{"title":"Review of Gianluca Rizzo. Poetry on Stage: The Theatre of the Italian Neo-Avant-Garde. Toronto: University of Toronto Press, 2020.","authors":"Hiju Kim","doi":"10.5070/C913054161","DOIUrl":"https://doi.org/10.5070/C913054161","url":null,"abstract":"","PeriodicalId":148850,"journal":{"name":"Carte Italiane","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133582816","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ph.D. Dissertations in Italian Studies at UCLA, 2007-2020","authors":"Joseph Tumolo","doi":"10.5070/C913054162","DOIUrl":"https://doi.org/10.5070/C913054162","url":null,"abstract":"","PeriodicalId":148850,"journal":{"name":"Carte Italiane","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133314073","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Trieste ha sempre parlato diverse lingue: Intervista con Boris Pahor","authors":"Nina Bjekovic, Boris Pahor","doi":"10.5070/C913054211","DOIUrl":"https://doi.org/10.5070/C913054211","url":null,"abstract":"","PeriodicalId":148850,"journal":{"name":"Carte Italiane","volume":"134 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131519088","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Con le parole ho sempre amato giocare”: Intervista con Carla Vasio","authors":"Joseph Tumolo, Carla Vasio","doi":"10.5070/C913054163","DOIUrl":"https://doi.org/10.5070/C913054163","url":null,"abstract":"","PeriodicalId":148850,"journal":{"name":"Carte Italiane","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125899736","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Author(s): Salamanca, Emily | Abstract: As Florence became more imperially-motivated and ideologically-independent during the fourteenth through sixteenth centuries, Florentine humanists increasingly sought to promote the city’s allegedly autochthonous Etruscan origins, rather than claim any direct ancestral lineage from Ancient Rome. In making this historiographical shift, the writers strove to distance Florence–both ideologically and historically–from Roman influence, provide historical precedent for the aristocratic governing structure, and present an ancient justification for a Florentine-led Tuscan imperial league. Yet, for Florentines to associate themselves with Etruscans also meant identifying themselves, quite undeniably, as losers in the ancient struggle against Rome. Niccolo Machiavelli, recognizing the political precarity of relying on the Etruscan example, attempts to dismiss the humanist claims to an ancient Florentine exceptionalism. In this refusal to romanticize the “ancient Tuscans,” Machiavelli challenges the historiographical assumption prevailing at the time that past glory and ancestral heritage necessarily determine the political trajectory of a regime. The changing status of the Etruscan foundation myth, then, not only makes manifest the frantic search for identity and turbulent political landscape of Renaissance Florence, but also offers important insight on how humanists mobilized, or evaded, history for the advancement of their political agendas and collective goals.
{"title":"“Singulis Etruriae populis”: The Political Mobilization of the Etruscan Foundation Myth in the Self-Conception of Renaissance Florence","authors":"Emily Salamanca","doi":"10.5070/C913050075","DOIUrl":"https://doi.org/10.5070/C913050075","url":null,"abstract":"Author(s): Salamanca, Emily | Abstract: As Florence became more imperially-motivated and ideologically-independent during the fourteenth through sixteenth centuries, Florentine humanists increasingly sought to promote the city’s allegedly autochthonous Etruscan origins, rather than claim any direct ancestral lineage from Ancient Rome. In making this historiographical shift, the writers strove to distance Florence–both ideologically and historically–from Roman influence, provide historical precedent for the aristocratic governing structure, and present an ancient justification for a Florentine-led Tuscan imperial league. Yet, for Florentines to associate themselves with Etruscans also meant identifying themselves, quite undeniably, as losers in the ancient struggle against Rome. Niccolo Machiavelli, recognizing the political precarity of relying on the Etruscan example, attempts to dismiss the humanist claims to an ancient Florentine exceptionalism. In this refusal to romanticize the “ancient Tuscans,” Machiavelli challenges the historiographical assumption prevailing at the time that past glory and ancestral heritage necessarily determine the political trajectory of a regime. The changing status of the Etruscan foundation myth, then, not only makes manifest the frantic search for identity and turbulent political landscape of Renaissance Florence, but also offers important insight on how humanists mobilized, or evaded, history for the advancement of their political agendas and collective goals.","PeriodicalId":148850,"journal":{"name":"Carte Italiane","volume":"177 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123183694","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Author(s): Barni, Chiara | Abstract: La poetica della meraviglia di Marino promuove una lirica esuberante e ardita, secondo il rinnovato gusto stilistico. Il tutto, per una storia critica perdurata per piu di due secoli, per celare un vuoto di contenuti. Il clima avverso al Seicento, emblema di artificiosita, si arresta con l’avvento del Novecento, in un contesto artistico dal sapore europeo. In Italia, la tradizione viene scalfita a partire da una conferenza del 1894 di Enrico Nencioni, che provocatoriamente ufficializzava l’analogia tra il Seicento e la contemporaneita.Il saggio dimostrera come l’amico Gabriele D’Annunzio (specialmente del Piacere e della prima produzione poetica) sia la prima figura a veicolare la sensibilita barocca nel Novecento, a partire da un’affinita estetica che promuove l’esperienza sensoriale e carnale. Si indaghera come, nei rispettivi contesti storici, Marino e D’Annunzio siano accomunati dalla medesima operazione culturale e politica: il primo aspiro a rompere i parametri neopetrarchisti; il secondo il classicismo carducciano.n
作者(s): Barni、明确|摘要:海洋奇迹的促进了抒情的诗意丰富的文体和大胆,根据新的口味。这一切都是为了一个持续了两个多世纪的关键故事，为了掩盖一个空洞。在具有欧洲风味的艺术背景下，这种对600年的人为标志的气候随着20世纪的到来而停止。在意大利，这一传统始于1894年亨利·内奥尼(Enrico Nencioni)的一次会议，他挑衅地将600年与当代的相似之处正式化。这篇文章将展示加布里埃尔·达南齐奥(Gabriele d '安南齐奥，尤其是关于快乐和首诗的创作)是20世纪第一个以一种促进感官和肉体体验的美学精炼为基础来传达巴卡敏感性的人物。我们将研究在他们各自的历史、海洋和安南遮背景下，文化和政治是如何结合在一起的。第二个是古典主义
{"title":"Il “fratello secentesco” perduto: Gabriele D’Annunzio e la riscoperta del marinismo","authors":"Chiara Barni","doi":"10.5070/C913049547","DOIUrl":"https://doi.org/10.5070/C913049547","url":null,"abstract":"Author(s): Barni, Chiara | Abstract: La poetica della meraviglia di Marino promuove una lirica esuberante e ardita, secondo il rinnovato gusto stilistico. Il tutto, per una storia critica perdurata per piu di due secoli, per celare un vuoto di contenuti. Il clima avverso al Seicento, emblema di artificiosita, si arresta con l’avvento del Novecento, in un contesto artistico dal sapore europeo. In Italia, la tradizione viene scalfita a partire da una conferenza del 1894 di Enrico Nencioni, che provocatoriamente ufficializzava l’analogia tra il Seicento e la contemporaneita.Il saggio dimostrera come l’amico Gabriele D’Annunzio (specialmente del Piacere e della prima produzione poetica) sia la prima figura a veicolare la sensibilita barocca nel Novecento, a partire da un’affinita estetica che promuove l’esperienza sensoriale e carnale. Si indaghera come, nei rispettivi contesti storici, Marino e D’Annunzio siano accomunati dalla medesima operazione culturale e politica: il primo aspiro a rompere i parametri neopetrarchisti; il secondo il classicismo carducciano.n","PeriodicalId":148850,"journal":{"name":"Carte Italiane","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128308660","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Art for the Reader’s Sake: An Historical and Textual Study of Emilio De Marchi’s Il cappello del prete (1888)","authors":"Christina Petraglia","doi":"10.5070/C913054160","DOIUrl":"https://doi.org/10.5070/C913054160","url":null,"abstract":"","PeriodicalId":148850,"journal":{"name":"Carte Italiane","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117140795","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Author(s): Caffe, Emanuela | Abstract: The saga of Elena Ferrante, the so called Neapolitan novels, opens with an index that contains the list of the main families of the trilogy. Thus, it immediately presents itself as a familial saga set in one of Naples’s poorest neighbourhoods, where violence infects any corner of familial and social life. On the one hand, such an environment constrains and victimises individuals, and does not allow the creation of healthy familial bonds. On the other hand, Ferrante’s patriarchal family works as a tool for the perpetration of violence according to a mechanism which innovatively intertwines social and genetic influence. In other words, characters seem to genetically inherit their own destiny, which is indelibly marked by violence. Despite the apparent inescapability of such an inheritance, Ferrante appeals to genetic, psychoanalytical and feminist theories and ingeniously combines them in order to create a path towards the resolution of transgenerational violence.La quadrilogia de L’amica geniale di Elena Ferrante si apre con un indice che contiene la lista delle famiglie principali del romanzo. Per cui, quest’ultimo si presenta immediatamente come una saga familiare ambientata in uno dei rioni piu poveri di Napoli, dove la violenza infesta ogni angolo della vita familiare e sociale. Da una parte, tale ambiente vittimizza l’individuo e compromette i legami familiari. Dall’altra, attraverso un meccanismo che combina in maniera innovativa fattori genetici e sociali, Ferrante dipinge la famiglia stessa come uno strumento di perpetrazione della violenza. In altre parole, i personaggi sembrano ereditare geneticamente il loro violento e triste destino. Nonostante in un primo momento l’ereditarieta appaia ineluttabile, Ferrante intreccia magistralmente teorie genetiche, psicoanalitiche e femministe per delineare un percorso verso la risoluzione di tale violenza transgenerazionale.
摘要:埃琳娜·费兰特的长篇小说，即所谓的那不勒斯小说，以包含三部曲主要家族列表的索引开头。因此，它立即表现为一个发生在那不勒斯最贫穷社区之一的家庭传奇，在那里，暴力影响着家庭和社会生活的任何角落。一方面，这种环境限制和伤害个人，不允许建立健康的家庭关系。另一方面，费兰特的父权家庭作为实施暴力的工具，根据一种创新地将社会和遗传影响交织在一起的机制。换句话说，角色似乎从基因上继承了他们自己的命运，这是不可磨灭的暴力标志。尽管这种遗传显然是不可避免的，但费兰特呼吁遗传学、精神分析学和女权主义理论，并巧妙地将它们结合起来，以创造一条解决跨代暴力的途径。埃琳娜·费兰特的《美洲青年四重奏》是一份关于罗曼索家族的《欧洲大陆》的报告。每一次，我们的终极追求都是在那不勒斯的家庭环境中实现的，在那不勒斯的家庭环境中实现的，在意大利的家庭生活中实现的。Da una parti, tale ambiente vittimizza, l ' individui，妥协于legami familii。Dall 'altra，在遗传和社会的许多创新中，吸引力和机制的结合，Ferrante，从家庭的角度来看，这是一种暴力的行为。换句话说，一个人的遗传基因将改变他的命运。遗传遗传学、心理遗传学、女性遗传学、跨代暴力行为学、跨代暴力行为学、跨代暴力行为学、跨代暴力行为学。
{"title":"Staging a Word: Overcoming and Recovering Familial Bonds in Elena Ferrante’s Neapolitan Novels","authors":"Emanuela Caffè","doi":"10.5070/c9121038996","DOIUrl":"https://doi.org/10.5070/c9121038996","url":null,"abstract":"Author(s): Caffe, Emanuela | Abstract: The saga of Elena Ferrante, the so called Neapolitan novels, opens with an index that contains the list of the main families of the trilogy. Thus, it immediately presents itself as a familial saga set in one of Naples’s poorest neighbourhoods, where violence infects any corner of familial and social life. On the one hand, such an environment constrains and victimises individuals, and does not allow the creation of healthy familial bonds. On the other hand, Ferrante’s patriarchal family works as a tool for the perpetration of violence according to a mechanism which innovatively intertwines social and genetic influence. In other words, characters seem to genetically inherit their own destiny, which is indelibly marked by violence. Despite the apparent inescapability of such an inheritance, Ferrante appeals to genetic, psychoanalytical and feminist theories and ingeniously combines them in order to create a path towards the resolution of transgenerational violence.La quadrilogia de L’amica geniale di Elena Ferrante si apre con un indice che contiene la lista delle famiglie principali del romanzo. Per cui, quest’ultimo si presenta immediatamente come una saga familiare ambientata in uno dei rioni piu poveri di Napoli, dove la violenza infesta ogni angolo della vita familiare e sociale. Da una parte, tale ambiente vittimizza l’individuo e compromette i legami familiari. Dall’altra, attraverso un meccanismo che combina in maniera innovativa fattori genetici e sociali, Ferrante dipinge la famiglia stessa come uno strumento di perpetrazione della violenza. In altre parole, i personaggi sembrano ereditare geneticamente il loro violento e triste destino. Nonostante in un primo momento l’ereditarieta appaia ineluttabile, Ferrante intreccia magistralmente teorie genetiche, psicoanalitiche e femministe per delineare un percorso verso la risoluzione di tale violenza transgenerazionale.","PeriodicalId":148850,"journal":{"name":"Carte Italiane","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121035702","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Author(s): Ardeni, Viola | Abstract: California Interdisciplinary Consortium of Italian Studies (Stanford University, March 8–9, 2019)
摘要:加州意大利研究跨学科联盟(Stanford University, 2019年3月8-9日)
{"title":"California Interdisciplinary Consortium of Italian Studies (Stanford University, March 8–9, 2019)","authors":"Viola Ardeni","doi":"10.5070/c9121046101","DOIUrl":"https://doi.org/10.5070/c9121046101","url":null,"abstract":"Author(s): Ardeni, Viola | Abstract: California Interdisciplinary Consortium of Italian Studies (Stanford University, March 8–9, 2019)","PeriodicalId":148850,"journal":{"name":"Carte Italiane","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127460527","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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