Pub Date : 2022-03-17DOI: 10.52547/qap.33011.4.4.114
ziba Esmaeili, Massoumeh Khojaste
Dual contrasts are among the linguistic factors that, by influencing the syntactic and intellectual level of a work, make its structure more artistic and in semantic and structural studies are the fundamental elements of achieving the structure, world of thought and thought of literary works. In this research, which has been conducted by library method and with the aim of better understanding the poetic world of holy defense poets, it has been tried to investigate the poems of this period with a descriptive-analytical approach based on double contrasts. were extracted in the poetry of three prominent poets of this period (Qaisarminpour, Abdoljbarkaei and Alireza Quzouh) and classified according to different types of confrontations. Data analysis showed that different types of contrasts (graded, complementary, ambivalent, directional, etc.) are found in the poetry of this period and complementary and implicit confrontations have the highest frequency. Another result in the study of these poems is that at the content level, concepts and thoughts are at odds with each other, and it can be said that the application of confrontations to the process of meaning and highlighting the concepts related to war, sacred defense and political, social, cultural issues considered by poets has helped and has been able to convey the mental concerns of poets through highlighting. Another noteworthy point in the application of contrasts is that they have a great effect on the imaginary structure of poems and are the basis of some literary industries .such as allusion, simile, pun, metaphor, etc
{"title":"Dual contrasts in sacred defense poems","authors":"ziba Esmaeili, Massoumeh Khojaste","doi":"10.52547/qap.33011.4.4.114","DOIUrl":"https://doi.org/10.52547/qap.33011.4.4.114","url":null,"abstract":"Dual contrasts are among the linguistic factors that, by influencing the syntactic and intellectual level of a work, make its structure more artistic and in semantic and structural studies are the fundamental elements of achieving the structure, world of thought and thought of literary works. In this research, which has been conducted by library method and with the aim of better understanding the poetic world of holy defense poets, it has been tried to investigate the poems of this period with a descriptive-analytical approach based on double contrasts. were extracted in the poetry of three prominent poets of this period (Qaisarminpour, Abdoljbarkaei and Alireza Quzouh) and classified according to different types of confrontations. Data analysis showed that different types of contrasts (graded, complementary, ambivalent, directional, etc.) are found in the poetry of this period and complementary and implicit confrontations have the highest frequency. Another result in the study of these poems is that at the content level, concepts and thoughts are at odds with each other, and it can be said that the application of confrontations to the process of meaning and highlighting the concepts related to war, sacred defense and political, social, cultural issues considered by poets has helped and has been able to convey the mental concerns of poets through highlighting. Another noteworthy point in the application of contrasts is that they have a great effect on the imaginary structure of poems and are the basis of some literary industries .such as allusion, simile, pun, metaphor, etc","PeriodicalId":152014,"journal":{"name":"Critique, analysis and aesthetics of texts","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123067250","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-17DOI: 10.52547/qap.32360.4.4.46
K. Asadollahi, Alireza Kazemiha
: Iranians, have had some beliefs as their own faith in society and family in their mind from ancient times. Certainly, these beliefs have some sources, and there has been a reason to write about them ,in addition, flesh out or not these items has existed. For example, one can be refer to an imaginary creature such as “Roc” and “Dragon”, that has been prevalent since the pre_Achaemenian period in Iran and even in other nations, also now is widespread too. Same everyone knows well about this issue, it is impossible to find any piece of literacy works that are completely empty of this subject, and anywise, statement that contains the belief in a fictitious creatures or imaginary belief in a real existence is not on a sheet of paper. Absolutely, as we go farther away, due to the lack of modern equipment _which human enjoy today_ more and more, we will see the dissemination of folk beliefs and sometimes , utterly, superstitious about few works and existence. One of the texts in which these beliefs can be found , is the Nafsatolmasdur. This work, with all the simulation and heavy items, contains the factors and elements which, one to one signification such beliefs about fictitious beings or the mythological faith and common of the true and real creatures. Therefore, we decided to extract these factors from the text of this book and analyze, also sometimes explain their roots in this essay.
{"title":"Review and analyze Iranaian folk beliefs and mythology in\u0000 Nafsatolmasdur","authors":"K. Asadollahi, Alireza Kazemiha","doi":"10.52547/qap.32360.4.4.46","DOIUrl":"https://doi.org/10.52547/qap.32360.4.4.46","url":null,"abstract":": Iranians, have had some beliefs as their own faith in society and family in their mind from ancient times. Certainly, these beliefs have some sources, and there has been a reason to write about them ,in addition, flesh out or not these items has existed. For example, one can be refer to an imaginary creature such as “Roc” and “Dragon”, that has been prevalent since the pre_Achaemenian period in Iran and even in other nations, also now is widespread too. Same everyone knows well about this issue, it is impossible to find any piece of literacy works that are completely empty of this subject, and anywise, statement that contains the belief in a fictitious creatures or imaginary belief in a real existence is not on a sheet of paper. Absolutely, as we go farther away, due to the lack of modern equipment _which human enjoy today_ more and more, we will see the dissemination of folk beliefs and sometimes , utterly, superstitious about few works and existence. One of the texts in which these beliefs can be found , is the Nafsatolmasdur. This work, with all the simulation and heavy items, contains the factors and elements which, one to one signification such beliefs about fictitious beings or the mythological faith and common of the true and real creatures. Therefore, we decided to extract these factors from the text of this book and analyze, also sometimes explain their roots in this essay.","PeriodicalId":152014,"journal":{"name":"Critique, analysis and aesthetics of texts","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114471664","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-17DOI: 10.52547/qap.32680.4.4.96
M. Karimi, Badrieh Ghavami
The word narcissism was first used by Freud. Of course, others, before Freud, used it in the sense of selfishness and humiliation to describe the psychological attitude in clinical psychology. This personality disorder often leads to projection. Projection is one of the psychological mechanisms through which one can understand the conscience and inside of human beings and gain a relative knowledge of their personality. Mawlana Jalaluddin Mohammad Balkhi (Rumi) in his works, especially in Masnavi, has paid attention to the psychological aspect of human behavior. This study tries to analyze narcissism and projection as one of the new concepts of psychology in the story of the Hunting and lion of Masnavi, with a descriptive-analytical approach and using library resources. The findings show that the disorder of narcissism and pride in our psyche leads to not seeing the facts and death. Rumi considers narcissistic personality to be the general problem of humanity and the way to cure it is self-knowledge and polishing of the soul. In the story of the lion meets himself and comes to his truth. In fact, the rabbit did not kill the lion, the lion's anger and narcissism and his lack of trust in God caused his negligence and eventual destruction. The issue of meeting in Rumi's language is sometimes expressed with interpretations and signs such as water, spring, stream, face, seeing one's reflection in water, etc., which evokes the myth of Narcissus in the world of myth.
“自恋”这个词最早是由弗洛伊德提出的。当然，在弗洛伊德之前，其他人在自私和羞辱的意义上使用它来描述临床心理学中的心理态度。这种人格障碍通常会导致投射。投射是一种心理机制，通过它可以了解人的良心和内在，从而获得对人的个性的相对认识。Mawlana Jalaluddin Mohammad Balkhi (Rumi)在他的作品中，特别是在Masnavi中，关注了人类行为的心理方面。本研究试图运用描述分析的方法，并利用图书馆资源，分析自恋和投射这一心理学新概念在马斯纳维狩猎与狮子故事中的表现。研究结果表明，自恋和骄傲的心理失调导致我们看不到事实和死亡。鲁米认为自恋人格是人类的普遍问题，治愈的方法是自我认识和灵魂的打磨。在这个故事中，狮子遇见了自己，找到了真理。事实上，兔子并没有杀死狮子，狮子的愤怒和自恋以及对上帝的不信任导致了他的疏忽和最终的毁灭。在鲁米语中，会面的问题有时会用水、泉、溪、脸、看到自己在水中的倒影等解释和符号来表达，这让人联想到神话世界中的那喀索斯神话。
{"title":"A study on narcissism and projection in the story of the Hunting and\u0000 lion of Rumi's Masnavi","authors":"M. Karimi, Badrieh Ghavami","doi":"10.52547/qap.32680.4.4.96","DOIUrl":"https://doi.org/10.52547/qap.32680.4.4.96","url":null,"abstract":"The word narcissism was first used by Freud. Of course, others, before Freud, used it in the sense of selfishness and humiliation to describe the psychological attitude in clinical psychology. This personality disorder often leads to projection. Projection is one of the psychological mechanisms through which one can understand the conscience and inside of human beings and gain a relative knowledge of their personality. Mawlana Jalaluddin Mohammad Balkhi (Rumi) in his works, especially in Masnavi, has paid attention to the psychological aspect of human behavior. This study tries to analyze narcissism and projection as one of the new concepts of psychology in the story of the Hunting and lion of Masnavi, with a descriptive-analytical approach and using library resources. The findings show that the disorder of narcissism and pride in our psyche leads to not seeing the facts and death. Rumi considers narcissistic personality to be the general problem of humanity and the way to cure it is self-knowledge and polishing of the soul. In the story of the lion meets himself and comes to his truth. In fact, the rabbit did not kill the lion, the lion's anger and narcissism and his lack of trust in God caused his negligence and eventual destruction. The issue of meeting in Rumi's language is sometimes expressed with interpretations and signs such as water, spring, stream, face, seeing one's reflection in water, etc., which evokes the myth of Narcissus in the world of myth.","PeriodicalId":152014,"journal":{"name":"Critique, analysis and aesthetics of texts","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114739412","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-17DOI: 10.52547/qap.27803.4.4.25
hosna mohammadzade
{"title":"Influential intellectual foundations in the poetry of Hakim Sanai\u0000 Ghaznavi","authors":"hosna mohammadzade","doi":"10.52547/qap.27803.4.4.25","DOIUrl":"https://doi.org/10.52547/qap.27803.4.4.25","url":null,"abstract":"","PeriodicalId":152014,"journal":{"name":"Critique, analysis and aesthetics of texts","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128947276","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-17DOI: 10.52547/qap.22439.4.4.4
B. Khajat
: Gilles Deleuse is a contemporary thinker whose rhizomatological theory (which is opposed to tree theory) has always been considered by thinkers. Deleuse and Flex Guattari, as two post-structuralist philosophers, collaborated with each other for many years and developed this theory in different ways. However, Deleuse's range of opinions is broad and related to various topics. According to this theory (which is based on epistemic and different artisticsystems can be generalized) the notions focused on the integrated, single-root, and center-oriented integrity are reviewed and replaced by a nonlinear, experiential, fluid, and multiplicative context. On the other hand, in the postmodernist poetry of Iran from the early Seventies Solar year has been existed; these approaches and challenges from both the poets' experiences and the theoretical debates and the poetry of the poetry of the era are tangible and expansive, and thus can be used to better understand the postmodernist poetry's identity against traditional and even modern poetry. In this paper, while describing Deleuse's ideas about the rhizomatic approach versus the tree, two poems of these two forms of thought and literature in today's poetry have been adapted and the most important differences between the two methods are classified according to the ten categories to be explained. Ali Babachahi, a representative of the postmodern poetry, and Shams Langroudi, a representative of the so-called "simplification" approach, have been chosen by the author to explain this situation because of their reputation, glory, numerous works, and literary rhyme and meter.
{"title":"Comparative study of a poem by Ali Babachahi and Shams Langroudi on the\u0000 basis of Gilles DeLeuse’s Rhizomatic theory","authors":"B. Khajat","doi":"10.52547/qap.22439.4.4.4","DOIUrl":"https://doi.org/10.52547/qap.22439.4.4.4","url":null,"abstract":": Gilles Deleuse is a contemporary thinker whose rhizomatological theory (which is opposed to tree theory) has always been considered by thinkers. Deleuse and Flex Guattari, as two post-structuralist philosophers, collaborated with each other for many years and developed this theory in different ways. However, Deleuse's range of opinions is broad and related to various topics. According to this theory (which is based on epistemic and different artisticsystems can be generalized) the notions focused on the integrated, single-root, and center-oriented integrity are reviewed and replaced by a nonlinear, experiential, fluid, and multiplicative context. On the other hand, in the postmodernist poetry of Iran from the early Seventies Solar year has been existed; these approaches and challenges from both the poets' experiences and the theoretical debates and the poetry of the poetry of the era are tangible and expansive, and thus can be used to better understand the postmodernist poetry's identity against traditional and even modern poetry. In this paper, while describing Deleuse's ideas about the rhizomatic approach versus the tree, two poems of these two forms of thought and literature in today's poetry have been adapted and the most important differences between the two methods are classified according to the ten categories to be explained. Ali Babachahi, a representative of the postmodern poetry, and Shams Langroudi, a representative of the so-called \"simplification\" approach, have been chosen by the author to explain this situation because of their reputation, glory, numerous works, and literary rhyme and meter.","PeriodicalId":152014,"journal":{"name":"Critique, analysis and aesthetics of texts","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126324872","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-17DOI: 10.52547/qap.24308.4.4.74
Saeed Mohammadi kish, homeira khanjani
The aim of this study is to investigate different types of semantic normality such as simile ,metaphor, falsehood, permissible, anecdotal, contradiction, paradoxes in one hundred sonnets of Hooshang Ebtehaj. The ability to communicate and express words is one of the possibilities that mankind has used to the highest level of history in speech and writing. Among which the arrangement of speech has always been the subject of speaker attentions. Therefore, there is a sense of purity and adornment of the speech in all the elder works. Normality is one way to understand and criticize literary issues in various aspects of the beautification of the art work in Russian Formalism School. Two ways of assimilation and succession help in the semantic normality of the poet based on the semantic rules governing the Norwegian language . Considering that the domain of meaning or semantic is more than the other levels of language in the highlighting, each poet who succeeding in terms of his talent and knowledge in this field will have more pure poems. The poet or writer is looking for a more beautiful expression while expressing the subject.In Persian linguistic studies and literary researches, the attitude of formalists has found a special place. This study examines the semantic abnormality and analyzes how to use the elements of semantic abnormality in Houshang Ebtehaj's poetry in different types of semantic abnormalities such as simile, metaphor, irony, metaphor, ambiguity, contradiction, paradox in one hundred of Houshang Ebtehaj's sonnets.
{"title":"The Rhetorical Analysis of Ethereal Poetry on the Basis of Semantic\u0000 \"Normality Relying on the Office of \"siyah mashg","authors":"Saeed Mohammadi kish, homeira khanjani","doi":"10.52547/qap.24308.4.4.74","DOIUrl":"https://doi.org/10.52547/qap.24308.4.4.74","url":null,"abstract":"The aim of this study is to investigate different types of semantic normality such as simile ,metaphor, falsehood, permissible, anecdotal, contradiction, paradoxes in one hundred sonnets of Hooshang Ebtehaj. The ability to communicate and express words is one of the possibilities that mankind has used to the highest level of history in speech and writing. Among which the arrangement of speech has always been the subject of speaker attentions. Therefore, there is a sense of purity and adornment of the speech in all the elder works. Normality is one way to understand and criticize literary issues in various aspects of the beautification of the art work in Russian Formalism School. Two ways of assimilation and succession help in the semantic normality of the poet based on the semantic rules governing the Norwegian language . Considering that the domain of meaning or semantic is more than the other levels of language in the highlighting, each poet who succeeding in terms of his talent and knowledge in this field will have more pure poems. The poet or writer is looking for a more beautiful expression while expressing the subject.In Persian linguistic studies and literary researches, the attitude of formalists has found a special place. This study examines the semantic abnormality and analyzes how to use the elements of semantic abnormality in Houshang Ebtehaj's poetry in different types of semantic abnormalities such as simile, metaphor, irony, metaphor, ambiguity, contradiction, paradox in one hundred of Houshang Ebtehaj's sonnets.","PeriodicalId":152014,"journal":{"name":"Critique, analysis and aesthetics of texts","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123644091","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-06DOI: 10.52547/qap.24243.4.3.54
Hamed Safi, Mohammad Chakoshian
The resistance economy is a term that the Supreme Leader of the Islamic Revolution first introduced in September 2010 to counter the economic sanctions of enemies. According to his words, the resistance economy means that the economic conditions of the country are adjusted in such a way that they will be less vulnerable to economic impacts. Resistance Economics has different characteristics and requirements. In this research, it has been tried to analyze these features and strategies in the poetry of Iqbal lahori. According to this study, Iqbal Poliris has been instrumental in creating three countries' economic problems: 1-Non-self-confidence 2-Dependence on the West 3-Western conspiracies. He proposes solutions to solve these problems and to win the factors. Including attempts to reach the Islamic Ummah, achieve self-confidence, reduce dependence on the West by relying on domestic power and fighting crude sales. Iqbal's views on the subject are endogenous and an extension of the strength of the economy, the pattern of consumption patterns and the protection of domestic Malay .
{"title":"Exploring the Solutions of Resistance Economics in Iqbal Lahuri\u0000 Poetry","authors":"Hamed Safi, Mohammad Chakoshian","doi":"10.52547/qap.24243.4.3.54","DOIUrl":"https://doi.org/10.52547/qap.24243.4.3.54","url":null,"abstract":"The resistance economy is a term that the Supreme Leader of the Islamic Revolution first introduced in September 2010 to counter the economic sanctions of enemies. According to his words, the resistance economy means that the economic conditions of the country are adjusted in such a way that they will be less vulnerable to economic impacts. Resistance Economics has different characteristics and requirements. In this research, it has been tried to analyze these features and strategies in the poetry of Iqbal lahori. According to this study, Iqbal Poliris has been instrumental in creating three countries' economic problems: 1-Non-self-confidence 2-Dependence on the West 3-Western conspiracies. He proposes solutions to solve these problems and to win the factors. Including attempts to reach the Islamic Ummah, achieve self-confidence, reduce dependence on the West by relying on domestic power and fighting crude sales. Iqbal's views on the subject are endogenous and an extension of the strength of the economy, the pattern of consumption patterns and the protection of domestic Malay .","PeriodicalId":152014,"journal":{"name":"Critique, analysis and aesthetics of texts","volume":"62 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123663907","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-06DOI: 10.52547/qap.31775.4.3.87
Nafise Raisi Mobarake, Shekofeh Zhaleh
Lullabies are a subset of oral literature and popular culture in terms of literary type, and on the other hand, they are also related to children's literature because they are generally addressed to children. The main feature of lullabies is that they exist in the literature of all lands and cultures. In this sense, it is a good topic in comparative literature research and is useful for discovering relationships between different nations. Of course, the function of lullabies in literary research has a favorable range. On the one hand, it is useful in the field of linguistics, dialectology and lexicography studies, and on the other hand, it is effective in sociological and cultural research and understanding their livelihood. Because the main poets of lullabies were mothers, lullabies can be considered as a suitable platform to recognize the subdued ideas of Iranian women, based on which the status of women and the hidden structure of the Iranian family are known, and through it one of the most important functions of lullabies is recognizing educational values. It will be possible in Iranian society because a brief study of lullabies can reveal the existence of such teachings. In this article, an attempt is made to present the bibliography of Iranian lullabies. The present bibliography includes 347 books, articles and dissertations on this subject. The availability of such a list can be helpful in organizing, compiling and analyzing Iranian lullabies from various perspectives such as linguistics, literature, sociology, psychology and educational fields.
{"title":"Bibliography of Iranian lullabies","authors":"Nafise Raisi Mobarake, Shekofeh Zhaleh","doi":"10.52547/qap.31775.4.3.87","DOIUrl":"https://doi.org/10.52547/qap.31775.4.3.87","url":null,"abstract":"Lullabies are a subset of oral literature and popular culture in terms of literary type, and on the other hand, they are also related to children's literature because they are generally addressed to children. The main feature of lullabies is that they exist in the literature of all lands and cultures. In this sense, it is a good topic in comparative literature research and is useful for discovering relationships between different nations. Of course, the function of lullabies in literary research has a favorable range. On the one hand, it is useful in the field of linguistics, dialectology and lexicography studies, and on the other hand, it is effective in sociological and cultural research and understanding their livelihood. Because the main poets of lullabies were mothers, lullabies can be considered as a suitable platform to recognize the subdued ideas of Iranian women, based on which the status of women and the hidden structure of the Iranian family are known, and through it one of the most important functions of lullabies is recognizing educational values. It will be possible in Iranian society because a brief study of lullabies can reveal the existence of such teachings. In this article, an attempt is made to present the bibliography of Iranian lullabies. The present bibliography includes 347 books, articles and dissertations on this subject. The availability of such a list can be helpful in organizing, compiling and analyzing Iranian lullabies from various perspectives such as linguistics, literature, sociology, psychology and educational fields.","PeriodicalId":152014,"journal":{"name":"Critique, analysis and aesthetics of texts","volume":"20 1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116649908","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-06DOI: 10.52547/qap.22471.4.3.71
azadeh ebrahimipoor
: Archetypes are the eternal primordial forms common in the collective minds and subconscious of human beings that manifest themselves in the common beliefs of that period in each period, and their attitudes can increase our knowledge of deep cultural, literary and religious currents in historical periods. . In his works, Jung mentions several archetypes and considers each of them individually and in general connection as one of the most meaningful manifestations of the collective unconscious. In this article, Jung archetypes in the form of a story from the second book of Masnavi (Awakening of Iblis Mu'awiyah is the time of prayer) are analyzed. In this study, Jung's school of psychoanalysis is viewed from the perspective of Rumi's poetic world and it is found that this category Archetypes have had a significant impact on the mind and language of this poet. Also, the influence of archetypes such as love, death, rebirth, hero, etc., which have always occupied the human mind, has been studied in Rumi's poetry. has taken.
{"title":"The ancient resurrection of Jung's model in awakening the devil Mu'awiyah\u0000 is the time of prayer","authors":"azadeh ebrahimipoor","doi":"10.52547/qap.22471.4.3.71","DOIUrl":"https://doi.org/10.52547/qap.22471.4.3.71","url":null,"abstract":": Archetypes are the eternal primordial forms common in the collective minds and subconscious of human beings that manifest themselves in the common beliefs of that period in each period, and their attitudes can increase our knowledge of deep cultural, literary and religious currents in historical periods. . In his works, Jung mentions several archetypes and considers each of them individually and in general connection as one of the most meaningful manifestations of the collective unconscious. In this article, Jung archetypes in the form of a story from the second book of Masnavi (Awakening of Iblis Mu'awiyah is the time of prayer) are analyzed. In this study, Jung's school of psychoanalysis is viewed from the perspective of Rumi's poetic world and it is found that this category Archetypes have had a significant impact on the mind and language of this poet. Also, the influence of archetypes such as love, death, rebirth, hero, etc., which have always occupied the human mind, has been studied in Rumi's poetry. has taken.","PeriodicalId":152014,"journal":{"name":"Critique, analysis and aesthetics of texts","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125186884","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In the worldview of mystical and ethical poets, image is one of the most effective strategies to express the transcendent mystical and moral concepts. Rumi, one of the most famous illustrators in the realm of mystical literature, while telling his stories and mystical and instructive and teachings in Masnavi M'anavi, has made the concepts tangible for his audience with his intelligent and artistic performance in using images. Amongst most of his poems, especially in Masnavi, nature and its phenomena have a special stance. One of the creatures that Rumi specifically illustrates and mentions in Masnavi is bee and its belongings (nectar, honey, wax and sting).Being aware of the importance of this insect in the Holy Qur'an and emphasizing on some of the most important aspects of its life, Rumi has established a link between this creature and some aspects of human life and used this insect to create real and virtual images of Masnavi to express mystical and moral concepts.Referring to Rumi's illustrations of bees in Masnavi by analyzing its imagery, this study tried to analyze the profound mystical and moral meanings and concepts hidden in these images and achieve knowledge and awareness of this creature and its images in Masnavi through their investigation and expansion.
{"title":"The role and stance of bees in the illustrations of Masnavi\u0000 M'anavi","authors":"Ruhollah Karimi Noureddinvand, amirhossein Saeedipour","doi":"10.52547/qap.32283.4.3.109","DOIUrl":"https://doi.org/10.52547/qap.32283.4.3.109","url":null,"abstract":"In the worldview of mystical and ethical poets, image is one of the most effective strategies to express the transcendent mystical and moral concepts. Rumi, one of the most famous illustrators in the realm of mystical literature, while telling his stories and mystical and instructive and teachings in Masnavi M'anavi, has made the concepts tangible for his audience with his intelligent and artistic performance in using images. Amongst most of his poems, especially in Masnavi, nature and its phenomena have a special stance. One of the creatures that Rumi specifically illustrates and mentions in Masnavi is bee and its belongings (nectar, honey, wax and sting).Being aware of the importance of this insect in the Holy Qur'an and emphasizing on some of the most important aspects of its life, Rumi has established a link between this creature and some aspects of human life and used this insect to create real and virtual images of Masnavi to express mystical and moral concepts.Referring to Rumi's illustrations of bees in Masnavi by analyzing its imagery, this study tried to analyze the profound mystical and moral meanings and concepts hidden in these images and achieve knowledge and awareness of this creature and its images in Masnavi through their investigation and expansion.","PeriodicalId":152014,"journal":{"name":"Critique, analysis and aesthetics of texts","volume":"266 1-2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116842910","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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