Da'wah Patterns through Local Culture of Gesrek Art in Kombongan Village, Garut Regency

D. Miharja, Ipan Rifani
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Abstract

The purpose of this study was to determine the art of Gesrek as a medium of cultural da'wah and the pattern of da'wah in the local culture of Gesrek art. The research was conducted in Kombongan Village, Pakenjeng Village, Pamulihan District, Garut Regency. The choice of this place was based on the growth and development of the art of Gesrek as one of the local pearls of wisdom of the Garut people. The research was conducted with a qualitative approach through descriptive methods. Where the researcher collects data through observation and in-depth interviews in order to be able to compare the data in the field and the literature review according to the research topic, the results showed that Gesrek art could be used as an effective cultural propaganda medium because this art contains practices that are following Islamic teachings both at the pre-implementation stage and at the time of implementation. The da'wah pattern of dialogue is a form of interaction between Islam and local culture in the art of Gesrek. This is marked by the content of the prayer and the behavior of the art following Islamic teachings and sharia, such as readings sourced from Al-Quran verses and rituals prior to their implementation that follow Islamic teachings.
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在加鲁特摄政的Kombongan村,达瓦图案通过当地的Gesrek艺术文化
本研究的目的在于确定Gesrek艺术作为文化达娃的媒介,以及达娃在当地Gesrek艺术文化中的模式。研究在加鲁特县帕穆利汗区Pakenjeng村Kombongan村进行。选择这个地方是基于格斯雷克艺术的成长和发展,作为加鲁特人的当地智慧之珠之一。本研究采用定性方法,通过描述性方法进行。研究者通过观察和深度访谈收集数据,以便能够根据研究主题对实地数据和文献综述进行比较,结果表明,Gesrek艺术可以作为一种有效的文化宣传媒介,因为这种艺术在实施前阶段和实施时都包含了遵循伊斯兰教义的实践。达瓦对话模式是伊斯兰教与当地文化在格西文艺术中互动的一种形式。这一点的特点是祈祷的内容和遵循伊斯兰教义和伊斯兰教法的艺术行为,例如来自《古兰经》经文的阅读和遵循伊斯兰教义之前的仪式。
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