REPRESENTATION OF THE MEMORIAL CULTURE IN CHECHEN PAINTING (2000-2012)

N. Yarychev, Zarema R. Khamzatova
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Abstract

The object of the research is the memorial culture in Chechen painting, the subject being its representation in the works of Chechen artists. The purpose of the study is to consider the representation of the phenomenon of memorial memory in the work of Chechen artists. The paintings of national artists of Chechnya served as empirical material in the work. The methodology is based on comparative studies, art history and the system-constructive analysis. The authors construct the concepts of memorial heritage in the paintings of Chechen artists, revealing the universal characteristics of their work. For the authors, memorial culture comes down to a variety of ways to materialize the socio-cultural ethnic context, including the visualization of mythological and religious meanings, as well as the translation of mental characteristics and ethnic archetypes. The deep memory of the people includes historical and cultural areas, which include artistic images born in a creative way. In turn, ethnic art serves as a kind of reflection of ethnophilosophy, the mentality of the people, national traditions and a means of conveying the deep memory of the people.
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纪念文化在车臣绘画中的表现(2000-2012)
本文以车臣绘画中的纪念文化为研究对象,以其在车臣艺术家作品中的表现为研究对象。本研究的目的是考虑在车臣艺术家的作品中纪念性记忆现象的表现。作品以车臣民族艺术家的绘画作品为经验材料。研究方法以比较研究、艺术史和系统建构分析为基础。作者在车臣艺术家的绘画作品中构建了纪念遗产的概念,揭示了他们作品的普遍性特征。在作者看来,纪念文化可以归结为对社会文化民族语境的多种物化方式,包括对神话和宗教意义的可视化,以及对心理特征和民族原型的翻译。人们的深刻记忆包括历史文化领域,其中包括以创造性方式诞生的艺术形象。民族艺术是对民族哲学、民族心理、民族传统的一种反映,是传达民族深刻记忆的一种手段。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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