The reality construction of wife figure in "suara hati istri" movie on indosiar

Dian Dian, Sisca T. Gurning, Ciptono Setiobudi, Pieter Andrian
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Abstract

This research is motivated by the reality of married couples living in big cities in Indonesia, presented by television media through soap operas or FTV (Film Televisi/Television Film). The study focuses on FTV Suara Hati Istri on TV Indosiar, which shows social construction and reality in the female character, especially a wife figure. This research examines the FTV Suara Hati Istri episode "Suamiku Membayar Ketulusan Hatiku dengan Pengkhianatan (My Husband Repays My Sincerity with Betrayal)", where Mita is described as a wife who sincerely loves her husband but humiliates her. The purpose of this research is to discover the construction of the character Mita as a wife and the meaning about the reality of a wife. This qualitative research method uses semiotic analysis of the Roland Barthes model with a constructivist paradigm. Moreover, the data are analysed using Berger and Luckman's social construction theory which divides reality into objective, symbolic, and subjective reality. Results showed that the reality of Mita's character as a wife is indeed constructed as a wife who is economically independent and highly educated but weak in the face of her husband's attitude, who is rude, unfaithful, and tends not to respect her as a wife.
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从工业工业角度看电影《苏阿拉·哈蒂·伊斯丽》中妻子形象的现实性建构
这项研究的动机是生活在印度尼西亚大城市的已婚夫妇的现实,电视媒体通过肥皂剧或FTV(电影电视/电视电影)呈现。本研究以印度电视台的FTV Suara Hati Istri为研究对象,通过女性角色,尤其是妻子形象来展现社会建构与现实。本研究考察了FTV Suara Hati isstri剧集“Suamiku Membayar Ketulusan Hatiku dengan Pengkhianatan”(我的丈夫以背叛回报我的真诚),其中Mita被描述为一个真诚地爱她的丈夫但却羞辱她的妻子。本研究的目的在于发现三田作为妻子这一角色的建构及其关于妻子现实的意义。这种定性研究方法采用了符号学分析的罗兰·巴特模型和建构主义范式。此外,使用Berger和Luckman的社会建构理论对数据进行分析,该理论将现实分为客观现实、象征现实和主观现实。结果表明,美田作为妻子的真实性格确实被构建为一个经济独立、受过高等教育的妻子,但面对丈夫粗鲁、不忠、不尊重妻子的态度,她表现得很软弱。
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