The Rhetorical Analysis of Ethereal Poetry on the Basis of Semantic "Normality Relying on the Office of "siyah mashg

Saeed Mohammadi kish, homeira khanjani
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Abstract

The aim of this study is to investigate different types of semantic normality such as simile ,metaphor, falsehood, permissible, anecdotal, contradiction, paradoxes in one hundred sonnets of Hooshang Ebtehaj. The ability to communicate and express words is one of the possibilities that mankind has used to the highest level of history in speech and writing. Among which the arrangement of speech has always been the subject of speaker attentions. Therefore, there is a sense of purity and adornment of the speech in all the elder works. Normality is one way to understand and criticize literary issues in various aspects of the beautification of the art work in Russian Formalism School. Two ways of assimilation and succession help in the semantic normality of the poet based on the semantic rules governing the Norwegian language . Considering that the domain of meaning or semantic is more than the other levels of language in the highlighting, each poet who succeeding in terms of his talent and knowledge in this field will have more pure poems. The poet or writer is looking for a more beautiful expression while expressing the subject.In Persian linguistic studies and literary researches, the attitude of formalists has found a special place. This study examines the semantic abnormality and analyzes how to use the elements of semantic abnormality in Houshang Ebtehaj's poetry in different types of semantic abnormalities such as simile, metaphor, irony, metaphor, ambiguity, contradiction, paradox in one hundred of Houshang Ebtehaj's sonnets.
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基于语义“常态”的空灵诗修辞学分析——以“办公室”为依托
摘要本研究旨在探讨《胡尚》十四行诗中明喻、暗喻、虚妄、允许、轶事、矛盾、佯谬等不同类型的语义正态性。交流和表达文字的能力是人类在语言和文字方面达到历史最高水平的可能性之一。其中,言语安排一直是说话者关注的主题。因此,在所有的长者作品中,都有一种语言的纯洁和装饰感。“常态”是理解和批判俄罗斯形式主义艺术美化各方面文学问题的一种方式。根据挪威语的语义规则,同化和继承两种方式有助于诗人的语义常态化。考虑到意义或语义的领域比语言的其他层次更突出,每一个在这一领域的天赋和知识方面取得成功的诗人都会有更多纯粹的诗歌。诗人或作家在表达主题的同时寻找更美的表达方式。在波斯语言研究和文学研究中,形式主义者的态度占有特殊的地位。本研究考察了侯尚·埃伯特哈吉诗歌中的语义异常,并分析了侯尚·埃伯特哈吉一百首十四行诗中,如何在明喻、隐喻、反讽、隐喻、歧义、矛盾、悖论等不同类型的语义异常中运用语义异常元素。
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