Knowing the Skeptic

Micah L. Mccreary
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Abstract

Descartes may have produced the paradigmatic image of modern philosophy when he donned his winter dressing gown, settled into his favorite armchair by the fire, and began a private meditation by wondering whether the flame in front of him were anything more than a dream. Like most skeptical recitals, the force of Descartes’ method arises through the mobilization of best cases for knowing; that is, through casting doubt on something so certain that one begins to question one’s ability to know anything at all. By impugning precisely those axioms we held most assured, Descartes demonstrates philosophy’s propensity to challenge our most fundamental assumptions, yet he simultaneously leverages the significance of the philosophical enterprise against more everyday or ordinary claims to knowledge, that of course the fire really burns. In doing so, Descartes opens up the possibility that a critic of skepticism will be more inclined to doubt the sanity of philosophical inquiry than to admit that the flame, or the greater external world, may be nothing more than a dream, or the conjuring of an evil demon. So the profundity or inanity of philosophy seems to turn on the whim of human temperament, and in particular, on my reaction to the idea that I may be mistaken about everything I claim to know.
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了解怀疑论者
笛卡尔也许创造了现代哲学的典范形象,他穿上冬天的晨衣,坐在火炉旁他最喜欢的扶手椅上,开始沉思,想知道他面前的火焰是否只是一场梦。就像大多数怀疑论的朗诵一样,笛卡尔方法的力量来自于对最佳认知案例的动员;也就是说,通过对确定的事物产生怀疑,从而开始质疑自己了解任何事情的能力。通过质疑那些我们深信不疑的公理,笛卡尔展示了哲学挑战我们最基本假设的倾向,但他同时利用哲学事业的重要性来反对更多的日常或普通的知识要求,当然,火真的在燃烧。在这样做的过程中,笛卡尔开启了这样一种可能性:怀疑论的批评者将更倾向于怀疑哲学探究的合理性,而不是承认火焰或更大的外部世界可能只不过是一场梦,或者是一个邪恶恶魔的召唤。因此,哲学的深奥或空洞似乎取决于人类性情的突发奇想,特别是取决于我对“我可能对自己声称知道的一切都是错误的”这一想法的反应。
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