The Rise and Demise of a Developmental State Studio

Sangjoon Lee
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Abstract

This chapter introduces five motion picture studios that stood out in Asia at the beginning of the 1960s, such as Shin Films in South Korea, GMP and CMPC in Taiwan, and Shaw Brothers and MP&GI in Hong Kong and Singapore. It examines how film studios in the region aspired to implement the rationalized and industrialized system of mass-producing motion pictures known as the Hollywood studio system. It also explains that the Hollywood studio system evolved in the United States to handle film production, distribution, and exhibition during the first three decades of the twentieth century. The chapter recounts how the studio system became a highly efficient system that produced feature films, newsreels, animations, and shorts to supply its mass-produced motion pictures to subsidized theaters. It describes Fordism as the famous American system of mass production with particular American circumstances.
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发展型国家工作室的兴起和消亡
本章介绍了20世纪60年代初在亚洲脱颖而出的五家电影制片厂,如韩国的Shin Films,台湾的GMP和CMPC,香港和新加坡的邵氏兄弟和MP&GI。它考察了该地区的电影制片厂如何渴望实施大规模生产电影的合理化和工业化系统,即好莱坞制片厂系统。它还解释了好莱坞制片厂系统在20世纪头30年在美国发展起来,以处理电影的制作、发行和放映。这一章叙述了制片厂系统如何成为一个高效率的系统,制作故事片、新闻片、动画和短片,向获得补贴的影院提供大量生产的电影。它将福特主义描述为美国特有环境下著名的大规模生产体系。
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Epilogue Hong Kong, Hollywood, and the End of the Network Constructing the Anticommunist Producers’ Alliance The Rise and Demise of a Developmental State Studio Projecting Asian Cinema to the World
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