{"title":"Staging a Word: Overcoming and Recovering Familial Bonds in Elena Ferrante’s Neapolitan Novels","authors":"Emanuela Caffè","doi":"10.5070/c9121038996","DOIUrl":null,"url":null,"abstract":"Author(s): Caffe, Emanuela | Abstract: The saga of Elena Ferrante, the so called Neapolitan novels, opens with an index that contains the list of the main families of the trilogy. Thus, it immediately presents itself as a familial saga set in one of Naples’s poorest neighbourhoods, where violence infects any corner of familial and social life. On the one hand, such an environment constrains and victimises individuals, and does not allow the creation of healthy familial bonds. On the other hand, Ferrante’s patriarchal family works as a tool for the perpetration of violence according to a mechanism which innovatively intertwines social and genetic influence. In other words, characters seem to genetically inherit their own destiny, which is indelibly marked by violence. Despite the apparent inescapability of such an inheritance, Ferrante appeals to genetic, psychoanalytical and feminist theories and ingeniously combines them in order to create a path towards the resolution of transgenerational violence.La quadrilogia de L’amica geniale di Elena Ferrante si apre con un indice che contiene la lista delle famiglie principali del romanzo. Per cui, quest’ultimo si presenta immediatamente come una saga familiare ambientata in uno dei rioni piu poveri di Napoli, dove la violenza infesta ogni angolo della vita familiare e sociale. Da una parte, tale ambiente vittimizza l’individuo e compromette i legami familiari. Dall’altra, attraverso un meccanismo che combina in maniera innovativa fattori genetici e sociali, Ferrante dipinge la famiglia stessa come uno strumento di perpetrazione della violenza. In altre parole, i personaggi sembrano ereditare geneticamente il loro violento e triste destino. Nonostante in un primo momento l’ereditarieta appaia ineluttabile, Ferrante intreccia magistralmente teorie genetiche, psicoanalitiche e femministe per delineare un percorso verso la risoluzione di tale violenza transgenerazionale.","PeriodicalId":148850,"journal":{"name":"Carte Italiane","volume":"32 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Carte Italiane","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5070/c9121038996","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 2
Abstract
Author(s): Caffe, Emanuela | Abstract: The saga of Elena Ferrante, the so called Neapolitan novels, opens with an index that contains the list of the main families of the trilogy. Thus, it immediately presents itself as a familial saga set in one of Naples’s poorest neighbourhoods, where violence infects any corner of familial and social life. On the one hand, such an environment constrains and victimises individuals, and does not allow the creation of healthy familial bonds. On the other hand, Ferrante’s patriarchal family works as a tool for the perpetration of violence according to a mechanism which innovatively intertwines social and genetic influence. In other words, characters seem to genetically inherit their own destiny, which is indelibly marked by violence. Despite the apparent inescapability of such an inheritance, Ferrante appeals to genetic, psychoanalytical and feminist theories and ingeniously combines them in order to create a path towards the resolution of transgenerational violence.La quadrilogia de L’amica geniale di Elena Ferrante si apre con un indice che contiene la lista delle famiglie principali del romanzo. Per cui, quest’ultimo si presenta immediatamente come una saga familiare ambientata in uno dei rioni piu poveri di Napoli, dove la violenza infesta ogni angolo della vita familiare e sociale. Da una parte, tale ambiente vittimizza l’individuo e compromette i legami familiari. Dall’altra, attraverso un meccanismo che combina in maniera innovativa fattori genetici e sociali, Ferrante dipinge la famiglia stessa come uno strumento di perpetrazione della violenza. In altre parole, i personaggi sembrano ereditare geneticamente il loro violento e triste destino. Nonostante in un primo momento l’ereditarieta appaia ineluttabile, Ferrante intreccia magistralmente teorie genetiche, psicoanalitiche e femministe per delineare un percorso verso la risoluzione di tale violenza transgenerazionale.
摘要:埃琳娜·费兰特的长篇小说,即所谓的那不勒斯小说,以包含三部曲主要家族列表的索引开头。因此,它立即表现为一个发生在那不勒斯最贫穷社区之一的家庭传奇,在那里,暴力影响着家庭和社会生活的任何角落。一方面,这种环境限制和伤害个人,不允许建立健康的家庭关系。另一方面,费兰特的父权家庭作为实施暴力的工具,根据一种创新地将社会和遗传影响交织在一起的机制。换句话说,角色似乎从基因上继承了他们自己的命运,这是不可磨灭的暴力标志。尽管这种遗传显然是不可避免的,但费兰特呼吁遗传学、精神分析学和女权主义理论,并巧妙地将它们结合起来,以创造一条解决跨代暴力的途径。埃琳娜·费兰特的《美洲青年四重奏》是一份关于罗曼索家族的《欧洲大陆》的报告。每一次,我们的终极追求都是在那不勒斯的家庭环境中实现的,在那不勒斯的家庭环境中实现的,在意大利的家庭生活中实现的。Da una parti, tale ambiente vittimizza, l ' individui,妥协于legami familii。Dall 'altra,在遗传和社会的许多创新中,吸引力和机制的结合,Ferrante,从家庭的角度来看,这是一种暴力的行为。换句话说,一个人的遗传基因将改变他的命运。遗传遗传学、心理遗传学、女性遗传学、跨代暴力行为学、跨代暴力行为学、跨代暴力行为学、跨代暴力行为学。