{"title":"PERANCANGAN TYPEFACE ITIAK PULANG PATANG","authors":"Ifdal Irman","doi":"10.26887/MAPJ.V3I1.1338.G728","DOIUrl":null,"url":null,"abstract":"The motif of itiak returns to patang is a sublime cultural heritage of Minangkabau. In Minangkabau society, there are three kinds of carvings that are inspired by nature. seen in the life of the Minangkabau people which still exist and are maintained until now. This idea was then developed into a concept for designing a visual typeface based on the back-to-back carving that has anatomical characters and the construction process is based on the rules in the typeface, so that this adaptation appears in Italic font. From engraved form to phonetic (single letter) its application as a font on a computer. After research and design, these ready-to-use fonts are socialized in the local area, prioritized at the education and government levels, which are used for the benefit of regional heads. The purpose of this design is to discuss and interpret the philosophical meaning contained in the carving, which reflects the life patterns of the Minangkabau people. This phenomenon is poured into the basic idea in creating an invincible typeface with the basic principles of typeface. This research method uses descriptive qualitative to reveal facts and circumstances by presenting what actually happened in the Minangkabau community. The approach used is a semiotic approach. Keywords: font, itiak pulang patang, italics.","PeriodicalId":269955,"journal":{"name":"Melayu Arts and Performance Journal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-04-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Melayu Arts and Performance Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.26887/MAPJ.V3I1.1338.G728","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
The motif of itiak returns to patang is a sublime cultural heritage of Minangkabau. In Minangkabau society, there are three kinds of carvings that are inspired by nature. seen in the life of the Minangkabau people which still exist and are maintained until now. This idea was then developed into a concept for designing a visual typeface based on the back-to-back carving that has anatomical characters and the construction process is based on the rules in the typeface, so that this adaptation appears in Italic font. From engraved form to phonetic (single letter) its application as a font on a computer. After research and design, these ready-to-use fonts are socialized in the local area, prioritized at the education and government levels, which are used for the benefit of regional heads. The purpose of this design is to discuss and interpret the philosophical meaning contained in the carving, which reflects the life patterns of the Minangkabau people. This phenomenon is poured into the basic idea in creating an invincible typeface with the basic principles of typeface. This research method uses descriptive qualitative to reveal facts and circumstances by presenting what actually happened in the Minangkabau community. The approach used is a semiotic approach. Keywords: font, itiak pulang patang, italics.
伊蒂亚克回归巴塘的主题是米南卡保的崇高文化遗产。在米南卡保社会中,有三种雕刻灵感来自大自然。在米南卡保人的生活中可以看到,直到现在仍然存在。这个想法后来发展成一个概念,设计一种基于具有解剖特征的背靠背雕刻的视觉字体,并根据字体中的规则进行施工过程,因此这种改编出现在Italic字体中。从刻字到音标(单个字母),它在计算机上作为字体的应用。经过研究和设计,这些现成的字体在当地被社会化,在教育和政府层面被优先考虑,为地区领导人的利益而使用。这个设计的目的是讨论和解释雕刻中包含的哲学意义,它反映了米南卡堡人的生活方式。用字体的基本原理,将这种现象倾注到创建无敌字体的基本思想中。这种研究方法采用描述性定性方法,通过展示米南卡保社区实际发生的事情来揭示事实和情况。使用的方法是符号学方法。关键词:字体,iatiak pulang patang,斜体。