银和铜的相对价值以及与大都会铸币的汇率的角度来解决的。这种方法导致在6世纪末提出以下制度:1苏里特斯兑换864弗莱伊斯,6弗莱伊斯兑换240努米的银币,24磅青铜兑换1苏里特斯。此外,银币的重量减轻被解释为铜币贬值的副作用。最后,对青铜铸币的计量学进行了分析,并将其与东哥特铸币的前身进行了比较,从而将轻质查士丁尼铜币重新归为北亚得里亚海铸币厂,并重新评估了半铜币与君士坦丁堡铸币厂的计量学的重要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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12 Concluding Remarks. Two 9 Ravenna, Classe and its Surroundings: Pottery as a Mirror of Everyday Life 5 Ivory Production: Commerce, Culture and Power 11 Concluding Remarks. One 10 Notes on the Production and Circulation of the Byzantine Ravennate Coinage
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