THE ENVIRONMENT/MEDIA INTERFACE IN DON DELILLO’S WHITE NOISE

Manashi Bora
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Abstract

The environment is a matter of great concern for environmentalists and governments alike. Climate change, rise in global temperatures, natural disasters etc. have attracted worldwide attention and the COPs being held in different countries every year draw world leaders to a common platform to discuss and thrash out solutions to climate related issues. It is worth examining how recent literature has reacted to the problems associated with the environment. Don DeLillo’s The White Noise published in 1985 is a novel which interweaves environmental issues with the compulsions of the media -driven society we live in with all the happenings in the world reaching us, mediated by the TV and radio channels thus making access to reality or truth a difficult affair. The paper looks at the representation of the environment/media interface in Don DeLillo’s White Noise drawing insights from ecocritical studies and postmodern theories of representation.
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唐·德里罗白噪音中的环境/媒体界面
环境问题是环境保护主义者和政府都非常关心的问题。气候变化、全球气温上升、自然灾害等问题引起了全世界的关注,每年在不同国家举行的缔约方会议将世界各国领导人吸引到一个共同的平台上,讨论和研究解决与气候有关的问题。值得研究的是,最近的文学是如何对与环境有关的问题作出反应的。唐·德里罗的《白噪音》出版于1985年,这部小说将环境问题与我们所生活的媒体驱动的社会的强迫交织在一起,世界上发生的所有事情都通过电视和广播渠道传播,从而使我们难以接近现实或真相。本文着眼于唐·德里罗的《白噪音》中环境/媒体界面的再现,并从生态批评研究和后现代再现理论中汲取见解。
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