From Devi to Diva: Indo-Caribbean Women Rising in Trinidad’s Chutney Soca

Darrell Gerohn Baksh
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Abstract

This chapter explores the conflicts and complexities of Indo-Caribbean femininity at a moment when the Indo-Caribbean woman is breaking away from embodiments of devi, traditional models of female representation strongly tied to religious patriarchy, to diva, a contemporary persona publicly expressed in the realm of chutney soca, a popular form of Indo-Caribbean music that has absorbed the Carnival aesthetic in Trinidad.
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从女神到天后:特立尼达酸辣酱社会中崛起的印度-加勒比女性
这一章探讨了印度-加勒比女性气质的冲突和复杂性,当时印度-加勒比女性正在摆脱与宗教父权制紧密联系在一起的devi的化身,传统的女性代表模式,以及在酸辣酱soca领域公开表达的diva,这是一种流行的印度-加勒比音乐形式,吸收了特立尼达的狂欢节美学。
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Stories of Resistance and Oppression: Baby Doll and Dame Lorraine* Taking the Queen to the Streets: The Jaycees Carnival Queen Competition and the Pretty Mas’ Aesthetic Jamette!: Women and Canboulay in 1881 From Devi to Diva: Indo-Caribbean Women Rising in Trinidad’s Chutney Soca Caribana in Toronto: From Male Dominance to Female Agency
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