Mylesean Titles: Intertextual Pleasures

Patrick O’Neill
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Abstract

Since the particular titles assigned to literary texts always implicitlychallenge readers to find ways of making them as interesting a component aspossible of the literary experience, readers are encouraged to identify as soonas possible what may seem to be the most appropriate approach to the text – eventhough the particular approach chosen may quite often turn out to be seriously inadequateor even quite wrong-headed. Translated titles may of course encourage asignificantly different approach. The present discussion focuses, first, onreaders' likely reactions to the original titles of the works of Brian O'Nolan,alias Flann O'Brien, alias Myles na gCopaleen, and, second, on the likelyreactions of target-language readers to the titles of some fifty translationsof those same works in a range of European languages.
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Mylesean标题:互文的乐趣
由于指定给文学文本的特定标题总是含蓄地挑战读者找到使其成为文学体验中尽可能有趣的组成部分的方法,因此鼓励读者尽快确定似乎是最合适的文本方法-即使所选择的特定方法通常会被证明是严重不足的,甚至是非常错误的。当然,翻译后的标题可能会鼓励截然不同的方法。本文的讨论首先集中在读者对布赖恩·欧诺兰(又名弗兰·奥布莱恩,又名迈尔斯·纳格·科帕林)作品的原标题的可能反应,其次集中在目的语读者对这些作品的50多个欧洲语言译本的可能反应。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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Review of Irish Modernisms: Gaps, Conjectures, Possibilities (2021), edited by Paul Fagan, John Greaney and Tamara Radak. John Garvin and Brian O’Nolan in Civil Service Bureaucratic Sorceries in The Third Policeman: Anthropological Perspectives on Magic and Officialdom Mylesean Onomastics: Games Names Play “F___ the County Council”: Local Government and Biopolitical Allegory in Flann O’Brien.
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