Threaded Edition 21: Exploring Māori creation narratives with augmented reality-animated sonic experiences in publication design

T. Tavares, Fiona Grieve, Kyra Clarke, Maree Sheehan
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Abstract

In this article, we present the creative strategies implemented on the practice-based research project Threaded Edition 21, an international design magazine published in Aotearoa New Zealand. The editorial model draws from a cultural and collaborative framework situated in Tikanga (customary practices of the Indigenous people of New Zealand), Mātauranga Māori (Māori knowledge) and kawa (protocols). In this Special Edition, the structural format was inspired by Māori Maramataka (lunar cycles) and whakapapa (genealogy), and incorporated queues to communicate the multi-layered Māori creation narrative of Te Kore (nothingness), Te Pō (night realms and darkness), Te Whē Ao (coming in to being) and Te Ao Mārama (light realms). These narratives resided primarily in the virtual realm of augmented reality (AR) (as a spiritual encounter), while the printed matter functioned as an enigmatic vessel, creating an ontological reversal where the ‘virtual’ (AR) answered to the ambiguities of ‘real’ (publication). AR-animated vignettes and sonic artistry were activated through printed motifs to incorporate hau (breath of life) into the pages. The AR-animated sonic experience expanded the connection with the audience that when synthesized, provided a sense of immersion into the domain of the unseen which is felt aurally and visually. Structurally, the AR pages open with a chanted karakia (a welcoming prayer) and end with a mihi (closing speech), creating a balance that acknowledges aspects of Māori cultural significance and dualities. When scanned, the AR-animated sonic experiences direct the audience to the accessibility of the Instagram platform, expanding the materiality of printed matter. This approach afforded distinct modes of cognitive processing that combined the visual and the linguistic, the spatial and the temporal, sound and virtual reality to graphically symbolize the many layers and dimensions of things unseen: the realm between being and non-being.
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螺纹版21:探索Māori创作叙事与增强现实动画的声音体验在出版设计
在这篇文章中,我们介绍了基于实践的研究项目《螺纹21版》的创意策略,这是一本在新西兰奥特罗阿出版的国际设计杂志。编辑模式借鉴了位于Tikanga(新西兰土著人民的习惯做法)、Mātauranga Māori (Māori知识)和kawa(协议)的文化和合作框架。在这个特别版中,结构形式受到Māori Maramataka(月亮周期)和whakapapa(谱系)的启发,并加入了队列来传达Te Kore(虚无),Te pku(暗夜领域和黑暗),Te whu Ao(形成)和Te Ao Mārama(光明领域)的多层次创造叙事Māori。这些叙述主要存在于增强现实(AR)的虚拟领域(作为一种精神相遇),而印刷品则作为一种神秘的容器,创造了一种本体论的逆转,其中“虚拟”(AR)回答了“真实”(出版)的模糊性。ar动画和声音艺术通过印刷图案激活,将hau(生命的呼吸)融入页面。ar动画声音体验扩大了与观众的联系,当合成时,提供了一种沉浸在听觉和视觉上看不见的领域的感觉。从结构上讲,AR页面以颂歌karakia(欢迎祈祷)开始,以mihi(闭幕演讲)结束,创造了一种平衡,承认Māori文化意义和二元性的各个方面。当扫描时,ar动画声音体验将观众引导到Instagram平台的可访问性,扩展了印刷品的物质性。这种方法提供了独特的认知处理模式,将视觉和语言、空间和时间、声音和虚拟现实结合起来,以图形化的方式象征着看不见的事物的许多层次和维度:存在与不存在之间的领域。
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