5. On the present and future of American poetry

D. Caplan
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Abstract

“On the present and future of American poetry” argues that the contemporary poets who follow Robert Lowell’s model of blending public and private history often turn against the particular hierarchies that made the Lowell name seem “significant, illustrative, American, etc.” Instead, contemporary poets have taken up the challenge of presenting a new account of American history and culture. They introduce a new set of important names of people and places. The poets of the Black Lives Matter movement, for instance, elegize African American victims of police violence. At the same time, their poems add new variations of the two characteristics of American: the perceived need for distinctiveness and its transnationalism.
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5. 论美国诗歌的现在与未来
《论美国诗歌的现在和未来》认为,遵循罗伯特·洛厄尔混合公共和私人历史模式的当代诗人经常反对使洛厄尔的名字看起来“有意义、有代表性、有美国特色等”的特定等级制度。相反,当代诗人接受了挑战,提出了对美国历史和文化的新描述。他们介绍了一组新的重要的人名和地名。例如,“黑人的命也是命”(Black Lives Matter)运动的诗人歌颂警察暴力的非裔美国受害者。与此同时,他们的诗歌为美国人的两个特征增添了新的变化:对独特性的感知需求和它的跨国主义。
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5. On the present and future of American poetry 4. Auden and Eliot 3. Convention and idiosyncrasy 1. American poetry’s two characteristics
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