Revising the Canon: How Andy Warhol Became the Most Important American Modern Artist

David W. Galenson
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Abstract

Quantitative analysis of narratives of art history published since 2000 reveals that scholars and critics now judge that Andy Warhol has surpassed Jackson Pollock and Jasper Johns as the most important modern American painter. Auction prices suggest that collectors share this opinion. Disaggregated analysis of the published narratives by decade reveals that Warhol first gained clear critical recognition as the leading Pop artist in the 1990s, and then as the most important American artist overall in the 2000s. This rise in Warhol’s status appears initially to have been a result of his enormous influence on Jean-Michel Basquiat, Keith Haring, and others in the cohort that transformed the New York art world in the 1980s, and subsequently of his persisting influence on leading artists around the world who have emerged since the 1990s, including Damien Hirst, Takashi Murakami, and Ai Weiwei. Warhol’s many radical conceptual innovations, that transformed both the appearance of art and the behavior of artists, made him not only the most important American artist, but the most important Western artist overall of the second half of the twentieth century.
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修订经典:安迪·沃霍尔如何成为最重要的美国现代艺术家
对2000年以来出版的艺术史叙事的定量分析显示,学者和评论家现在认为,安迪·沃霍尔已经超越杰克逊·波洛克和贾斯珀·约翰斯,成为最重要的美国现代画家。拍卖价格表明收藏家们也认同这种观点。按十年分类分析沃霍尔发表的作品,可以发现沃霍尔首先在20世纪90年代作为领先的波普艺术家获得了明确的评论界认可,然后在21世纪初成为最重要的美国艺术家。沃霍尔地位的上升最初似乎是由于他对让-米歇尔·巴斯奎特(Jean-Michel Basquiat)、基思·哈林(Keith Haring)和其他在20世纪80年代改变了纽约艺术界的人的巨大影响,以及随后他对20世纪90年代以来出现的世界主要艺术家的持续影响,包括达米恩·赫斯特(Damien Hirst)、村上隆(Takashi Murakami)和艾未未。沃霍尔的许多激进的观念创新,改变了艺术的外观和艺术家的行为,使他不仅成为最重要的美国艺术家,而且是20世纪下半叶最重要的西方艺术家。
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