Constructing New Horizons: the art of Winnipeg modernist Tony Tascona

Justin Barski
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Abstract

There is a popular perception that Canadian art is largely reactionary and without real innovation, however the Winnipeg-based artist Tony Tascona is a demonstrable example of a Canadian artist as primary innovator. Because of his technical training in the aerospace industry, Tascona was able to introduce a whole body of knowledge unfamiliar to the fine art world. Artistic experimentation with non-traditional industrial materials had been explored for several decades prior to the appearance of his mature work, however Tascona possessed an intimate knowledge and sensitivity to his materials that lead to a style uniquely appropriate to his content; his content being the materials themselves and the forms of the mechanised world. Through archival research at the University of Manitoba and an interview with the artist’s nephew, this paper explores Tascona’s artistic genealogy, working milieu and unique situation within modern art history. Its ultimate purpose is to make a case for why his work deserves critical attention and why he should be remembered as a great artist with a contribution unique not just to Canada, but to the world.
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构建新视野:温尼伯现代主义者托尼·塔斯科纳的艺术
人们普遍认为加拿大艺术在很大程度上是反动的,没有真正的创新,然而,来自温尼伯的艺术家托尼·塔斯科纳(Tony Tascona)是加拿大艺术家作为主要创新者的一个明显例子。由于他在航空航天工业的技术培训,塔斯科纳能够介绍整个美术世界不熟悉的知识体系。在他成熟的作品出现之前,非传统工业材料的艺术实验已经探索了几十年,然而,塔斯科纳对他的材料有着亲密的知识和敏感性,这导致了一种独特的适合他的内容的风格;他的内容是材料本身和机械世界的形式。通过马尼托巴大学的档案研究和对艺术家侄子的采访,本文探讨了塔斯科纳的艺术谱系,工作环境和现代艺术史中的独特地位。它的最终目的是为了说明为什么他的作品值得关注,为什么他应该作为一个伟大的艺术家被人们记住,他不仅对加拿大,而且对世界都有独特的贡献。
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