Brer Soul and the Mythic Being

Tavia Nyong’o
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Abstract

Challenging accounts of black gender and sexuality that equate radicalism with misogynistic and patriarchal values, this chapter looks to the subversive cinema and performance art of the 1960s for prefigurations of the gender and sex nonconformity of today. Placing in counterpoint the theater and cinema of Melvin van Peebles and the performance and conceptual art of Adrian Piper, this chapter foregrounds the role of a funk epistemology in both cases. Contemporary queer and transgender art and aesthetics can only gain, this chapter argues, by acknowledging these works as sources of fabulation.
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人的灵魂与神话的存在
这一章挑战了将激进主义等同于厌女主义和父权价值观的黑人性别和性行为的描述,从20世纪60年代颠覆性的电影和表演艺术中寻找今天性别和性不一致的预示。把梅尔文·范·皮布尔斯的戏剧和电影与阿德里安·派珀的表演和观念艺术放在对位,本章强调了放克认识论在这两种情况下的作用。本章认为,当代酷儿和跨性别艺术和美学只有承认这些作品是虚构的来源,才能有所收获。
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Fabulous, Formless Brer Soul and the Mythic Being Habeas Ficta Deep Time, Dark Time Chore and Choice
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