British Book Illustration of the 1900–1910s: Sources of Inspiration

D. Lebedev
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引用次数: 2

Abstract

A huge number of illustrators appeared in the beginning of XX century in Great Britain, first of all in London, who worked on the design of wonderful gift-books. The most outstanding of them were Arthur Rackham (1867–1939), Edmund Dulac (1882–1953), brothers Charles Robinson (1870–1937) and William Heath Robinson (1872–1944), as well as brothers Charles Maurice Detmold (1883–1908) and Edward Julius Detmold (1883–1957). In addition to these artists, more than twenty more graphics were engaged in illustrating various novels, short stories, plays and fairy tales in England in this historical period, but their achievements are either less visible or are the result of imitating the abovementioned illustrators, which makes them secondary to the leaders of this direction. The peculiarity of book illustration of this period is the high level of technical training of graphic artists who studied on the best examples of Victorian art, numerous references in their work to the styles of past epochs, as well as focusing mainly on classical, or fairy tale literature. All of them are unique in their own way, and therefore there is a special interest in identifying common sources of influence on these masters, to determine the universal stylistic features of their work on the basis of the key subjects of fiction illustrated by them, as well as their classification within the era in all these categories.
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英国书籍插图1900 - 1910年代:灵感的来源
二十世纪初,英国出现了大量的插画师,首先是在伦敦,他们致力于设计精美的礼品书。其中最杰出的有阿瑟·拉克姆(1867-1939)、埃德蒙·杜拉克(1882-1953)、查尔斯·罗宾逊(1870-1937)和威廉·希思·罗宾逊(1872-1944)兄弟,以及查尔斯·莫里斯·德莫尔德(1883-1908)和爱德华·朱利叶斯·德莫尔德(1883-1957)兄弟。除了这些画家之外,在这一历史时期,英国还有二十多名插画家从事各种小说、短篇故事、戏剧和童话的插画工作,但他们的成就要么不那么引人注目,要么是模仿上述插画家的结果,这使得他们在这一方向的领导者中处于次要地位。这一时期书籍插图的特点是对图形艺术家进行了高水平的技术培训,他们研究了维多利亚时代艺术的最佳范例,在他们的作品中大量参考了过去时代的风格,并主要关注古典或童话文学。他们都有自己独特的方式,因此有一个特殊的兴趣,以确定共同的来源影响这些大师,确定他们的作品的普遍风格特征的基础上,他们所说明的小说的关键主题,以及他们的分类在所有这些类别的时代。
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