{"title":"Feminist Perspectives","authors":"Christina Phillips","doi":"10.4324/9780203131749-13","DOIUrl":null,"url":null,"abstract":"This chapter explores feminist engagements with religion in works by Nawal Sa’dawi and Salwa Bakr. It reads Sa’dawi’s Suqut al-Imam (1987) and Jannat wa Iblis (1992) as feminist dystopias which employ unconventional narrative techniques to augment the dystopic effect and take issue with the founding texts of monotheism as historic vehicles for female oppression. It discusses Salwa Bakr’s rehabilitation of Zulaykha in Wasf al-Bulbul (1993) and explores Al-ʿAraba al-Dhahibiyya la Tasʿad ila al-Samaʾ (1991) by the same author as a critique of religion via the trope of madness, paying attention to how religion, as belief, custom, institution and law, is implicated in the plight of women in the text. The discussion also takes in the Alifa Rifʿat’s stories as a rare example of Islamic literature admitted to the canon. Each of these four chapters begins with a contextual introduction.","PeriodicalId":158851,"journal":{"name":"Religion in the Egyptian Novel","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Religion in the Egyptian Novel","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4324/9780203131749-13","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This chapter explores feminist engagements with religion in works by Nawal Sa’dawi and Salwa Bakr. It reads Sa’dawi’s Suqut al-Imam (1987) and Jannat wa Iblis (1992) as feminist dystopias which employ unconventional narrative techniques to augment the dystopic effect and take issue with the founding texts of monotheism as historic vehicles for female oppression. It discusses Salwa Bakr’s rehabilitation of Zulaykha in Wasf al-Bulbul (1993) and explores Al-ʿAraba al-Dhahibiyya la Tasʿad ila al-Samaʾ (1991) by the same author as a critique of religion via the trope of madness, paying attention to how religion, as belief, custom, institution and law, is implicated in the plight of women in the text. The discussion also takes in the Alifa Rifʿat’s stories as a rare example of Islamic literature admitted to the canon. Each of these four chapters begins with a contextual introduction.
本章探讨了女权主义者在纳瓦尔·萨达维和萨尔瓦·巴克尔的作品中与宗教的接触。它将萨达维的Suqut al-Imam(1987)和Jannat wa Iblis(1992)视为女权主义的反乌托邦作品,它们采用非常规的叙事技巧来增强反乌托邦效果,并对一神论的奠基文本作为女性压迫的历史工具提出质疑。它讨论了Salwa Bakr在《Wasf Al- bulbul》(1993)中对Zulaykha的恢复,并探讨了Al- Al- Araba Al- dhahibiyya la Tas - ad ila Al- sama -(1991),这是同一作者通过疯狂的比喻对宗教的批判,关注宗教,作为信仰,习俗,制度和法律,如何在文本中与女性的困境相关联。讨论还将《阿里法·里夫特》的故事作为被公认为正典的伊斯兰文学的罕见例子。这些四个章节从上下文的介绍开始。