Pub Date : 2023-12-23DOI: 10.12731/2576-9782-2023-3-102-116
Fedor I. Kulikov
This paper examines the mechanism of functioning of the artistic space of the Egyptian noble tomb of the Old Kingdom period as a system of pictorial and architectural components. The purpose of the burial and the mechanism of functioning of the system to a great extent determined the themes and content of the plots, which contributes a special relevance to the study. A systematic analysis of reliefs from more than a hundred burials of the necropolises of Giza and Saqqara is used, with a focus on the design of the large tombs of Yasen and Chi. The paper emphasizes the fact that the universal mechanism for the functioning of the level system “a large image of the owner – a nearby scene” is a stable correlation between the elements of the attribute set of the nobleman and the content of the plots. Moreover, a large image of the nobleman is valuable not only as an image itself, but also as a set of necessary attributes that allow one to engage in “contemplating” on the images corresponding to these attributes. A new unusual variant of correlation has been identified by depicting a nobleman without the required attribute, however in a certain pose in which this attribute is usually present. Thus, the combination of the necessary insignia, combined with the pose of the depicted nobleman, endowed the large image of the owner with additional functions, allowing it to correlate with several plots and scenes of different content.
{"title":"REVISITING THE MECHANISMS OF FUNCTIONING OF THE ARTISTIC SPACE OF AN OLD EGYPTIAN PRIVATE TOMB","authors":"Fedor I. Kulikov","doi":"10.12731/2576-9782-2023-3-102-116","DOIUrl":"https://doi.org/10.12731/2576-9782-2023-3-102-116","url":null,"abstract":"This paper examines the mechanism of functioning of the artistic space of the Egyptian noble tomb of the Old Kingdom period as a system of pictorial and architectural components. The purpose of the burial and the mechanism of functioning of the system to a great extent determined the themes and content of the plots, which contributes a special relevance to the study. A systematic analysis of reliefs from more than a hundred burials of the necropolises of Giza and Saqqara is used, with a focus on the design of the large tombs of Yasen and Chi. The paper emphasizes the fact that the universal mechanism for the functioning of the level system “a large image of the owner – a nearby scene” is a stable correlation between the elements of the attribute set of the nobleman and the content of the plots. Moreover, a large image of the nobleman is valuable not only as an image itself, but also as a set of necessary attributes that allow one to engage in “contemplating” on the images corresponding to these attributes. A new unusual variant of correlation has been identified by depicting a nobleman without the required attribute, however in a certain pose in which this attribute is usually present. Thus, the combination of the necessary insignia, combined with the pose of the depicted nobleman, endowed the large image of the owner with additional functions, allowing it to correlate with several plots and scenes of different content.","PeriodicalId":212111,"journal":{"name":"Russian Studies in Culture and Society","volume":"20 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139162256","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-23DOI: 10.12731/2576-9782-2023-3-35-60
B. Podgorny
The approaches to the stratification of the country’s population used today by the scientific community do not make it possible to determine the integrated position of an individual in Russian society - an individual who occupies a high place in one of the stratifications may be at a low level in other stratifications. For example, a representative of the “higher” echelon of the scientific community in terms of material indicators may be significantly lower than a middle-level entrepreneur. Our developed methodology and classification of the population social habitus makes it possible to form its habitual structure, which is unifying in relation to most of the existing stratifications. Taking into account the fact that the habitus is a practically unchanged value, it becomes possible to determine and predict the proportion of the population that performs the function of stabilizing society, which can become a clarifying alternative to the current calculations of this population category through belonging to the middle class. The purpose of the study is to determine the habitual structure of the Kaliningrad region population. The theoretical basis of the study is the theory of social space by P. Bourdieu. The determination of social habitus was made on the basis of the author’s approach, which consists in determining social habitus by comparing the main disposition direction of the respondents and their effective capital. Main results: The existing habitual structure of the Kaliningrad region population to smooth forward movement in the socio-economic development of the region. The performed calculations, based on the population habitual structure, showed that fifty-five percent of the region’s population has the function of society social stabilization; forty-five percent are negative or neutral.
{"title":"HABITUAL STRUCTURE OF THE KALININGRAD REGION’ POPULATION","authors":"B. Podgorny","doi":"10.12731/2576-9782-2023-3-35-60","DOIUrl":"https://doi.org/10.12731/2576-9782-2023-3-35-60","url":null,"abstract":"The approaches to the stratification of the country’s population used today by the scientific community do not make it possible to determine the integrated position of an individual in Russian society - an individual who occupies a high place in one of the stratifications may be at a low level in other stratifications. For example, a representative of the “higher” echelon of the scientific community in terms of material indicators may be significantly lower than a middle-level entrepreneur. Our developed methodology and classification of the population social habitus makes it possible to form its habitual structure, which is unifying in relation to most of the existing stratifications. Taking into account the fact that the habitus is a practically unchanged value, it becomes possible to determine and predict the proportion of the population that performs the function of stabilizing society, which can become a clarifying alternative to the current calculations of this population category through belonging to the middle class. The purpose of the study is to determine the habitual structure of the Kaliningrad region population. The theoretical basis of the study is the theory of social space by P. Bourdieu. The determination of social habitus was made on the basis of the author’s approach, which consists in determining social habitus by comparing the main disposition direction of the respondents and their effective capital. Main results: The existing habitual structure of the Kaliningrad region population to smooth forward movement in the socio-economic development of the region. The performed calculations, based on the population habitual structure, showed that fifty-five percent of the region’s population has the function of society social stabilization; forty-five percent are negative or neutral.","PeriodicalId":212111,"journal":{"name":"Russian Studies in Culture and Society","volume":"271 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139163204","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-29DOI: 10.12731/2576-9782-2023-3-19-34
D. A. Ilgova
The purpose of the study is to consider the structure of Old Irish poetry by the example of several principles of its division: by time, the function of the poet and the addressee of the poetic message. The main research materials used are Old Irish sagas, which contain poetic elements, as well as foreign and Russian research in the field of Celtology, affecting the development of Old Irish poetry. The relevance of the research is due to the fact that the relationship of druids, filids and bards in Old Irish poetry is not clearly established and is the subject of scientific discussion and many interpretations. The methodology of the research consists in using the method of comparative analysis of Old Irish poetry, during which the change of influence of poetic groups (druids, filids and bards) is considered. Understanding this shift is also impossible without analyzing the historical and cultural context (the Christianization of Ireland, Viking raids, the weakening of the monastic way of life and other social and cultural aspects). As a result of the conducted research, it was found that along with the change in influence, the recipient of the poetic text also changes: from appeals to the higher powers of the druids – to the visionary rituals of the filids – and further to a wider audience of bards. The results of the research allow us to take a broader look at the problem of the formation of Old Irish poetry not only in literary terms, but also from the point of view of cultural development.
{"title":"THE OLD IRISH POET: MAGICIAN, SEER OR STORYTELLER","authors":"D. A. Ilgova","doi":"10.12731/2576-9782-2023-3-19-34","DOIUrl":"https://doi.org/10.12731/2576-9782-2023-3-19-34","url":null,"abstract":"The purpose of the study is to consider the structure of Old Irish poetry by the example of several principles of its division: by time, the function of the poet and the addressee of the poetic message. The main research materials used are Old Irish sagas, which contain poetic elements, as well as foreign and Russian research in the field of Celtology, affecting the development of Old Irish poetry. The relevance of the research is due to the fact that the relationship of druids, filids and bards in Old Irish poetry is not clearly established and is the subject of scientific discussion and many interpretations. The methodology of the research consists in using the method of comparative analysis of Old Irish poetry, during which the change of influence of poetic groups (druids, filids and bards) is considered. Understanding this shift is also impossible without analyzing the historical and cultural context (the Christianization of Ireland, Viking raids, the weakening of the monastic way of life and other social and cultural aspects). As a result of the conducted research, it was found that along with the change in influence, the recipient of the poetic text also changes: from appeals to the higher powers of the druids – to the visionary rituals of the filids – and further to a wider audience of bards. The results of the research allow us to take a broader look at the problem of the formation of Old Irish poetry not only in literary terms, but also from the point of view of cultural development.","PeriodicalId":212111,"journal":{"name":"Russian Studies in Culture and Society","volume":"16 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139334204","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-29DOI: 10.12731/2576-9782-2023-3-4-18
Ernest E. Ibragimov, Ibraim E. Avdil’
The article formalizes the model of cultural heritage management, clarifies the content of cultural heritage cognition by considering the processes of studying, preserving and using cultural heritage objects as a factor in the development of tourism in the Russian Federation, taking into account modern challenges and opportunities. The preservation of cultural heritage and its rational use have a key role and importance for attracting tourist flows and improving socio-economic indicators and sustainable development of the region. In this regard, the importance of highlighting the internal structure of the cultural heritage management process as a factor in the development of tourism in the Russian Federation is actualized. The purpose of the study: to formalize the model of cultural heritage management as a factor of tourism development in the Russian Federation. The research methodology is represented by a set of general scientific and special historical methods of scientific cognition, the principles of historicism, scientific, systematic and complex. The scientific novelty consists in an attempt to comprehensively comprehend the problem of studying, preserving and using Russian cultural heritage objects based on the analysis of contemporary research on the subject, taking into account modern realities and formalizing the model of cultural heritage management as a factor in the development of tourism. The model of cultural heritage management as a factor of tourism development in the Russian Federation is formalized. The main reserves for improving the efficiency of cultural heritage management as a factor of tourism development are improving the quality of tourist products in the field of cultural and educational tourism; combining material and intangible parts of cultural heritage; developing eventfulness in the regions; creating an authentic environment in Russian tourist locations; branding cultural heritage sites and territories of their placement; using a wide range of digital technologies to promote and involve cultural heritage objects in the tourism industry; training professional personnel to work in the cultural and educational tourism industry.
{"title":"FORMALIZATION OF THE CULTURAL HERITAGE MANAGEMENT MODEL AS A FACTOR OF TOURISM DEVELOPMENT IN THE RUSSIAN FEDERATION","authors":"Ernest E. Ibragimov, Ibraim E. Avdil’","doi":"10.12731/2576-9782-2023-3-4-18","DOIUrl":"https://doi.org/10.12731/2576-9782-2023-3-4-18","url":null,"abstract":"The article formalizes the model of cultural heritage management, clarifies the content of cultural heritage cognition by considering the processes of studying, preserving and using cultural heritage objects as a factor in the development of tourism in the Russian Federation, taking into account modern challenges and opportunities. The preservation of cultural heritage and its rational use have a key role and importance for attracting tourist flows and improving socio-economic indicators and sustainable development of the region. In this regard, the importance of highlighting the internal structure of the cultural heritage management process as a factor in the development of tourism in the Russian Federation is actualized. The purpose of the study: to formalize the model of cultural heritage management as a factor of tourism development in the Russian Federation. The research methodology is represented by a set of general scientific and special historical methods of scientific cognition, the principles of historicism, scientific, systematic and complex. The scientific novelty consists in an attempt to comprehensively comprehend the problem of studying, preserving and using Russian cultural heritage objects based on the analysis of contemporary research on the subject, taking into account modern realities and formalizing the model of cultural heritage management as a factor in the development of tourism. The model of cultural heritage management as a factor of tourism development in the Russian Federation is formalized. The main reserves for improving the efficiency of cultural heritage management as a factor of tourism development are improving the quality of tourist products in the field of cultural and educational tourism; combining material and intangible parts of cultural heritage; developing eventfulness in the regions; creating an authentic environment in Russian tourist locations; branding cultural heritage sites and territories of their placement; using a wide range of digital technologies to promote and involve cultural heritage objects in the tourism industry; training professional personnel to work in the cultural and educational tourism industry.","PeriodicalId":212111,"journal":{"name":"Russian Studies in Culture and Society","volume":"33 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139334529","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-29DOI: 10.12731/2576-9782-2023-3-61-79
Maria A. Belyaeva
The article is devoted to the gastronomic culture and its derivative – the gastronomic image of the territory. Gastronomy, as a field of knowledge, reveals the connection between food and culture and is an urgent topic of cultural research. Within the framework of this article, the subject of research is the study of the gastronomic image of the territory from a theoretical point of view. The author seeks to answer the questions: what are the system-forming elements of the gastronomic culture, how do the concepts of “gastronomic image” / “gastronomic brand” relate, what is the structure and what is the specificity of the gastronomic image of the territory in comparison with other perspectives of the positioning of the territory. Method and methodology: the ideas of this article are based on systematic, practical, semiotic approaches in understanding the gastronomic culture, modern gastronomic practices, and the gastronomic image of the city. The novelty and the author’s contribution lies in the theoretical positions that fit into the mainstream of cultural knowledge. The author offers his vision of the system-forming elements of gastronomic culture and his vision of the structure of the gastronomic image of the city as a 4-component fashion: food, places, people, events. The author identifies three specific characteristics of the gastronomic image of the city: 1) authenticity as an optional, not a mandatory feature; 2) dynamism as an indicator of the potentially high variability of the gastronomic image following changing living conditions and available resources; 3) a possible break with the local cultural tradition existing in hidden everyday life, while the gastronomic image is formed in the public sphere with the help of traditional and new media, greedy for hype. The results of the study can be applied in such an area of applied cultural studies as geobrending. A good theory is a guide to action, if you undertake to form a gastronomic image of the city, you need to understand its structure and specifics. The scope of the results: geobranding, cultural industries related to food, brand communications in regional media and new media, tourism.
{"title":"THE GASTRONOMIC IMAGE OF THE TERRITORY: STRUCTURE AND SPECIFICITY","authors":"Maria A. Belyaeva","doi":"10.12731/2576-9782-2023-3-61-79","DOIUrl":"https://doi.org/10.12731/2576-9782-2023-3-61-79","url":null,"abstract":"The article is devoted to the gastronomic culture and its derivative – the gastronomic image of the territory. Gastronomy, as a field of knowledge, reveals the connection between food and culture and is an urgent topic of cultural research. Within the framework of this article, the subject of research is the study of the gastronomic image of the territory from a theoretical point of view. The author seeks to answer the questions: what are the system-forming elements of the gastronomic culture, how do the concepts of “gastronomic image” / “gastronomic brand” relate, what is the structure and what is the specificity of the gastronomic image of the territory in comparison with other perspectives of the positioning of the territory. Method and methodology: the ideas of this article are based on systematic, practical, semiotic approaches in understanding the gastronomic culture, modern gastronomic practices, and the gastronomic image of the city. The novelty and the author’s contribution lies in the theoretical positions that fit into the mainstream of cultural knowledge. The author offers his vision of the system-forming elements of gastronomic culture and his vision of the structure of the gastronomic image of the city as a 4-component fashion: food, places, people, events. The author identifies three specific characteristics of the gastronomic image of the city: 1) authenticity as an optional, not a mandatory feature; 2) dynamism as an indicator of the potentially high variability of the gastronomic image following changing living conditions and available resources; 3) a possible break with the local cultural tradition existing in hidden everyday life, while the gastronomic image is formed in the public sphere with the help of traditional and new media, greedy for hype. The results of the study can be applied in such an area of applied cultural studies as geobrending. A good theory is a guide to action, if you undertake to form a gastronomic image of the city, you need to understand its structure and specifics. The scope of the results: geobranding, cultural industries related to food, brand communications in regional media and new media, tourism.","PeriodicalId":212111,"journal":{"name":"Russian Studies in Culture and Society","volume":"238 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139334271","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-29DOI: 10.12731/2576-9782-2023-3-80-101
Maxim S. Lytov
The relevancy of addressing the problem of forward and reverse perspective in the depiction of space on the plane when teaching drawing to children and students is due to the dominance of geometric stereotypes in their pictures, reflecting the photographic character of the surrounding video environment. The aim of the study: in the conditions of increasing trends of standardization and unification of the global society – to substantiate the cultural meanings of including the forward and reverse perspectives in the content of teaching drawing – to master the cultural heritage of Old Russian art, to study and preserve the diversity of visual techniques of small ethnic groups of the country, to develop the creative potential of self-expression in drawing “as I see it”. The methods of analysis, generalization, comparison, contrast, as well as cultural, ecological and complex approaches were used. The result of the study was the revealed contradiction between the fact of dominance of reverse perspective in the perception of children of different nationalities and representatives of indigenous peoples who have not been exposed to civilization, on the one hand, and the teaching in modern schools of direct linear perspective in drawing as the only “correct”, the formation of stereotypes of geometric representation of the surrounding world in students. The conclusion is made about the importance of nature- and culture-oriented orientation of teaching drawing to give it individuality, interest in the cultural heritage of the country and the desire to develop modern domestic fine arts. Area of application of the results: pedagogical process of teaching drawing at school and university.
{"title":"CULTURAL MEANINGS OF FORWARD AND REVERSE PERSPECTIVES IN FINE ART","authors":"Maxim S. Lytov","doi":"10.12731/2576-9782-2023-3-80-101","DOIUrl":"https://doi.org/10.12731/2576-9782-2023-3-80-101","url":null,"abstract":"The relevancy of addressing the problem of forward and reverse perspective in the depiction of space on the plane when teaching drawing to children and students is due to the dominance of geometric stereotypes in their pictures, reflecting the photographic character of the surrounding video environment. The aim of the study: in the conditions of increasing trends of standardization and unification of the global society – to substantiate the cultural meanings of including the forward and reverse perspectives in the content of teaching drawing – to master the cultural heritage of Old Russian art, to study and preserve the diversity of visual techniques of small ethnic groups of the country, to develop the creative potential of self-expression in drawing “as I see it”. The methods of analysis, generalization, comparison, contrast, as well as cultural, ecological and complex approaches were used. The result of the study was the revealed contradiction between the fact of dominance of reverse perspective in the perception of children of different nationalities and representatives of indigenous peoples who have not been exposed to civilization, on the one hand, and the teaching in modern schools of direct linear perspective in drawing as the only “correct”, the formation of stereotypes of geometric representation of the surrounding world in students. The conclusion is made about the importance of nature- and culture-oriented orientation of teaching drawing to give it individuality, interest in the cultural heritage of the country and the desire to develop modern domestic fine arts. Area of application of the results: pedagogical process of teaching drawing at school and university.","PeriodicalId":212111,"journal":{"name":"Russian Studies in Culture and Society","volume":"166 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139334694","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-30DOI: 10.12731/2576-9782-2023-2-90-105
N. Yarychev, Zarema R. Khamzatova
The object of the research is the memorial culture in Chechen painting, the subject being its representation in the works of Chechen artists. The purpose of the study is to consider the representation of the phenomenon of memorial memory in the work of Chechen artists. The paintings of national artists of Chechnya served as empirical material in the work. The methodology is based on comparative studies, art history and the system-constructive analysis. The authors construct the concepts of memorial heritage in the paintings of Chechen artists, revealing the universal characteristics of their work. For the authors, memorial culture comes down to a variety of ways to materialize the socio-cultural ethnic context, including the visualization of mythological and religious meanings, as well as the translation of mental characteristics and ethnic archetypes. The deep memory of the people includes historical and cultural areas, which include artistic images born in a creative way. In turn, ethnic art serves as a kind of reflection of ethnophilosophy, the mentality of the people, national traditions and a means of conveying the deep memory of the people.
{"title":"REPRESENTATION OF THE MEMORIAL CULTURE IN CHECHEN PAINTING (2000-2012)","authors":"N. Yarychev, Zarema R. Khamzatova","doi":"10.12731/2576-9782-2023-2-90-105","DOIUrl":"https://doi.org/10.12731/2576-9782-2023-2-90-105","url":null,"abstract":"The object of the research is the memorial culture in Chechen painting, the subject being its representation in the works of Chechen artists. The purpose of the study is to consider the representation of the phenomenon of memorial memory in the work of Chechen artists. The paintings of national artists of Chechnya served as empirical material in the work. The methodology is based on comparative studies, art history and the system-constructive analysis. \u0000The authors construct the concepts of memorial heritage in the paintings of Chechen artists, revealing the universal characteristics of their work. For the authors, memorial culture comes down to a variety of ways to materialize the socio-cultural ethnic context, including the visualization of mythological and religious meanings, as well as the translation of mental characteristics and ethnic archetypes. The deep memory of the people includes historical and cultural areas, which include artistic images born in a creative way. In turn, ethnic art serves as a kind of reflection of ethnophilosophy, the mentality of the people, national traditions and a means of conveying the deep memory of the people.","PeriodicalId":212111,"journal":{"name":"Russian Studies in Culture and Society","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122911946","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-30DOI: 10.12731/2576-9782-2023-2-148-171
N. Mihailova
Purpose. The article is devoted to analysis of material culture as space of human existence. The subject of the analysis is a system of human relations with space of material culture. The author aims to reveal essence of a man as a biosocial being through analysis of a structure of material culture and its place in a cultural system as a whole. Methodology. The research is based on a principle of system analysis, culturological and cultural anthropological approaches, as well as on typologization and analysis of written sources methods. Results. The results of the work are that the author considers material culture as consisting of a number of groups of elements, both external to a human (things, technics, technologies), and a human oneself through one`s physicality and body technologies (physical culture). A position of these elements in a coordinate system “universal – regional (general) – specific” is analysed. Practical implications. Results of the study can be applied in fields of human socialization and enculturation, analysis of cross-cultural interactions.
{"title":"A HUMAN IN SPACE OF MATERIAL CULTURE","authors":"N. Mihailova","doi":"10.12731/2576-9782-2023-2-148-171","DOIUrl":"https://doi.org/10.12731/2576-9782-2023-2-148-171","url":null,"abstract":"Purpose. The article is devoted to analysis of material culture as space of human existence. The subject of the analysis is a system of human relations with space of material culture. The author aims to reveal essence of a man as a biosocial being through analysis of a structure of material culture and its place in a cultural system as a whole. \u0000Methodology. The research is based on a principle of system analysis, culturological and cultural anthropological approaches, as well as on typologization and analysis of written sources methods. \u0000Results. The results of the work are that the author considers material culture as consisting of a number of groups of elements, both external to a human (things, technics, technologies), and a human oneself through one`s physicality and body technologies (physical culture). A position of these elements in a coordinate system “universal – regional (general) – specific” is analysed. \u0000Practical implications. Results of the study can be applied in fields of human socialization and enculturation, analysis of cross-cultural interactions.","PeriodicalId":212111,"journal":{"name":"Russian Studies in Culture and Society","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115076924","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-30DOI: 10.12731/2576-9782-2023-2-78-89
Cao He
At present, the urgent task is to preserve and broadcast the cultural values of different peoples. From this point of view, symbols of Chinese benevolent culture can be seen as an important form of cultural communication. Three symbols of good wishes were chosen as the objects of the study: dragon, lotus and phoenix. Despite the prevalence of these images, there are practically no works in the literature that comprehensively, from different points of view, would describe the semantics of each of them. Thus, the goal is to reveal the history of these symbols, their meaning and traditions of use in a benevolent culture. The author identified and systematized the main images and meanings of the three symbols of Chinese culture. Based on the results of the work, the author came to the conclusion that all three symbols have a number of hidden images and meanings that can vary depending on the way they are depicted, and also have opposite meanings when combined with other symbols (for example, a dragon combined with a phoenix). Purpose. The article considers the symbolism of the benevolent culture of the PRC, as one of the connecting threads in the development of Chinese identity. The symbolism is illustrated by examples of some of the most common images used in jade art – the dragon, lotus and phoenix. The author aims to reveal the history of the use of these images, their symbolism and traditions of use in a benevolent culture. Methodology. The research is based on hermeneutic, comparative and axiological methods. Results. The results of the work are that the author identified and systematized the main images and meanings of the three symbols of Chinese culture: the dragon, the phoenix and the lotus. Practical implications. The results of the study can be used in the educational process when teaching courses on the history and culture of China, including history, art history, oriental culture, sinology, etc. The study of the cultural values of China, in particular, the symbolism of auspicious ornaments, allows you to broadcast, preserve and transmit the history and traditions of the art of the Middle Kingdom.
{"title":"«DRAGON, LOTUS, PHOENIX» AS SPECIAL SYMBOLS OF CHINA CULTURE","authors":"Cao He","doi":"10.12731/2576-9782-2023-2-78-89","DOIUrl":"https://doi.org/10.12731/2576-9782-2023-2-78-89","url":null,"abstract":"At present, the urgent task is to preserve and broadcast the cultural values of different peoples. From this point of view, symbols of Chinese benevolent culture can be seen as an important form of cultural communication. Three symbols of good wishes were chosen as the objects of the study: dragon, lotus and phoenix. Despite the prevalence of these images, there are practically no works in the literature that comprehensively, from different points of view, would describe the semantics of each of them. Thus, the goal is to reveal the history of these symbols, their meaning and traditions of use in a benevolent culture. The author identified and systematized the main images and meanings of the three symbols of Chinese culture. Based on the results of the work, the author came to the conclusion that all three symbols have a number of hidden images and meanings that can vary depending on the way they are depicted, and also have opposite meanings when combined with other symbols (for example, a dragon combined with a phoenix). \u0000Purpose. The article considers the symbolism of the benevolent culture of the PRC, as one of the connecting threads in the development of Chinese identity. The symbolism is illustrated by examples of some of the most common images used in jade art – the dragon, lotus and phoenix. The author aims to reveal the history of the use of these images, their symbolism and traditions of use in a benevolent culture. \u0000Methodology. The research is based on hermeneutic, comparative and axiological methods. \u0000Results. The results of the work are that the author identified and systematized the main images and meanings of the three symbols of Chinese culture: the dragon, the phoenix and the lotus. \u0000Practical implications. The results of the study can be used in the educational process when teaching courses on the history and culture of China, including history, art history, oriental culture, sinology, etc. The study of the cultural values of China, in particular, the symbolism of auspicious ornaments, allows you to broadcast, preserve and transmit the history and traditions of the art of the Middle Kingdom.","PeriodicalId":212111,"journal":{"name":"Russian Studies in Culture and Society","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128607814","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-30DOI: 10.12731/2576-9782-2023-2-52-66
É. E. Ibragimov, Viktor S. Anokhin
The article substantiates the role of cultural and educational tourism in the popularization of the cultural heritage of the Republic of Crimea, reflects the importance of cultural tourism for the formation of national consciousness of citizens, examines the main objects of cultural heritage of the region, identifies the problems and prospects of using the cultural heritage of the region in tourism. Cultural heritage is the most important resource for regional development, including cultural and educational tourism, which can be considered as an effective factor contributing to familiarization with the cultural heritage of the region, therefore, research aimed at developing methodological foundations for a balanced interaction of cultural heritage management processes and the development of tourism activities based on its use is relevant. The purpose of the study: to substantiate the importance of cultural and educational tourism in promoting the cultural heritage of the Republic of Crimea and to identify current problems of their use in tourism. The methodological basis of the research is the philosophical principles of cognition; dialectical, logical and systematic approaches to the consideration of phenomena and processes, as well as general scientific methods: analysis and synthesis to substantiate theoretical propositions, generalization, systematic approach and formal logic to deduce the content of relevant concepts. The preservation of cultural heritage and its rational use are crucial for the sustainable attraction of tourist flows and the improvement of socio-economic indicators of the region. The activation of cultural and educational tourism throughout the Crimean region can contribute to the development of other sectors of the tourism industry and, of course, will have a positive impact on the preservation of cultural heritage.
{"title":"CULTURAL AND EDUCATIONAL TOURISM AS A DIRECTION OF USING AND PROTECTING THE CULTURAL HERITAGE OF THE REPUBLIC OF CRIMEA","authors":"É. E. Ibragimov, Viktor S. Anokhin","doi":"10.12731/2576-9782-2023-2-52-66","DOIUrl":"https://doi.org/10.12731/2576-9782-2023-2-52-66","url":null,"abstract":"The article substantiates the role of cultural and educational tourism in the popularization of the cultural heritage of the Republic of Crimea, reflects the importance of cultural tourism for the formation of national consciousness of citizens, examines the main objects of cultural heritage of the region, identifies the problems and prospects of using the cultural heritage of the region in tourism. \u0000Cultural heritage is the most important resource for regional development, including cultural and educational tourism, which can be considered as an effective factor contributing to familiarization with the cultural heritage of the region, therefore, research aimed at developing methodological foundations for a balanced interaction of cultural heritage management processes and the development of tourism activities based on its use is relevant. \u0000The purpose of the study: to substantiate the importance of cultural and educational tourism in promoting the cultural heritage of the Republic of Crimea and to identify current problems of their use in tourism. \u0000The methodological basis of the research is the philosophical principles of cognition; dialectical, logical and systematic approaches to the consideration of phenomena and processes, as well as general scientific methods: analysis and synthesis to substantiate theoretical propositions, generalization, systematic approach and formal logic to deduce the content of relevant concepts. \u0000The preservation of cultural heritage and its rational use are crucial for the sustainable attraction of tourist flows and the improvement of socio-economic indicators of the region. The activation of cultural and educational tourism throughout the Crimean region can contribute to the development of other sectors of the tourism industry and, of course, will have a positive impact on the preservation of cultural heritage.","PeriodicalId":212111,"journal":{"name":"Russian Studies in Culture and Society","volume":"65 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114222290","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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