Real Characters

M. Morris
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Abstract

This chapter attempts to develop for the case of characters in novels the kind of Real-Likeness view developed for painted things in Chapter Two. It does this by developing a new view in the philosophy of language. First, it introduces the idea of non-transactional uses of language, which are not designed to get some everyday kind of task done. It is argued that this kind of use is found both in philosophy and in stage plays. Secondly, it develops a Real-Likeness view of the characters in stage plays, and argues that novels have narrators who are like such characters. And thirdly, it introduces the idea of verbal mimes, which are ways of using words to imitate real-world things. It is then argued that novels create real likenesses by means of verbal mimes. Finally, it is suggested that even proper names may be given a role in verbal mimes.
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真实的人物
本章试图将第二章中对绘画事物的真实相似观点发展到小说中的人物。它通过发展语言哲学的新观点来做到这一点。首先,它引入了语言的非事务性使用的概念,它不是为完成日常任务而设计的。有人认为,这种用法在哲学和舞台剧中都有发现。其次,对舞台剧中的人物进行了真实的刻画,并认为小说中的叙述者与舞台剧中的人物相似。第三,它引入了口头哑剧的概念,这是使用单词模仿现实世界事物的方法。因此,有人认为小说通过口头模仿创造了真实的相似性。最后,有人认为,甚至专有名称也可能在言语默剧中发挥作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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Postscript Painted Things Real Characters
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