Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2021-1-88-104
A. Mironov
The author reveals values that motivate Alyosha Popovich and Tugarin the Serpent, compares the structures of their value centers, and concludes that these characters demonstrate an opposed - i. e., pagan versus Christian - understanding of such categories as glory, honor, and strength. The article proposes a hypothesis that the function of the bylina (Russian heroic epic) about Alyosha Popovich and Tugarin is to correct the listener’s value centre in order to devaluate in it pagan axiological paradigm. According to the author, precisely such actuality of the genre purpose accounts for the fact that the Siberian variants of the bylina are more profound and vivid than the ones written down in the European part of Russia.
{"title":"BYLINA ON THE RUSSIAN FRONTIER: DECONSTRUCTION OF THE PRE-CHRISTIAN EPIC HERO AS A PLOT FUNCTION OF THE FOLK EPIC «ALYOSHA POPOVICH AND TUGARIN THE SERPENT»","authors":"A. Mironov","doi":"10.37386/2305-4077-2021-1-88-104","DOIUrl":"https://doi.org/10.37386/2305-4077-2021-1-88-104","url":null,"abstract":"The author reveals values that motivate Alyosha Popovich and Tugarin the Serpent, compares the structures of their value centers, and concludes that these characters demonstrate an opposed - i. e., pagan versus Christian - understanding of such categories as glory, honor, and strength. The article proposes a hypothesis that the function of the bylina (Russian heroic epic) about Alyosha Popovich and Tugarin is to correct the listener’s value centre in order to devaluate in it pagan axiological paradigm. According to the author, precisely such actuality of the genre purpose accounts for the fact that the Siberian variants of the bylina are more profound and vivid than the ones written down in the European part of Russia.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"110 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115734585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2021-2-74-86
V. Denisov
The article is devoted to the correlations with the works of “lyubomudrs” (“wise men”) in N. V. Gogol’s collection of “Arabesques” (1835). Most of these reminiscences are associated with two parts of the “Works of D. Venevitinov” - “Poems” (1829) and “Prose” (1831), which became the focus of the aesthetic and philosophical ideas of “lyubomudriye”” (“love to wisdom”). However, visible connections with him do not exclude the originality of Gogol’s decisions, which not only developed and transformed the romantic concept, but in some ways contradicted it.
{"title":"«ARABESKUES» BY N.V. GOGOL AND CREATIVITY OF «LYUBOMUDRS»","authors":"V. Denisov","doi":"10.37386/2305-4077-2021-2-74-86","DOIUrl":"https://doi.org/10.37386/2305-4077-2021-2-74-86","url":null,"abstract":"The article is devoted to the correlations with the works of “lyubomudrs” (“wise men”) in N. V. Gogol’s collection of “Arabesques” (1835). Most of these reminiscences are associated with two parts of the “Works of D. Venevitinov” - “Poems” (1829) and “Prose” (1831), which became the focus of the aesthetic and philosophical ideas of “lyubomudriye”” (“love to wisdom”). However, visible connections with him do not exclude the originality of Gogol’s decisions, which not only developed and transformed the romantic concept, but in some ways contradicted it.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121278865","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2023-1-114-122
A. M. Martazanov
The article deals with the issue of the role of the motive of just retribution in V. Astafiev’s works. The analysis of the writer’s main literary texts leads to the conclusion that the factor of dynamic balance between affective hatred of social evil and the thirst for mercy plays a key role in them. In the creative biography of Astafiev, there is an approximately ten-year “pessimistic” period (from the mid-1980s to the mid-1980s), when affective anger prevailed over kindness. However, in the future, the writer’s thirst for righteous retribution is again balanced by a exhortation to mercy.
{"title":"THE IDEA OF JUST RETRIBUTION IN THE WORK OF V. ASTAFIEV","authors":"A. M. Martazanov","doi":"10.37386/2305-4077-2023-1-114-122","DOIUrl":"https://doi.org/10.37386/2305-4077-2023-1-114-122","url":null,"abstract":"The article deals with the issue of the role of the motive of just retribution in V. Astafiev’s works. The analysis of the writer’s main literary texts leads to the conclusion that the factor of dynamic balance between affective hatred of social evil and the thirst for mercy plays a key role in them. In the creative biography of Astafiev, there is an approximately ten-year “pessimistic” period (from the mid-1980s to the mid-1980s), when affective anger prevailed over kindness. However, in the future, the writer’s thirst for righteous retribution is again balanced by a exhortation to mercy.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124926507","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2022-1-152-165
N. Rymar
The central concepts of Rilke’s things and figures are considered in connection with the ethical and aesthetic attitudes of Rilke, which were formed in the spiritual situation of Jugendstil, which expressed the aesthetic will to return the personality to the integrity of the life world as a unity of nature and culture and thus overcome the loneliness and fear of the personality of the modern era. The thing is experienced by Rilke as an intermediary between man and the world in its deep foundations. The poetics of Dinggedicht is shown as the poetics of revealing the phenomenon of a thing in the contexts of the existential experience of a large continuum of human culture.
{"title":"ABOUT THE SOURCES OF RILKE’S CONCEPTS OF «DING» AND «FIGUR»","authors":"N. Rymar","doi":"10.37386/2305-4077-2022-1-152-165","DOIUrl":"https://doi.org/10.37386/2305-4077-2022-1-152-165","url":null,"abstract":"The central concepts of Rilke’s things and figures are considered in connection with the ethical and aesthetic attitudes of Rilke, which were formed in the spiritual situation of Jugendstil, which expressed the aesthetic will to return the personality to the integrity of the life world as a unity of nature and culture and thus overcome the loneliness and fear of the personality of the modern era. The thing is experienced by Rilke as an intermediary between man and the world in its deep foundations. The poetics of Dinggedicht is shown as the poetics of revealing the phenomenon of a thing in the contexts of the existential experience of a large continuum of human culture.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126625951","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2021-2-138-151
V. V. Maroshi
The article deals with the role of the oppositions of «native» and «other» in the novel «Khurramabad» by A. Volos (2000). From «locus amoenus» Khurramabad turns into a dangerous place marked by violence and grief. All narratives of the novel are organized in chronological order: from the early 1930s to the 1990s, which was the time of mass departure of Russians and the civil war. Their sequence is due first to the Russian mastering of “another” («foreign») world, and then catastrophic loss of native city, property, and finally emigration to an unfriendly Russian countryside. The growing alienation of the characters ends with the author’s own alienation in the final essay «Khujand Dotted Line».
{"title":"MOTIFS OF “NATIVE” AND “ANOTHER” IN THE STRUCTURE OF THE “DOTTED LINE-NOVEL” “KHURRAMABAD” BY A. VOLOS","authors":"V. V. Maroshi","doi":"10.37386/2305-4077-2021-2-138-151","DOIUrl":"https://doi.org/10.37386/2305-4077-2021-2-138-151","url":null,"abstract":"The article deals with the role of the oppositions of «native» and «other» in the novel «Khurramabad» by A. Volos (2000). From «locus amoenus» Khurramabad turns into a dangerous place marked by violence and grief. All narratives of the novel are organized in chronological order: from the early 1930s to the 1990s, which was the time of mass departure of Russians and the civil war. Their sequence is due first to the Russian mastering of “another” («foreign») world, and then catastrophic loss of native city, property, and finally emigration to an unfriendly Russian countryside. The growing alienation of the characters ends with the author’s own alienation in the final essay «Khujand Dotted Line».","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"141 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122378734","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2021-4-89-98
O. Yureva
The article considers the motive of the duel as a structure-forming factor in the character of the heroine of the novel Grushenka Svetlova, who builds her relationships with the world and people according to the model of the duel. The motive of the duel determines both the mode of behavior of the heroine and the essence of her character.
{"title":"THE STRUCTURE-FORMING ROLE OF THE MOTIVE OF THE DUEL IN THE IMAGE OF GRUSHENKA SVETLOVA IN THE NOVEL BY F. M. DOSTOEVSKY «THE BROTHERS KARAMAZOV»","authors":"O. Yureva","doi":"10.37386/2305-4077-2021-4-89-98","DOIUrl":"https://doi.org/10.37386/2305-4077-2021-4-89-98","url":null,"abstract":"The article considers the motive of the duel as a structure-forming factor in the character of the heroine of the novel Grushenka Svetlova, who builds her relationships with the world and people according to the model of the duel. The motive of the duel determines both the mode of behavior of the heroine and the essence of her character.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"31 3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122626909","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2023-1-170-182
I. Shved
The article analyzes folklore-song interpretation of loneliness and accompanying feelings in the context of actualization of certain cultural imperatives and genre scenarios related to marriage and subsequent family life, which is considered mainly from the position of problematization of the young daughter-in-law inclusion in it. The main attention is paid to hymeneal songs, nonceremonial lyrics and ballads on matrimonial themes, which model the transformation process of the lyrical heroine (ceremonial character) with the help of such conceptual codes as action, locative, ornithological, as well as using symbols of isolation-fencing, metamorphosis and inclusion of neophyte into a new group. The considered folklore texts (in their semiotic meaning) act as a peculiar language, often the only one legitimized by tradition, through which in real communication situations its «bearers» articulate the state of solitude, isolation of a bridegirl and young married woman, as well as related social and psychological problems and such feelings or states as longing, despondency, destitution, desolation, fear, hopelessness, suffering.
{"title":"LONELINESS IN THE SONG FOLKLORE ON MATRIMONIAL THEMES (ON THE MATERIAL OF BREST REGION)","authors":"I. Shved","doi":"10.37386/2305-4077-2023-1-170-182","DOIUrl":"https://doi.org/10.37386/2305-4077-2023-1-170-182","url":null,"abstract":"The article analyzes folklore-song interpretation of loneliness and accompanying feelings in the context of actualization of certain cultural imperatives and genre scenarios related to marriage and subsequent family life, which is considered mainly from the position of problematization of the young daughter-in-law inclusion in it. The main attention is paid to hymeneal songs, nonceremonial lyrics and ballads on matrimonial themes, which model the transformation process of the lyrical heroine (ceremonial character) with the help of such conceptual codes as action, locative, ornithological, as well as using symbols of isolation-fencing, metamorphosis and inclusion of neophyte into a new group. The considered folklore texts (in their semiotic meaning) act as a peculiar language, often the only one legitimized by tradition, through which in real communication situations its «bearers» articulate the state of solitude, isolation of a bridegirl and young married woman, as well as related social and psychological problems and such feelings or states as longing, despondency, destitution, desolation, fear, hopelessness, suffering.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122070675","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2022-2-228-238
A. Kulagin
The article is dedicated to the anniversary of professor Stroganov M. V., Doctor of Philology (b. 1952). It contains a brief review of his main works tending to four areas of development: 1) anthropology; 2) local history and cultural studies addressed to the issue of local text and artistic space; 3) textual criticism; 4) vocabulary and reference.
{"title":"ENCYCLOPEDIST AND DEVOTEE To the anniversary of Professor M. V. Stroganov","authors":"A. Kulagin","doi":"10.37386/2305-4077-2022-2-228-238","DOIUrl":"https://doi.org/10.37386/2305-4077-2022-2-228-238","url":null,"abstract":"The article is dedicated to the anniversary of professor Stroganov M. V., Doctor of Philology (b. 1952). It contains a brief review of his main works tending to four areas of development: 1) anthropology; 2) local history and cultural studies addressed to the issue of local text and artistic space; 3) textual criticism; 4) vocabulary and reference.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116833279","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2022-3-198-214
E. G. Elina
The article is dedicated to the anniversary of the famous Russian literary critic Evgeniia Nakhimovna Stroganova. It discusses individual characteristics of this researcher’s individual style. In her works dedicated to Saltykov-Shchedrin, Russian female writers, works of Tolstoy, Dostoevsky and Turgenev, Stroganova forms and implements her personal research methodology, i. e. magnetism of archival or rare resources, pedantry and scrupulousness in terms of their understanding, research result “texture”. There is an element of “lecturing” in the way she presents the material, structure, which is characteristic of scientific speech. The article analyses various publications, special attention is given to the encyclopedic dictionary “Saltykov-Shchedrin and his Contemporaries” and the monograph called “Modern Idyll”.
{"title":"ARTISTIC PERSONALITY OF THE LITERARY SCIENTIST EVGENIIA NAKHIMOVNA STROGANOVA: FIRST RESULTS","authors":"E. G. Elina","doi":"10.37386/2305-4077-2022-3-198-214","DOIUrl":"https://doi.org/10.37386/2305-4077-2022-3-198-214","url":null,"abstract":"The article is dedicated to the anniversary of the famous Russian literary critic Evgeniia Nakhimovna Stroganova. It discusses individual characteristics of this researcher’s individual style. In her works dedicated to Saltykov-Shchedrin, Russian female writers, works of Tolstoy, Dostoevsky and Turgenev, Stroganova forms and implements her personal research methodology, i. e. magnetism of archival or rare resources, pedantry and scrupulousness in terms of their understanding, research result “texture”. There is an element of “lecturing” in the way she presents the material, structure, which is characteristic of scientific speech. The article analyses various publications, special attention is given to the encyclopedic dictionary “Saltykov-Shchedrin and his Contemporaries” and the monograph called “Modern Idyll”.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128208830","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.37386/2305-4077-2021-3-93-114
N. A. Tarkhova
The article is devoted to the responses of the English press to the publication of the first translation of A. S. Griboyedov’s comedy “Woe from Wit” into English, made by N. D. Benardaki in 1857 (London). Reviews that appeared in the Scottish magazine “McPhail’s Edinburgh Ecclesiastical Journal and Literary Review” and in the London newspaper “The Literary Gazette, and Journal of Archeology, Science, and Art”, and the names of their authors have remained unknown in Russia so far. In both issues, British readers are introduced to the content of the Russian play and with its characters, both publications tell about the life and work of its author. At the same time, each publication has features that reflect not only the personal preferences of its author, but also some general ideas about Russia in the middle of the XIX century that existed in Great Britain. The first article, relying on the text of the comedy, made an attempt to draw a general picture of the life structure and moral climate of modern Russia as a “not quite civilized” country, from the point of view of the British. The author of another one tendentiously covers the life of Griboyedov, revealing dislike for him as a diplomat whose activities in Persia were successfully directed against British influence in this country.
这篇文章专门讨论了英国新闻界对a·s·格里博耶多夫的喜剧《机智的悲哀》(Woe from Wit)的第一个英译本的反应，该译本由n·d·贝纳达基(n.d. Benardaki)于1857年(伦敦)制作。发表在苏格兰杂志《麦克菲尔的爱丁堡教会杂志和文学评论》和伦敦报纸《文学公报》和《考古、科学和艺术杂志》上的评论及其作者的名字至今在俄罗斯仍不为人知。这两期杂志都向英国读者介绍了这部俄罗斯戏剧的内容和角色，两期出版物都讲述了作者的生活和工作。同时，每份出版物的特点不仅反映了作者的个人喜好，也反映了英国对十九世纪中期俄罗斯的一些总体看法。第一篇文章以喜剧的文本为依托，试图从英国人的角度，描绘出现代俄罗斯作为一个“不太文明”的国家的生活结构和道德氛围。另一本的作者倾向于描写格里博耶多夫的生平，流露出对他作为一名外交官的厌恶，因为他在波斯的活动成功地针对了英国在这个国家的影响。
{"title":"BRITISH PRESS ON THE FIRST ENGLISH TRANSLATION OF “WOE FROM WIT” (1857)","authors":"N. A. Tarkhova","doi":"10.37386/2305-4077-2021-3-93-114","DOIUrl":"https://doi.org/10.37386/2305-4077-2021-3-93-114","url":null,"abstract":"The article is devoted to the responses of the English press to the publication of the first translation of A. S. Griboyedov’s comedy “Woe from Wit” into English, made by N. D. Benardaki in 1857 (London). Reviews that appeared in the Scottish magazine “McPhail’s Edinburgh Ecclesiastical Journal and Literary Review” and in the London newspaper “The Literary Gazette, and Journal of Archeology, Science, and Art”, and the names of their authors have remained unknown in Russia so far. In both issues, British readers are introduced to the content of the Russian play and with its characters, both publications tell about the life and work of its author. At the same time, each publication has features that reflect not only the personal preferences of its author, but also some general ideas about Russia in the middle of the XIX century that existed in Great Britain. The first article, relying on the text of the comedy, made an attempt to draw a general picture of the life structure and moral climate of modern Russia as a “not quite civilized” country, from the point of view of the British. The author of another one tendentiously covers the life of Griboyedov, revealing dislike for him as a diplomat whose activities in Persia were successfully directed against British influence in this country.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"07 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128769213","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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