THE POETICS OF POLYSENSORY COMPOSITIONS IN THE LYRICS OF A.FET AND HIS CONTEMPORARIES

Abstract

The article is devoted to the study of polysensory compositions in the lyrics of the 19th century, highlighting the features and role of Fet as the lyricist in this regard. The poetics of his works demonstrates a systematic interest in a variety of sensory modes, the intertextual correlation of which generates a special structure of the plot. Inheriting the conceptions of M. Lermontov, F. Touché and others, Fet gives impetus to the development of polysensory in the future, including Ya. Polonsky and A. Maikov among the poets of his generation, each developing their own aesthetic dominant of polysensory plots corresponding to the nature imaginative system of each.