The Artifice of Syphilitic and Damaged Female Bodies in Literature

Encarnación Juárez-Almendros
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Abstract

This chapter examines the literary depiction of the broken and contaminated corporality of female prostitutes as illustrated in Francisco Delicado’s La Lozana andaluza [Portrait of Lozana: The Lusty Andalusian Woman] (1528), Miguel de Cervantes’s Casamiento engañoso [The Deceitful Marriage] (1613), La tía fingida [The pretended aunt], a novel attributed to Cervantes, and Francisco de Quevedo’s satiric poetry written in the first half of the seventeenth century. These works share a common representation of syphilis as a gendered metaphor of physical and moral decay that functions in opposition both to male embodiment and to the ideal of the integrity of the female body, expressed in the concept of virginity and chastity. Furthermore, they exemplify the development of the syphilitic trope through the century as well as the diverse solutions to taming alterity.
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文学作品中梅毒与受损女性身体的手法
本章考察了弗朗西斯科·德里卡多的《洛萨娜的肖像:好色的安达卢西亚女人》(1528年)、米格尔·德·塞万提斯的《卡萨米恩托engañoso》(1613年)、塞万提斯的小说《假姨妈》(tía fingida)以及弗朗西斯科·德·克维多写于17世纪上半叶的讽刺诗中对妓女破碎和受污染的肉体的文学描述。这些作品都有一个共同的特征,即梅毒是一种身体和道德堕落的性别隐喻,它既反对男性的体现,也反对女性身体完整的理想,这种理想表现在童贞和贞洁的概念中。此外,它们体现了梅毒修辞在整个世纪的发展,以及驯服另类的各种解决方案。
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