TimToShape: Supporting Practice of Musical Instruments by Visualizing Timbre with 2D Shapes based on Crossmodal Correspondences

Kota Arai, Yutaro Hirao, Takuji Narumi, Tomohiko Nakamura, Shinnosuke Takamichi, Shigeo Yoshida
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Abstract

Timbre is high-dimensional and sensuous, making it difficult for musical-instrument learners to improve their timbre. Although some systems exist to improve timbre, they require expert labeling for timbre evaluation; however, solely visualizing the results of unsupervised learning lacks the intuitiveness of feedback because human perception is not considered. Therefore, we employ crossmodal correspondences for intuitive visualization of the timbre. We designed TimToShape, a system that visualizes timbre with 2D shapes based on the user’s input of timbre–shape correspondences. TimToShape generates a shape morphed by linear interpolation according to the timbre’s position in the latent space, which is obtained by unsupervised learning with a variational autoencoder (VAE). We confirmed that people perceived shapes generated by TimToShape to correspond more to timbre than randomly generated shapes. Furthermore, a user study of six violin players revealed that TimToShape was well-received in terms of visual clarity and interpretability.
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TimToShape:通过基于交叉模态对应的2D图形可视化音色来支持乐器实践
音色是高维的、感性的,这给乐器学习者提高音色带来了困难。虽然存在一些系统来改善音色,但它们需要专家标记来评估音色;然而,仅仅将无监督学习的结果可视化缺乏反馈的直观性,因为没有考虑人的感知。因此,我们采用跨模对应来直观地可视化音色。我们设计了TimToShape,这是一个基于用户输入音色形状对应关系的二维音色可视化系统。TimToShape根据音色在潜在空间中的位置,通过线性插值生成一个变形的形状,该形状是通过变分自编码器(VAE)的无监督学习获得的。我们证实,人们认为TimToShape生成的形状比随机生成的形状更符合音色。此外,一项针对六位小提琴手的用户研究显示,TimToShape在视觉清晰度和可解释性方面广受欢迎。
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