« Les envers d’un échec » : le cas d’Amos ou les fausses espérances d’Anna Langfus

Renata Jakubczuk
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Abstract

“The flipside of an error”: The case of Amos or False Hopes by Anna Langfus The current article is a preliminary sketch of the study of recurring motives found in the dramatic works of Anna Langfus. After a short presentation of the profile of the writer and the role of the theater in her life, we look into an unpublished play Amos ou les fausses espérances / Amos or False Hopes (1961). The concept of “patterns of transitivity”, proposed by Jean-Pierre Richard in Onze études sur la poésie moderne / Eleven Studies on Modern Poetry, is guiding our reading of Langfus’ play in this context.
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《失败的反面》:阿莫斯的案例还是安娜·朗弗斯的错误希望
“错误的另一面”:阿莫斯或虚假希望的案例本文是对安娜·朗弗斯戏剧作品中反复出现的动机进行研究的初步概述。在简要介绍了这位作家的简介和戏剧在她生活中的作用之后,我们来看看一部未出版的戏剧《阿莫斯的幻影》(Amos ou les fausses espacrances / Amos or False Hopes, 1961)。让-皮埃尔·理查在《现代诗学十一篇》中提出的及物性模式的概念在此背景下指导着我们对朗弗斯戏剧的解读。
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Quand le traducteur sort du placard. La spécificité de la collection Frankofonia Literaria en Pologne La Bataille de Kirholm d’Henri Krasiński et le roman historique transnational polono-français à l’époque romantique « Les envers d’un échec » : le cas d’Amos ou les fausses espérances d’Anna Langfus Matéi Visniec – à la croisée de deux cultures La modernité baudelairienne et ses parages
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