Research on the practical path of Chinese movie and television communication from the perspective of “The Belt and Road”

Jinchu Zhou, Ying Wang, Bo Li
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Abstract

Under the background of The Belt and Road Chinese movies face a dual context of coexistence of opportunities and difficulties in international communication. To explore the feasible method of Chinese movie’s external diffusion, we take 36 countries along the “Belt and Road” from 2017.12 to 2020.12 as the research object and use the Latent Dirichlet allocation topic model(LDA) to summarize six categories of topics. According to the box office distribution of each topic, all countries are divided into six categories, and we discuss the topic preferences of each country separately. To promote movie diffusion, for regions with significant cultural differences, the movie should be carried out according to their preferred topics; for regions with better development of the movie market but less cooperation, we should output high-quality local movies to carry out cooperation shooting at the same time; for regions with deep cultural exchanges and a weak economy, we should output movies with diverse culture and preaching national spirit. In addition, it is necessary to consider multiple factors such as the political and religious background to avoid breaking group taboos and formulate export plans according to local conditions to achieve multi-ethnic and multicultural integration further.
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“一带一路”视角下的中国影视传播实践路径研究
在“一带一路”的大背景下,中国电影在国际传播中面临着机遇与困难并存的双重语境。为了探索中国电影对外扩散的可行方法,我们以2017.12 - 20120.12年“一带一路”沿线36个国家为研究对象,运用潜狄利克雷分配话题模型(Latent Dirichlet allocation topic model, LDA)对6类话题进行了归纳。根据每个主题的票房分布,将所有国家分为六类,我们分别讨论每个国家的主题偏好。为了促进电影的传播,对于文化差异较大的地区,电影应该根据他们喜欢的主题进行;对于电影市场发展较好但合作较少的地区,在输出优质本土电影的同时开展合作拍摄;对于文化交流较深、经济较弱的地区,我们应该输出文化多元、宣扬民族精神的电影。此外,还需要考虑政治、宗教背景等多重因素,避免打破群体禁忌,因地制宜地制定出口计划,进一步实现多民族、多元文化的融合。
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