Propaganda Analysis in the Movie Che: The Argentine

P. D. Aditya, G. G. Sukendro
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Abstract

Nowadays, public opinion can form in quickly and with a vast reach due to the advancement of technology. One way to sway public opinion is through propaganda. One of the mainstream media that the public enjoys is the film. The the film is also a media of propaganda that have a big impact on the public. Ever since its discovery, the film has been used as a tool of propaganda. This research aims to analyze how propaganda techniques used in the movie Che: The Argentine by one of Hollywood director Steven Soderbergh. The theory that is used is propaganda theory. This research also used a qualitative approach with the Sara Mill’s discourse analysis method. In this research, the researcher dismantles the realities of the discourse and conclude the subject-object position along with the public position towards the discourse. After dismantling realities of the discourse, the researcher discovered that the reality of the discourse is being presented through the point of view of the subject that is Ernesto Guevara that held the position of the pinnacle of truth. The propaganda technique that are used in this the film includes card stacking, glittering generalities, plain folk, and the bandwagon effect. Those propaganda message delivered through the view of the subject only by precepting surrounding situation through their view of the pinnacle of truth.
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电影《切:阿根廷人》中的宣传分析
如今,由于科技的进步,公众舆论可以迅速形成,影响范围很广。影响公众舆论的一种方法是通过宣传。大众喜欢的主流媒体之一是电影。电影也是一种对公众有很大影响的宣传媒介。自从被发现以来,这部电影就被用作宣传工具。本研究旨在分析好莱坞导演史蒂文·索德伯格的电影《切:阿根廷人》中如何使用宣传技巧。所使用的理论是宣传理论。本研究还采用了萨拉·米尔的语篇分析方法进行定性分析。在这项研究中,研究者拆解了话语的现实,得出了主客体立场以及公众对话语的立场。在解构话语的现实之后,研究者发现话语的现实是通过主体的视角呈现出来的,这个主体就是站在真理顶峰的埃内斯托·格瓦拉。影片的宣传手法包括叠牌、金光闪闪、平民化、从众效应等。那些通过主体的观点传递的宣传信息,只有通过自己对真理顶峰的观点来感知周围的情况。
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