Creative Movement Learning Model in Dancing for Kindergarten Teachers

Fuji Astuti
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引用次数: 1

Abstract

At the age of kindergarten, identically students in the phase of playing period. Thus, the repertoire learning of dance is not the main goal for them to be achieved. However, the motoric skills are something that are expected to encourage and increase their confidence properly. There is a tendency for teachers who think that the motoric skills must be taught in the form of dance repertoires but it is wrong, because in kindergarten, students is provided by stimuli so that students can produce creative and expressive movements. Motoric skills are the foundation in dance that should be denied. This means that if they activates his motoric according to its function, then they can easily do dancing. For this reason, a dance learning model is needed in order that they can produce the movements through stimuli with good exploration activities through visual, auditory, professional, and stimuli towards the surrounding natural objects, in which all of them are destined to dancing activities according to the child's characteristic level. The limitations that appear in the process of dance learning in kindergarten are teachers teach dance, but they are not supported by relevant fields of expertise. This makes them teach dancing without considering the level of difficulty and range of movement that the child has. Besides, they do not succeed in exploring the students’s potential that should be nurtured and developed without feeling burdened. So, this learning model of creative motion combined with the explorative method is a way to overcome problems and overcome difficulties faced by kindergarten teachers in carrying out their duties as professional educators. Based on the application of creative motion training through Pengabdian Kemitraan Masyarakat (PKM) in Pasaman Barat Regency, the teachers can create dance according to the characteristic of each child without obstacles. The teachers enthusiastically create with their ideational and used it as a basic foundation in constructing creative movements. So they create a series of creative, innovative, and communicative dance movements.
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幼儿园教师舞蹈创意动作学习模式
在幼儿园阶段,相同的学生处于游戏阶段。因此,舞蹈的剧目学习并不是他们要达到的主要目标。然而,运动技能是期望鼓励和增加他们的信心的东西。教师有一种倾向,他们认为运动技能必须以舞蹈的形式来教授,但这是错误的,因为在幼儿园,学生是通过刺激来产生创造性和表现力的动作的。运动技能是舞蹈的基础,应该被否定。这意味着,如果他们根据其功能激活他的运动,那么他们就可以轻松地跳舞。因此,需要一种舞蹈学习模式,使他们能够通过视觉、听觉、专业、对周围自然物的刺激产生动作,并具有良好的探索活动,这些活动都是根据儿童的特点水平注定的舞蹈活动。在幼儿园舞蹈学习过程中出现的局限性是教师教舞蹈,但没有相关专业领域的支持。这使得他们在教授舞蹈时没有考虑到孩子的难度和运动范围。此外,他们没有成功地挖掘学生的潜力,应该在没有负担的情况下培养和发展。因此,这种创造性运动与探究性方法相结合的学习模式,是幼儿园教师在履行专业教育工作者职责时克服问题和困难的途径。以Pasaman Barat Regency Pengabdian Kemitraan Masyarakat (PKM)创造性动作训练的应用为基础,教师可以根据每个孩子的特点毫无障碍地创作舞蹈。教师积极地运用自己的创意进行创作,并以此为基础进行创作动作的建构。所以他们创造了一系列创造性的、创新的、交流的舞蹈动作。
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