The Spirit of the Letter: The Hebrew Inscription in Bermejo’s Piedat Revisited

Yonatan Glazer-Eytan
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Abstract

The Hebrew inscription in the Piedat attributed to Bartolomé Bermejo is usually viewed in relation to the possible involvement of conversos in the painting. Offering a broader exploration of the local setting as well as the visual and textual models available to Bermejo, this article goes beyond a narrow converso interpretation and situates the inscription within two different contexts: an environment of growing Christian interest in Hebraic knowledge and an Aragonese artistic experimentation with the iconography of the Man of Sorrows.
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书信的精神:再访贝尔梅霍皮埃达的希伯来文铭文
pieat上的希伯来文铭文被认为是bartolomoreebermejo的作品,通常被认为与这幅画中可能涉及的皈依者有关。这篇文章提供了对当地环境以及Bermejo可用的视觉和文本模型的更广泛的探索,超越了狭隘的转换解释,并将铭文置于两种不同的背景中:一种是基督教对希伯来知识的兴趣日益增长的环境,另一种是阿拉贡人对悲伤之人图像的艺术实验。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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